Inlay Ceramics

Stunning contemporary Japanese Ko-Imari style porcelain koro or incense burner or jewelry box, hand painted on a beautifully shaped round body in cobalt blue, red and green and gener...

Japanese Meiji porcelain Kutani vase hand painted with decorative and a figural panel dating between 1868 and 1912. The elegantly shaped tall ...

Mizu ( 水 ) ~ (n) water Our Mizu bowl comes with 3 short legs. It would look elegant on its own or as a keeper of trinkets or potpourri. This Mizu bowl is the kind of piece to creat...

Mizu ( 水 ) ~ (n) water Our Mizu bowl comes with 3 short legs. It would look elegant on its own or as a keeper of trinkets or potpourri. This Mizu bowl is the kind of piece to crea...

Mizu ( 水 ) ~ (n) water Our Mizu bowl comes with 3 short legs. It would look elegant on its own or as a keeper of trinkets or potpourri. This Mizu bowl is the kind of piece to creat...

A rare Meissen Marcolini Porcelain Chinoiserie incense burner vase and cover, made for the Chinese market, circa 1800, blue cross swords and star mark, Pressnummer 58 A Museum Quality Piece. Painted in the sought after famille rose palette with sprigs of indianische Blumen and enriched in gilding, the simulated pierced body supported by four feet painted with stylized dragons, the pierced cover with a Buddhist lion finial. 10" high x 6" wide x 6" deep The shape of this piece, which appears to be unrecorded in the literature, is inspired by similar Chinese porcelain censers from the Qing Dynasty, Kangxi Period (1654-1722). An example in the Palace Museum, Beijing, is illustrated by Li Yi-hua in Qing Porcelain of Kangxi, Yongzheng and Qianlong Periods from the Palace Museum Collection, Hong Kong, 1989, pl. 65. Another in the British Museum, London (museum no. PDF, A.812) is catalogued as a perfume-holder. These porcelain examples are in turn inspired by ancient Chinese bronzes from both the Shang (1600-1046 BC) and the Zhou (1046-246 BCE) dynasties, an example of which was sold anonymously by Christie's New York, 22 March 2019, lot 1601. This chain of inspiration tracking backwards from the 19th century to antiquity provides a clear example of how ceramics, and indeed other mediums, are able to influence and motivate the works of later generations. For a Meissen porcelain snuff...

Described by ancient Chinese as a “full moon dyed with spring water,” celadon ware has long been prized for its luminous transparency and delicate blue-green coloring. This petite ce...

This is a pottery called Tokoname ware. Tokoname is a kiln located in Aichi Prefecture, Japan (Tokoname Kiln is marked with a red circle on the map). It is said to have originated ar...

A beautifully and sumptuously blue and white crackle glazed and colored, moon pot shaped, hand-decorated/painted Korean Buncheong porcelain vase. Joseon Dynasty (1392-1910). The vase...

Large, Chinese Longquan style celadon vase with a stunning lotus leaf pattern underglaze and Greek key detail on the perimeter of t...

A fine antique Japanese Satsuma pottery vase. In the form of a bud vase with a round base and narrow, tapered neck. Decorated throug...

There is a long crack that has been repaired. Detailed images 14th and 15th. There is no water leakage, but please refrain from leaving water in it for more than two days. Also, be s...