A Large Carved Longquan Celadon Yuhuchunping, Yuan-Ming Dynasty

The dish is decorated to the centre with a moulded appliqué dragon chasing the flaming pearl surrounded by a carved stylised foliage band at the cavetto. The moulded fluted exterior ...

This sculpture is a Longquan celadon from the Ming Dynasty, renowned for its rich and jade-like green glaze. The figurine is likely a representation of a Buddhist deity or a revered scholar, showcasing the calm aesthetic expressions and graceful contours prevalent during the era. The spectrum of celadon glaze ranges from a dense grey stoneware to a nearly white porcelain texture, with unglazed parts revealing a terracotta brown upon firing. Such pieces were often part of household altars, reflecting the era's spiritual devotion. This artifact would be a treasured exhibit in any museum's Asian art collection, symbolizing both religious reverence and artistic excellence. Period: Ming Dynasty (1368-1644) Region: Longquan, China Medium: Stoneware - Celadon glazed, with a range from heavy grey to almost white porcelain-like material Type: Sculpture Height : 24.5 cm Provenance : Acquired in 1999, Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

The bowl features a relatively deep green glaze and a smooth and lustrous finish. The exterior is intricately incised with a lotus petal design, symbolizing purity and spiritual enlightenment, while the interior remains plain to emphasize the glaze's elegance. Over centuries, a natural brown discoloration has appeared on the exterior, reflecting its historical authenticity and prolonged chemical reaction during burial. This is also considered a part of the aesthetic element of celadon. Period: Ming Dynasty (1368~1644) Region: Longquan, China Medium: Stoneware - Celadon glazed Type: Tripod censer Size : 18.5 cm(Diameter) , 7.5cm(Height) Provenance : Acquired in late 1990s from Hongkong * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

One side of the vase showcases a panel with the Shou character at its center, symbolizing longevity, while the opposite side displays the Fu character, signifying luck. The neck of the vase is adorned with leaves. There are similar types and decoration but varying in shape, resembling a pear, all from the same era and crafted in celadon, often referred to as 'fu shou' vases. Period: Yuan-Ming Dynasty (1271-1644) Region: Longquan, China Medium: Celadon Type: Ewer Provenance : Acquired in late 1990s from Hongkong Reference 1) British Museum - Museum number 1931,1118.5 (Type : Closely related) 2) Christies NEW YORK 24–25 MAR 2022 - Important Chinese Ceramics and Works of Art - Lot 1105 (Price realised : 9,450 USD / Type : Related) 3) Sotheby's New York 19 March 2024 - Chinese Art - Lot 172 (Price range : 15,000 USD - 20,000 USD / Type : Related) * Ming Dynasty Longquan Celadon Longquan celadon from the Ming Dynasty typically exhibits a more robust and heavier stoneware body compared to its Song Dynasty predecessors. The Ming era saw an evolution in celadon glaze, achieving a wider spectrum of green hues, from olive to bluish-greens. Ming celadons...

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