Japanese Antique Samurai Handcuffs, Meiji Period

A rare 19th century hard to find Japanese Usubata Flower Planter Cart "Norimono", Late Meiji Period. Japan, this handsome quality old style "garden cart" ikebana planter is an exceptionally rare find and an authentic old work of Japanese art. Brilliantly designed and a handsome plant presentation with removable ikebana vase inserted into an openwork wicker basket set on a wheeled cart...

From our recent Japanese acquisitions, a rare find Antique Original Japanese temple "blossoming lotus" flower bud stem including its original red lacquer display base. This finely hand carved wood and lacquered gold flower stem was made for a Buddhist 19th century temple altar. Its flower blossoms and leaves symbolize the stages of the path toward enlightenment. The individual parts of each lotus is carved separately then joined in an arrangement and inserted in altar vessels. Also called "Jyôka" , it is placed on or next to an altar in a Buddhist temple. Made with meticulous techniques. In Buddhism, the lotus is an important symbol of divine enlightenment because it blooms into beautiful flowers while growing in mud. Tsunehana means "a flower that continues to bloom forever" and "a flower that does not wither." For this reason, the flowers represented are in different stages of their life, unfolded lotus leaves, buds and full flowers, thus symbolizing the journey towards Buddhist enlightenment. This lovely Japanese antique gilt Lotus flower is an early survivor, circa 1840, and a hard to find treasure that was originally placed on or around a temple altar. This ensemble consists of a single stem, the top most flower, and the bottom leaf- all mounted in the original square red lacquer display base. A gold gilt 3.5 inch long tortoise "minogame" is affixed to the base as seen in the photo. Its attractive original old patina coupled with much of the original gilding remaining present is just the way we like to find them. Dimensions: With original red lacquer display stand Height, 17 inches height and 9 inches in width. The lotus flower stem alone measures 16 inches in height. Provenance: acquired from a Kyoto Japanse monk and collector History of the Japanese turtle "minogame" One of the most famous is the mythological giant turtle...

China, a fine archaic conjoined bust sculpture of a male and female hand carved from a granular medium to dark gray stone. Neolithic period, Hongshan culture (circa 4700-2900 BC) Likely a fertility - progeny sculpture. Please note the pecked surfaces and the stone carved hair line particularly on the back head area. Quality: Fine original condition, no repairs, as collected. Dark varied patina from appropriate age. This is likely a unique carving. Dimensions: 12.25 inches tall and 4.25 inches width. About Hongshan Culture: The Hongshan culture was a Neolithic culture in northeastern China. Hongshan sites have been found in an area stretching from Inner Mongolia to Liaoning, and dated from about 4700-2900 BC. The culture is named after Hongshanhou, a site in Hongshan District, Chifeng. The Hongshanhou site was discovered by the Japanese archaeologist Torii Ryuzo in 1908 and extensively excavated in 1935 by Kosaku Hamada and Mizuno Seiichi. Provenance: Our private collection and accompanied by our Lifetime Guarantee of Authenticity. Originally collected in the area of Chifeng City, Inner Mongolia. In addition, our Hongshan stone effigy...

China an ancient limestone figure of an Entertainer replete with hands holding tambourines and a top a drum, -for the afterlife- , Han dynasty 206 BC...

Antique samurai doll called Hinaningyo; Japan, late EDO period Praised at the Tang-no-sekku boys' festival on May 5th as a sign of bravery, embodying the...

Japanese 19th century Edo-Meiji Period Satsuma stoneware incense burner (Koro) with small wooden support table By: unknown Material: ceramic, stoneware, wood, enamel, paint Techniqu...

A fine antique Japanese Imari plate. With a white ground and decorated with geometric and floral devices in blues, reds, oranges, and oranges. The blue cross device to the middle is reminiscent of a shimazu mon. The exterior of the rim has blue underglaze devices and accent lines to the footrim. Simply a wonderful Meiji porcelain plate...

A Satsuma Earthenware vase and cover, Japanese, Meiji period, (1868-1912) decorated in polychrome enamels and gilt over a clear, crackled glaze, delicately painted with samurai on ...