An Annamese stoneware with cobalt blue, Hoi An Hoard, Late 15th century

At the center of the vase, within a rounded frame, a bird is depicted perched on a small branch. The bird’s feathers and body are finely detailed, while the beak and eyes are rendere...

These ceramics feature finely detailed depictions of birds and cloud motifs using underglaze blue, showcasing an elegant and refined design. The vase portrays a bird in mid-flight, w...

The vase features a slender neck adorned with gracefully drawn, elongated leaves that blend seamlessly with its natural curves, adding a refined elegance. At the center, a meticulously rendered geometric pattern of repeating wave-like motifs creates a sense of depth and movement, framed by curved lines for balance. Simple plant motifs are scattered throughout, complementing the design with minimal strokes. The base is grounded by repeated geometric symbols, ensuring stability and cohesion. Overall, the vase masterfully combines simplicity and sophistication, resulting in a harmonious and elegant work of art. Dates : 15th century Le Dynasty Region : North Annam, Vietnam Type : Yuhuchun Vase Found/Acquired : Southeast Asia , South China Sea, Hoi An Ship Reference : 1) Art Gallery of Greater Victoria - A vase from the wreck of the Hoi An 2) Butterfield Treasures Hoi An Hoard Auction Catalogs / San Francisco Butterfields 2000 * Vietnamese trade ceramics Around the mid-14th century, Vietnam developed its ceramics production technology by producing blue and white porcelain, and began to export it overseas. During this period, China Ming Dynasty implemented a policy of lifting the ban from 1371 to 1657 and restricted foreign trade. This served as a good opportunity in the trade history of Vietnamese ceramics, and ceramic exports...

Stoneware decorated with Persian-style colors and patterns, and it is highly likely that this Annamese pottery intended for export was produced to meet Middle Eastern demand. Dates ...

A Ming dynasty period glazed terracotta funeral table mingqi from 15th-16th century with food and drinks. Created during the Ming Dynasty, this glazed terracotta funeral table, known...

Immerse yourself in the captivating legacy of the Majapahit Empire with this rare and beautifully preserved 15th-century terracotta handmaiden figure. Depicting a fertile woman tenderly holding her child, this evocative sculpture symbolizes the deep-rooted cultural values of fertility, family, and domestic protection that were integral to Majapahit society. These figures were often kept in households as guardians of the hearth, believed to bring prosperity and ensure the well-being of the family. This statue radiates a sense of ancient spirituality and reverence. Its connection to both the sacred and the everyday life of Majapahit culture makes it a fascinating piece for collectors and historians alike. Hailing from the esteemed Trowulan region in East Java, this rare piece has journeyed through centuries before finding its place in the private collection of Anacleto Spazzapan. Documented in the Majapahit catalog on page 144 as figure number 11, it has been meticulously studied and authenticated by Professor Agus Aris Munandar, a prominent authority in Indonesian archaeology. Professor Munandar, born in 1959, is currently the professor of Indonesian Archaeology at the University of Indonesia in Jakarta. His extensive research focuses on Hindu-Buddhist archaeology, iconography, and the ancient history of Indonesia and Southeast Asia. He served as a member of the Indonesian team of experts at National Cultural Heritage from 2015 to 2018 and previously held the role of Head of Institute and Research at the Faculty of Humanities at the University of Indonesia. Now the head of the Department of Archaeology at the University of Indonesia, Professor Munandar has authored numerous articles and 19 books, many of which delve into Majapahit culture and artifacts, solidifying his reputation as a leading scholar in the field. Professor Munandar's endorsement, complemented by a preface from Professor Massimo Vidale of the University of Padua, offers invaluable insights into the religious and decorative significance of Majapahit terracotta...

Burmese pottery standing Buddha. Age: Burma, Ava Period, 15th Century Size: Height 13.4 C.M. / Width 6.2 C.M. / Length 10.7 C.M. Condition: Nice c...

Burmese wooden Buddha sitting in Mara Vijaya (calling the earth to witness) posture on a base. Age: Burma, Ava Period, 15th Century Size: Height 60 C.M. / Width 29 C.M. Condition: I...