WICK ANTIQUES LTD

A centre table attributed to Holland and Sons related to a table in Clarence House, this exceptional table has a circular top decorated with six radiating amboyna veneers with a border of concentric marquetry rings. The decoration comprising kingwood bands within boxwood stringing, a continuous boxwood laurel wreath with ivory berries on a satinwood ground and further amboyna borders. The frieze has amboyna crossbanding and applied ormolu sunburst medallions. The support is composed of purpleheart columns inlaid with kingwood, terminating in low splayed feet, which encircle a classical urn on a plinth. The superb ormolu mounts include acanthus leaves, classical masks and patera. English, circa 1860. A table with a similar base and particularly fine ormolu mounts was exhibited by Holland and Sons in the International Exhibition in 1862 and illustrated as plate 40 in J. B. Waring’s book (see pages 100-103 for further references to this exhibition). A further closely related piece was in the collection of the late Queen Elizabeth the Queen Mother and is shown in the Morning Room in Clarence House in the Daily Mail’s article ‘Inside the private world of Prince Charles’, November 2018. Originally founded by Stephen Taprell and William Holland...

A highly interesting late 19th century side table in the Palladian taste, specific elements of the design and decoration suggesting that the piece was made in the Irish style and pos...

A Victorian Silver Inkstand made in Madras by Peter Orr and Sons in 1880 for Presentation to the 3rd Duke of Buckingham and Chandos, Governor of Madras and Convenor of the “Duke’s Ow...

A Fine Pair of Regency Mahogany Side Cabinets by Gillows, c.1815, This fine pair of mahogany side cabinets have all of the fine qualities associated with Gillows furniture of this pe...

A Fine Quality and Large Four Pillar Brown Oak Extending Dining Table, c.1900, This fine extending dining table has four pillars and, with the replacement extending leaves added, can...

Framed Salvatore Ferragamo Leopard Silk Scarf This wonderful square silk scarf by Salvatore Ferragamo features 5 leopards in various poses. This mot...

A Fine and Interesting Pair of Late 19th Century Gothic Revival Ormolu Andirons or Fire Dogs These exceptional andirons are likely French and date to around 1880. Produced in the Go...

A Fine Pair of Late 19th Century Demilune Satinwood and Inlaid Side or Console Tables in the Neoclassical Style Attributed to Edwards and Roberts This fine pair of neoclassical-style tables are of demilune, or semicircular, shape and veneered principally in satinwood. Large-scale panels of satinwood have been laid on the carcass of the frieze to give a segmented effect, which is very attractive. The tapering square-sectioned legs and contrasting spade toes are all classic Sheraton design features, being reused here a century later. The most impressive parts of the tables are undoubtedly the beautiful tops, with the central feature being an inlaid fan-shaped patera, centered by a smaller example of the same form with additional penwork foliage on it. This, in turn, centers on a semicircular feathered boss. Around the edge of the tabletops is a wide crossbanding upon which a repeating neoclassical design featuring penwork scrolling foliage and urns is delicately executed and highly attractive. Footnote: The quality of the present tables indicates that they would have been produced in one of the leading workshops of the period. On stylistic grounds, the most likely maker is Edwards and Roberts. Particularly adept at producing furniture in the inlaid Sheraton style, the firm had an elite clientele and, as such, was able to make the finest furniture without cutting corners. For an example of a Carlton House table...

These luxurious chairs are deep, comfortable, and upholstered in top-quality country house fabric. They feature a refined shape, with elegantly curving arm supports and backs that ad...

J. B. Waring describes this oxidised silver Testimonial as follows: “The Manchester Art-Treasures Testimonial is surmounted by a figure of genius contending with an eagle, around whi...

An unusual pair of Victorian marble revolving topped pedestals. One marked ‘Forced Lesson’, one marked ‘Forced Prayer’. These beautiful pedestals were clearly designed to hold sculptures with the titles of the works inscribed on the stems. The fact that the pedestals, and therefore the related artworks, were clearly made as a pair has allowed us to research them and we are delighted to have discovered that, at the Melbourne International exhibition in 1880, Pietro Bazzanti and Son of Florence exhibited two artworks with the names Forced Prayer and Forced Lesson (items 338 and 339). Another artist also exhibited a piece titled Forced Prayer at the same exhibition but Forced Lesson is a very unusual title and, as stated before, the fact that the pieces were clearly intended to be a pair reinforces the attribution of provenance in this case. These fine pedestals are a very practical and usable size and the carved swag and star detailing are very desirable attributes. They would make a fine pair of display stands for vases...

The Viner Angling Shield Presentation Fishing Trophy with original Fitted Oak Wall Display Cabinet, the heart-shaped central plaque with embossed scen...