Shak Gallery

With the debate on statutory holiday rights, Nordiska Kompaniet predicted an increased demand for furniture for holiday homes and Axel Einar Hjorth presented the Sandhamn series in 1929. Demand increased, which led to Hjorth designing several series in stained pine in the following years, for example the Utö, Lovö and Skoga models. Originally, this model had a cushion that could be made again. This chair belonged to the French interior designer François Catroux...

Shaker table model 5267 for Danish Furniture makers in Fredericia, Denmark. Among the great mid-20th century Danish furniture designers, Børge Mogensen distinguished himself with his faith to traditional values of craftsmanship and honesty of materials. While peers such as Hans Wegner, Finn Juhl and Arne Jacobsen designed some of the most striking and now iconic furnishings of the era, Mogensen focused on making pieces that were simple, durable and comfortable — and in the long run perhaps more useful and better loved. Mogensen studied under and later worked for Kaare Klint, a master cabinetmaker whose chief tenets were quality of construction and simplicity of line. Klint was a classicist, who believed that furniture forms should evolve from those of historical models. So, too, in his way was Mogensen, as two of his best-known earlier pieces attest. His 1945 Spokeback Sofa, with hinged arms that can be lowered to facilitate lounging, is a reinterpretation of the venerable Knole settee. With the oval silhouette of its plywood backrest and waterdrop-shaped cutouts, Mogenson’s Shell chair, designed in 1949, can be seen as a novel take on early 19th century Empire side chairs. Yet Mogensen shared the aesthetical sensibilities of his most forward-looking colleagues. His cabinets deploy the same spare geometries and lushly figured woods as those of Ludwig Mies van der Rohe and his disciple Florence Knoll, the chief difference being that Mies and Knoll used...

Argenta Vase with nude woman Algot Wilhelm Kåge (6 March 1889 – 25 November 1960) was a Swedish artist and designer, mainly known as a ceramic d...

Wilhelm Kåge (1889-1960) is one of the most well-known representatives of the illustrious Swedish ceramic design of the 20th century. This piece is signed with sticker "Gustavsberg Argenta 1079 II". Swedish ceramic artist and designer, Wilhelm Kåge (1889-1960) was primarily active in the late-1920s through the 1950s and is best known for his contribution to functionalist style, as well his work as the artistic leader of the Gustavsberg porcelain factory. Algot Wilhelm Kåge (originally Nilsson) was born in 1889 in Stockholm. Kåge studied decorative painting at the Technical School, later known as the School of Art Konstfack, in Stockholm (never graduating), and subsequently at the Valand Academy in Gothenburg, where he studied under Scandinavian painters...

The dimensions of the 3 vases are: Small vase is H11.5 x D9 cm/ H4.5" x D3.5" Medium vase is H22.5 x D12 cm/ H8.9" x D4.7" Large vase is H27 x D15 cm/ H10.6" x D5.9" The Argenta co...

Description Jacaranda and jacaranda veneer, rectangular shape on coupled leg stand, five drawers with handles in turned jacaranda, cabinet with sliding glass doors, interior with two...

Here is a pair of Don Shoemaker candlesticks in Coco Bolo wood. Both retain correct original labels on the bottoms. Both reads “SENAL S.A. STA MARIA MORELIA...

The Diabolo desk/Table lamp has 2 lights. Patinated brass. I bought it as made by Luci Srl which is an Italian manufacturer that knocked off some designs fr...

A vintage Swedish flat-weave wool rug by Alice Walleback dating back to 1960s with woven initials (AW) at a lower corner. Size: 6.5" × 10.3" (199 × 315 cm) It is in excellent origina...

Hand-woven wool. Made in Sweden. Measures: 6'6 x 9'7. Date: 1960s. Mid-20th Century. Missing a few. fringes otherwise in very good condition. Ingegerd Silow (1916-2005) was an influe...

A unique large copper pendant lamp by Fog and Mørup with 3 lights. Fog & Mørup was a legendary Danish lighting manufacturer best known to collectors for the sleek and sculptural ceiling lights, wall lights and floor lamps that the company produced in the postwar years. Its vintage fixtures are ideal for design enthusiasts looking to introduce a splash of Scandinavian modernist ingenuity into a space. Founders Ansgar Fog and Erik Mørup reportedly met in Aarhus, Denmark, in 1902. They became fast friends and discussed going into business together. An opportunity materialized a couple of years later when they discovered a newspaper advertisement — an Aarhus consignment warehouse had been vacated and its landowner was looking for a business to sign a new lease. The friends took a chance and established a wholesale metalwork business. In 1906, Fog and Mørup moved the business to Copenhagen and focused on lighting. They purchased an electrical company in 1913 and opened a lighting factory shortly thereafter. The following two decades saw rapid expansion. One of the most notable Fog & Mørup designs from the interwar period was the brass Kongelys table lamp, created by Niels Rasmussen Thykier. Johannes (Jo) Hammerborg, an alum of leading Danish silverware brand Georg Jensen, joined Fog & Mørup as head of design in the late 1950s, ushering in a period of commercial success and international prominence. Hammerborg was an innovative designer whose sleek and streamlined aesthetic came to define the company. During his time with Fog & Mørup, Hammerborg designed over 60 lighting fixtures and collaborated with other designers such as Erik Balslev, Sophus Frandsen and more. Fog & Mørup also worked with designers Torsten Thorup and Claus Bonderup, who created the iconic trumpet-shaped Semi pendant light...

Mid-Century French coat rack designed by Roger Feraud. Manufactured by Geo France. The spheres are nickel plated brass. The natural patina of the spheres has been kept. Spheres are 9cm.