Lions Gallery Figurative Paintings

Vibrant Gouache and watercolor painting by Israeli master JOSSI STERN. on paper mounted to board. Dimensions: 29.5 X 33.5 23 X 27 Jossi (Yossi) Stern, (Hungarian Israeli 1923 - ...

Alex Charles Chartier, French, 1894-1957 Oil painting on board 1951 Quartier Plaisance, Paris village scene Hand signed and dated '51 lower left. Dimensions: 21" x 25-3/4", frame...

ZACHARY ARMSTRONG (American, Born 1984 in Dayton, Ohio) Portraits after Noah Green & Grey Oil on paper, 2016, with label from Tilton Gallery, NY. ve...

Gregory Sumida (American, b.1948) 'Pick-Up Crossing' Oil paint on masonite board. Hand signed lower right 1976 Depicting a rural landscape and buildings, in a linen-lined pickled w...

Riot, Revolution, Police figures on Horseback in City Streets. Hand signed lower right. Painting measures 6 x 12, framed 9 x 15 inches. Arthur Smith is a listed American painter mos...

Overall 21 X 27 image is 17.25 X 23.5 This is a mixed media print on canvas by beloved comedian and artist Jonathan Winters. This one depicts old biplane airplanes and parachutes ...

Maurice Brianchon (French 1899-1979) Interior scene (backstage at the theater) Watercolor and gouache on paper Signed lower right “Brianchon” Frame measures 16 X 17.5. Sight Size 8.5...

Constantine Kluge (French 1912-2003) Les Pommiers en Fleurs Oil on canvas of apple trees in bloom Hand signed lower right. Provenance: purchased from Wally Findlay Galleries. (bear...

Arie Azene, Israeli painter, born in Germany, 1934 Arie (Eisman) Azene was born in Hamburg, Germany. He immigrated to the Land of Israel with his parents soon after birth. In 1958, after studying art in Paris, he settled on Kibbutz Tzova in the Judean Hills, where he lived for 28 years. He spent 1968-1970 in France, England and Germany. In 1984, he moved to Jerusalem. Stylistically, Azene was influenced by the New Horizons group to which he was exposed during his studies at the Avni Institute in Tel Aviv. Other influences were Joseph Zaritsky, Avigdor Stematsky and Yehezkel Streichman. Azene works in oil paint, pencil and aquarelle. His early work was abstract, but over the years, it has become more figurative and realistic. His colour palette is often based on two complementary hues, with a predominance of various combinations of gray. Education 1948-51 Avni Institute, Tel Aviv 1951-52 Bezalel Academy of Arts and Design, Jerusalem 1957-58 Academie de la Grande Chaumiere, Paris, France, Advanced Studies Select Exhibitions Autumn Exhibition Autumn Exhibition Yad Lebanim Museum, Petach Tikva 1974 Artists: Shimon Avni, Mordechai Avniel, Azene, Arie, Eli Ilan, Michael Argov, Naftali Bezem, Nachum Gutman, Shraga Weil, Boaz Vaadia, Shmuel Katz, Ruth Schloss. Zaritsky Artists House, Tel Aviv 1976 Artists: Yitzhak Danziger, Menashe Kadishman, Osvaldo Romberg, Michal Wolman, Raffi Lavie The Kadishman Connection Israel Museum, Jerusalem 1979 Artists: Larry Abramson, Jacob El Hanani, Ovadia Alkara, Yosl Bergner, Marcel Janco, Lea Nikel, George Chemeche, Igael Tumarkin. Israeli Prints...

Jack Balas Grid Study, Appaloosa Oil and Enamel on Board Inscribed verso, dated 1997-99 and hand signed l.l. Sight: 24 x 48 in. (61 x 121.9 cm.), Frame: 26 x 50 x 2 in. (65.4 x 127 ...

Joseph Wolins 1915-1999 Subject: Jewish, Dancing with the Torah (New Torah, Simchat Torah) Hand signed oil painting In this painting, Joseph Wolins uses vibrant and complimentary co...

Curtis Ripley (American, born 1949). Expressionist figurative abstract oil painting on paper. Titled "Study For A Diptych". Artist signature upper right and lower left. Good overall condition with normal storage wear to frame. Provenance: Joy Moos...

JERUSALEM, Vielle du David, (City of David) Oil painting on canvas Hand signed in Hebrew (Perlman, Pearlman or Perelman. There are numerous artists with this name. we are unsure wh...

John Hultberg (1922-2005) Gouache (mixed media ) "Video Tower" 1991 Hand initialed lower right Measurements: 18.75" W x 11.75" H (framed); 6.75" W x 7.25" H (visible area of each ...

The Magneto Man, Il Hombre Magneto Tabo Toral, Panamanian (1950 - ) Born Boquete, Chiriquí. Panamanian painter. Studied plastic arts in the United States between 1969-1970 at The Maryland College of Art in Baltimore and in Canada between 1971-72 at The Nova Scotia College of Art. He finally moved to Ciudad de Panama where, between 1973-1976, he studied journalism at the University of Panama. With a unique style dominated by the vividness of color, the compositional quality of his painting and a complex texture that arises from the excess of pictorial matter, Toral has had individual exhibitions in places like New York, Switzerland, Canada, Panama, Bogota, etc. Likewise, he has participated in international collective exhibitions such as Contemporary Panama; Panamanian art...

Dorit Levi, Israeli (Born 1952). 'Golden Sounds' Oil on canvas (possible acrylic on canvas or mixed media) Hand signed bottom right and on verso. Measures 20"H x 24"W, framed 33" H x 37" W. Dorit Levi was born in Tel Aviv, Israel in 1952, her Yemenite upbringing and culture playing an important role in her art. Her talent enabled her to study at the prestigious Wizo France Art School in her native city, where she had the great fortune to learn from one of Israel's greatest artists, Edwin Salomon. The artist's personal experiences in Uganda, Africa where she lived for several years, are reflected in many of her paintings. The vast savannas translate into the warm colors of backdrops, and the flow and movement of her vibrant figures are inspired by Uganda's colorful markets and the people in embroidered garb. Dorit's works are remarkable in her use of gold leaf and the enormous attention to detail and complex composition. Each time one looks at a Dorit Levi painting new aspects and new configurations are discovered. More than anything, the collectors of her contemporary artworks remark on the feeling of joy, optimism and peace they inspire. The influences of Bolivian artist Rodo Boulanger, as well as cubist Pablo Picasso, Fernand Leger, and the cubism of Georges Braque are a background for the distinct signature of Levi's lyrical style, forged of her strong artistic vision and of a wealth of personal experiences. She shows at the prestigious Safrai Art Gallery in Jerusalem Israel and has been exhibited with Raphael Abecassis, Ben Simhon, Yosl Bergner, Naftali Bezem , Sami Briss, Amram Ebgi, Alexander Klevan, Gregory Kohelet, Yuvl Mahler, Ran Haya Graetz, Zina Rothman, Michael Rozenvein, David Sharir, Reuven Rubin, Theo Tobiasse, Yuri Tremler, Shraga Weil, Wissotzky and Avigail Yoresh...

Abram Tromka was born May 1, 1896 in Poland. At the age of seven he immigrated with his family to the United States, settling in New York City. It was on the boat coming to New York ...

JERUSALEM, Vielle du David, (City of David) Superlac (enamel) painting on paper, hand signed, titled and dated. Provenance: Michael Hittleman Gallery Los Angeles. Gabriel Cohen, (...

Joellyn T Duesberry Wall on Wharf Street, #513, New Orleans, LA 1976. Oil on linen Dimensions: (Frame) H 50.5" x W 66.5". sight size 50 x 66" Joellyn Toler Duesberry (1944 – 2016) was a plein air landscape artist who worked in oils. She said that her paintings echo the work of John Marin and Milton Avery. Of her art, Duesberry said, "I am not interested in a realist painting, I am not interested in an abstract painting. I am interested in the tension." Joellyn Duesberry was born on June 30, 1944 in Richmond, Virginia. Growing up in rural Virginia instilled in her a love for the land. She said, "All my life I think I've unconsciously tried to recreate the place where bliss or terror first came to me. Both emotions seemed so strong that I had to locate them outside of myself, in the land. This goes back to a childhood habit of living in rural Virginia and seeking woods and creeks and lakes for solitary refuge; places where I could sketch and paint." She decided to start painting at age ten after being given a pair of red tennis shoes and walking on the beach, inspired by the colorful juxtaposition of sand, shadow, and shoe. Soon thereafter she decided that "Women artists existed and she needed to be among them." She received a BA with Distinction, Phi Beta Kappa, in art history and painting, from Smith College in 1966. In that year she was awarded a Woodrow Wilson Fellowship. While at Smith, she "honed her skills by making countless copies of masterworks." She took her master's degree at New York University Institute of Fine Arts. Despite her degrees, she is considered to be a self-taught artist. Joellyn Duesberry was a plein air painter, who began "her canvases outdoors on an easel and finished] them in the studio, frequently making monotypes in between." She moved to Denver in 1985, and embraced the Colorado landscape in her art. In that year she received an Individual Painting Grant from the National Endowment for the Arts to work with Richard Diebenkorn. In 1997, Duesberry won the Benjamin Altman Landscape Prize from the National Academy of Design. While she had a World Views residency with the Lower Manhattan Cultural Council (LMCC) from 1998-1999, Duesberry painted city studies in studio space in some vacant offices of the World Trade Center's North Tower. She says that, because of her connection to the World Trade Center, the tone of her painting saddened after 9/11. In 2005, a PBS documentary was made of Joellyn Duesberry's life, work, and creative process titled Joellyn Duesberry: Dialogue with the Artist. Her works are held by institutions such as Metropolitan Museum of Art and Smith College Museum of Art. Publications 1998: A Covenant of Seasons: Monotypes by Joellyn T. Duesberry, Poetry by Pattiann Rogers, 2011: Elevated Perspective: The Paintings of Joellyn Duesberry, SELECT SOLO EXHIBITIONS Elevated Perspective: The Paintings of Joellyn Duesberry, Colorado Springs Fine Arts Center Joellyn Duesberry: A Passion for the Land, Leslie Levy Fine Art, Inc., Scottsdale, AZ Joellyn Duesberry: A Passion for Western Land, William Havu Gallery, Denver, CO Joellyn Duesberry Monotypes: Hidden Treasures, William Havu Gallery, Denver, CO Joellyn Duesberry: Solace on Safari, Gerald Peters Gallery, Santa Fe, NM Tremaine Gallery, The Hotchkiss School, Lakeville, CT. Recent Monotypes, James Graham & Sons, Madison Avenue, New York, NY Joellyn Duesberry: Monotypes, Lizan-Tops Gallery, Easthampton, NY The Garden Paintings, Robischon Gallery, Denver, CO Joellyn Duesberry: Paintings, Tavelli Gallery, Aspen, CO Joellyn Duesberry, Graham Modern, Madison Avenue, New York, NY Joellyn Duesberry: Paintings and Monotypes, Carol Siple Gallery, Denver, CO Joellyn Duesberry, Tatistcheff Gallery, New York, NY SELECT GROUP EXHIBITIONS Significant Women Artists, Curtis Arts & Humanities Center, Greenwood Village, CO Finding Abstraction, Gallery 1261, Denver, CO Rocks on Paper, Katharina Rich Perlow Gallery, New York, NY Summer Landscape Show, Greenhut Gallery, Portland, ME Defining the West: 200 Years of American Imagery, Gerald Peters Gallery, Santa Fe, NM Roots, Landing Gallery, Rockland, ME Annual Professional Painters’ Exhibition, The Century Association, New York, NY Glory of Landscapes, Pelham Art Centre, New York, NY Salon du Musee, Featured Artist, Salon d Arts at Gallery 1261, Denver, CO Small Works, Gallery 1261, Denver, CO The Urban Myth, Vision of the City, Sullivan Goss, An American Gallery, Santa Barbara, CA The Art of Printmaking, paying homage to Open Press,Archer Concept Group,Denver,CO Twenty Years: Paintings: Joellyn Duesberry, Bunny Harvey...

Herbert Katzman 1923-2004 (American artist active in New york, Illinois and Italy) Oil Painting Dated 1946. Signed. Dimensions; Sight-16" x 20", Frame-23.5" x 27". Provenance: this...

Jean David was a painter and designer, known for his contributions to the Romanian avant-garde and to the early modernist art of Israel (then recently founded). He was the first Israeli artist to be inducted into the illustrious Alliance Graphique Nationale in 1954. He had studied between 1927 and 1937 at various art academies in Paris. In 1929 he participated for the first time at a collective exhibition in Bucharest and in 1933 he had his first personal exhibition (in the same city). In the early '30s he was a member of the Surrealist group "unu" (meaning "one"). In 1942, he left Romania in a boat with 12 other Jews, including Theodor Brauner, the brother of Victor Brauner. After being captured by British authorities in Cyprus, he managed to reach Palestine in 1944. In 1949 he went to live in Jerusalem, where he was active in developing ceramic arts, sculpture works in copper, and artistic tapestry wall hangings under the auspices of the Ministry of Trade and Industry. Together with Marcel Janco, he founded in Israel the artist village known as Ein Hod. He also gained much reputation as a muralist and graphic and poster designer, having designed numerous posters and other works for the El Al air company, Maccabiah games, Zim shipping and The Israel tourist industry. David’s primary importance was in the design of posters. He used a wildly colorful decorative style in his art, which combined illustration, caricature, and national figures. In addition he designed wall hangings for “Maskit,” and also worked in the decoration of public buildings. His paintings had elements of Surrealism and included images from nature and landscapes. Similar in style to David Klein and the Polish Cyrk posters. Forms From Israel, Mounting Exhibition, USA, 1958 Artists: El Hanani (Sapozhnikow), Arie Azaz, Nehemiah Boris Carmi, Hanna Harag Zunz, David, Jean David Gumbel, Keiner Forcheimer, Julia Mansfeld, Al Merom, Peter Mayer, Jean Palombo...

This needs a new frame. This will be shipped without frame It measures 19 X 22 inches. I am including the framed dimensions so you have a sense of the size framed. David Azuz Tel ...

Michael Boulet (France b. 1938-), Oil on canvas Hand signed lower right "Le Patinette de Bâle" Frame: 28" X 33" Image: 20" X 24" Michel Boulet was born in 1938 in Marseille, Franc...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May...

Victor Simonin (Belgian, 1877-1946). An antique oil painting on board titled "Still Life of Flower and Fruit." This abstract still life work depicts a colorful botanical bouquet of f...

Oz El Hai (Israeli, b. 1976) Polychrome Figural Painting Lacquer on Wood (possibly acrylic panel) Oz El Hai, born in Israel in 1976, channels his passion an...

Oil on canvas 24 x 18 in., 27 x 21 in with frame. This is a tribute painting, it was inspired and dedicated to Leroy Neiman. Paolo Corvino was born September 20, 1930 in Bronx, New ...

Frame measures 13.75 X 14.75, board measures 11 X 12 inches Seymour Remenick (1923-1999) American; Philadelphia, PA. Oil on canvas painting Folk Singers and musicians.Seymour Remeni...

"Snow Fall on Aurora Borealis" 1994 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Roches...

"The Dump" 1994 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester NY with a Bachel...

"Rope Burn" 1995 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester NY with a Bache...

"Tin Can Hands" 1995 by Mason Rader A graduate of the L. Jeffrey Selznick School of Film Preservation at the George Eastman House in Rochester NY with a B...

Raoul Middleman (born 1935 in Baltimore, Maryland) is an American painter. Middleman has been a member of the Maryland Institute College of Art faculty since 1961. American University Museum at the Katzen Center has described Middleman as a "Baltimore maestro [whose] nudes are not pretty—they are sagging, dimpled, and real. His cityscapes reveal the underbelly of post-industrial rot, his narrative paintings give contemporary life to his personal obsessions. They are intelligent, messy, and utterly masterful." From an interview with RM "I was doing abstract art. Then Roy Lichtenstein came around, and I wanted to be current. I remember Grace Hartigan said, “You’ve gotta go to New York, seize destiny by the hand.” My friend Jon Schueler took my slides up to Eleanor Ward, who had the Stable Gallery. My Pop art paintings were discovered. I moved to New York into Malcolm Morley’s old loft down on South Street. Agnes Martin was upstairs... People who interest me come from different quarters. I knew guys around Schueler, like B.H. Friedman. But I also knew the Pop world pretty well – Al Hansen, Richard Artschwager, Lichtenstein. I became friends with Raoul Hague...

Alexis Gorodine (French,American, born 1954). A mixed media impasto painting on board Figural work produced in the artist's distinct cave painting inspired Neo Expressionist style de...

Alexis Gorodine (French,American, born 1954). A mixed media impasto painting on board Figural work produced in the artist's distinct cave painting inspired Neo Expressionist style d...

framed sight size 10 x 13.5 inches painting, framed to 15 x 19. Impressionistic Realistic portrait of an older rabbi visiting the marketplace. Children playing. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. following a distinguished lineage of Jewish genre...

Lazzaro Donati (Italian, 1926-1977), "Signora dal Cappello," oil on panel, signed lower left, signed, titled and dated verso, overall (with frame): 22.5"h x 24.5"w Lazzaro Donati wa...

A Surrealist Judaica scene of a bearded man (Rabbi) in a boat with Shabbat candlesticks. Sight size: 17.75" x 22.5". Overall size with frame: 26.5" x31.5" Naftali Bezem (Hebrew: נ...

Simon Gaon (born 1943) is an American painter, Expressionist, and action painter. This is a thick impasto oil painting. with a lot of texture and color. Times Square with 42nd st in...

Simon Gaon (born 1943) is an American painter, Expressionist, and action painter. This is a thick impasto oil painting. with a lot of texture and color. This is a nighttime scene of...

Dubi Arie (born Poland, 1939) "The Lovers" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depictin...

Dubi Arie (born Poland, 1939) "The Temptation" Image: 11 3/4" x 10" Original mixed media on paper painting, Hand signed and dated lower right and signed and titled on reverse. depi...

Dubi Arie (born Poland, 1939) "A Song in the Garden" Original mixed media on paper painting, Hand signed and dated lower left. This piece depicts people dancing, including a King ...

Hildegarde Hamilton (Florida, Virginia 1898-1970) Oil on canvas painting of a docked navy ship with sailors on shore. Hand signed lower left Measures: Canvas 19"H x 23"W; Framed 23.5"H x 28"W. Hildegarde Hume Hamilton (1898 - 1970) was active/lived in Florida, Virginia. He is known for Impressionist buildings in landscape and coastal view painting, illustration. Hildegard Hume Hamilton was born in Syracuse, New York, in 1898. After her education there, and brief training at the age of six in art schools in Venice, Italy, while on a European sojourn with her father, she studied fine art at the Académie Julian, the École des Beaux-Arts and the Académie Grande Chaumière in Paris, France, during the 1920s and 1930s. Back in the United States, Hamilton studied for a short time at the Herron Art Institute in Indianapolis, the Cincinnati Art Academy and under the tutelage of the landscape and maritime painter Anthony Thieme (1888-1954) in Rockport, Massachusetts. The Ainslie Galleries on Fifth Avenue held an exhibit of Hamilton’s French Alpine Scenes to much acclaim. Hamilton exhibited in venues throughout the city and sold as many as 300 landscapes. In 1927, Vice President Charles Gates Dawes acquired one of Hamilton’s paintings following her one person exhibit at the Women’s National Party Headquarters in Washington D.C. In the autumn of 1928, an exhibition of her landscapes and cityscapes at the Galerie Bernheim Jeune in Paris was widely and positively reviewed. In 1929, she became the first American woman to exhibit at Philip Dillon’s club – L’Artistique, in Provence. She also contributed to the Salon des Artistes Independants in Paris. In 1930, Hamilton exhibited at the Carlton Hotel in Washington D.C. and in New York at the Grand Central Palace, American Art Association-Anderson Galleries on 57th Street, and the Huntington Bay and Yacht Clubs. During this period, the artist resided at 9 Gramercy Park in New York City. The picturesque neighborhood inspired Hamilton’s painting entitled 4 Gramercy Park, Mayor Harper’s House, Manhattan. C. 1930. The oil painting captures the red brick façade and intricate cast iron embellishments of 4 Gramercy Park, the former home of publisher and New York City Mayor James Harper (1795- 1869). The two lamps at the foot of the steps signify the home was a mayoral residence and remain at the site to this day. Mrs. Hamilton studied at the Art Students League, New York, New York, and the Cincinnati Art Academy, Cincinnati, Ohio. Hamilton exhibited her topographical street-scenes and landscapes widely throughout the United States with shows at the Syracuse, New York, Museum of Fine Art; the University of Kentucky; the University of Georgia, and most importantly, New York City’s Society of Independent Artists from 1929 to 1933, 1938, 1939, 1943 and 1944. She also illustrated books. Hamilton’s paintings are included in the collections of Wesleyan College, She was aof a generation of American artists that included Alfred Hutty, Wayne Beam Morrell, Frank Henry Shapleigh, Jane Peterson, Henry Martin Gasser, Emil Holzhauer...

Older, realistic portrait of an older Jewish shtetl tailor by Polish artist. Here the artist conveys a sense of quiet grandeur through the eyes of his subject and the way it's rendered. Part of a distinguished European lineage of Jewish genre...

Blind Heads, mixed media painting Tabo Toral, Panamanian (1950 - ) Born Boquete, Chiriquí. Panamanian painter. Studied plastic arts in the United States b...

Red Grooms (American, b. 1937). Lithograph in colors on wove paper, 1993 "East of Canal Street, Corner of Canal." Published by the Brooklyn Museum (Reference: Red Grooms: The Graphic Work, Walter G. Knestrick. Harry Abrams Inc Publishers, New York, 2001. Cat. no 138 page 172, Alexander & Cowles 138). Downtown Manhattan, New York City Chinatown Street scene with various vendors. Hand signed in black crayon and numbered on image at bottom edge. "8/115 Red Grooms." Dimensions 22" x 30" Printer: Sharks Lithographs Ltd, Boulder, CO Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. Red Grooms came of age in the shadow of the Abstract Expressionists. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red Grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Grooms never developed the detached stance of such Pop Art practitioners as Andy Warhol, Roy Lichtenstein or James Rosenquist. Instead he painted his own life, and became, literally, an actor on the stage of life -- in this case the art-as-life "happenings" of the downtown New York scene. Inspired by George Méliès's 1902 film A Trip to the Moon...

Titled Torah Service, hand signed on Arches archival paper. In this painting, Nussbaum portrays a joyful holiday celebration of the Torah reading in the synagogue in a sketch-like m...

Painting measures 28 X 36 inches. There is a sulpture quality to the suitcase, it has texture to the piece. It subtly recalls the european Holocaust, travel and displacement. Provena...

Suong Yangchareon (Thai American, 1952-) Acrylic on Canvas Los Angeles Street Scene with yellow taxi cab and cars. Hand signed with Initials. Dimensions: Overall Size: 25 1/4 x 49 1/4 in. Sight Size: 23 5/8 x 47 5/8 in. Yangchareon came to Los Angeles, California from Lampang, Thailand, Southeast Asia where he studied Fine Arts at the Arts & Crafts College (Poh Chang), Bangkok, Thailand and Sculpture and Graphic Arts, Silpakorn University, Bangkok, Thailand. In California he continued his studies at Woodbury University, receiving a degree in Advertising Design. He is a contemporary figurative realist artist. He painted the urban landscape of California, which have been exhibited in solo and group shows. His work is represented by prominent galleries nationally. Yangchareon spent much of his childhood at his father’s movie theater where he became fascinated with the world of American Westerns. The nostalgia for this idyllic film Americana can be garnered through his subject matter. Abandoned theaters, factories and businesses of an almost extinct era of architecture are carefully rendered in the soft morning light. Working from his own photography, shot during the early hours of the day, Yangchareon’s acrylic and oil paintings are largely devoid of human figures, but deeply imbued with their past presence. Recently, the artist has broadened his focus to include imagery of the city at night––rendering glistening rain-soaked sidewalks bathed in the artificial light of street lamps and movie marquees against an inky black sky. Yet, Yangchareon’s motivation remains the same; to find the hidden beauty in varying industrial landscapes and seeing splendor where most would argue it does not exist. Reminiscent of Edward Hopper, a sense of melancholy pervades his compositions in a quiet, detached manner. The influence of Richard Diebenkorn and Wayne Thiebaud can also be detected in the artist’s sense of color and in his interpretation of light. Moody LA auto culture artwork dealing with themes of isolation and alienation. Select Exhibitions 2017 Golden Dreams, The Hilbert Museum of California Art at Chapman University, Orange, CA 2016 In the Land of Sunshine: Imaging the California Coast Culture, Pasadena Museum of California Art 2016 Recent Paintings & Works on Paper, Paul Thiebaud Gallery, San Francisco, CA 2013–2014 Suong Yangchareon: Places Out of Time, St. Supéry Estate, Vineyards & Winery, Rutherford, CA 2012 Palm Springs Fine Art Fair, Palm Springs Convention Center LA Art Show, Los Angeles Convention Center Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) Texas Contemporary Art Fair, George R. Brown Convention Center, artMRKT San Francisco, Concourse Exhibition Center Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 San Francisco Fall Antiques Show, Fort Mason, San Francisco, CA San Francisco Fine Art Fair, Fort Mason, San Francisco, CA Art Chicago 2010, Merchandise Mart, Chicago IL 2009 Recent Paintings, Paul Thiebaud Gallery, San Francisco, CA (solo) 2008 Twenty-Five Treasures, Paul Thiebaud Gallery, San Francisco, CA Robert Arneson, Joan Brown, Fred Dalkey, Eileen David, Roy De Forest, Richard Diebenkorn, David Fertig, John Graham, Robert Hudson, Ed Musante, Manuel Neri, Arthur Okamura, John Santoro, Richard Shaw, Pam Sheehan...

Large magnificent colorful Ruth Schloss oil painting of a child with a wagon with a doll or a baby in a carriage stroller.. Signed in Hebrew size measures 31x43 with frame , 23x35.25 without the frame. (this is being sold unframed). Ruth Schloss (22 November 1922 – 2013) was an Israeli painter and illustrator who mainly depicted neglected scenes such as Arabs, transition camps, children and women at eye-level as egalitarian, socialist view via social realism style painting and drawing. Schloss became Israeli painting’s sensitive, conscious, remembering eye. Ruth Schloss was born on 22 November 1922, in Nuremberg, Germany, to Ludwig and Dian Schloss, as the second of three daughters of bourgeois assimilationist Jewish family well-integrated into German culture. As the Nazis came into power in 1933, her family immigrated to Israel in 1937, and settled in Kfar Shmaryahu, then an agricultural settlement. Schloss studied at the Department of Schloss graphic design at "Bezalel" from 1938 to 1942 alongside Friedel Stern and Joseph Hirsch. She was a realistic painter who focused on disadvantaged people in the society and social matters as an egalitarian. Her realism was thus an “inevitable realism,” motivated by an inner necessity: the need to observe reality as it is. Her painting repeatedly addressed the door pulled from its frame, employing drawing’s unique ability to stop time and prolong the image’s persistence in the retina, she repeatedly committed to paper - in a matter-of-fact, non-evasive manner devoid of mystery – man’s tendency to generate chaos, suffering and pain. Throughout her life, Schloss remained minimalist. Painting about human fate was the main subject of her artworks. Her natural inclination was to describe the darker aspect of human existence. 1930s The Schloss household was characterized by open, liberal spirit, in keeping with the parents’ progressive views. It deeply influenced Ruth’s mental development, as she learned to tie culture and art with sensitivity towards the weak and underprivileged. In Jerusalem, she joined a commune of Hashomer Hatzair in which she shaped her socialist views, which she maintained throughout her long career. 1940s In this period she mainly depicted landscapes of kibbutz and wretched women living hard life, children in huger, older people, refugees. After completing her art studies, Schloss joined a training group at Kibbutz Merhavia in 1942, and after two years moved to Karkur region, the nucleus established Kibutz Lehavot Habashan in the Upper Galilee. Through this time, she fell in love with the surroundings and drew landscapes. They are simple and direct with fresh, lucid lines. These paintings were selected as the main works of her first exhibition in 1949. In early 1945, Schloss started to draw illustrations in the children’s magazine Mishmar Leyeladim, and designed the logo of Al Hamishmar, the paper’s new name in 1948. In 1948, upon the founding of Mapam (United Workers’ Party), she designed her party’s emblem, which became a well-known icon. She kept working as an illustrator for Mishmar Layeladim until 1949. "Mor the Monkey" project yielded financial profits and this income was used for a study trip to Paris for two years. She was succesfull as illustrator however, she had inner conflicts of her identity as witnessed painter toward neglected class in Israeli society. First Exhibition at Mikra-Studio Gallery, 1949 She presented forty drawings on paper in her first solo exhibition, representing a selection of the themes of kibbutz landscape, its lifestyle. Schloss confidently proposed her direction through simplicity without using colors in her drawings. 1950s Between 1949 and 1951, she studied at the Académie de la Grande Chaumière in Paris. She began working in oils, with which she continued throughout the 1960s. The exhibition “Back from Paris” opened in November 1951 at Mikra-Studio Gallery . In 1951 she married Benjamin Cohen, who served as chairman of the national leadership of Hashomer Hatzair Workers Party in Tel Aviv. He was a theoretician and a man of principle, highly esteemed by its leaders who became a professor of history at Tel Aviv University. In 1953, following the Mordechai Oren affair and the publication of Moshe Sneh 's followers from Kibbutz Artzi, she and her husband left the kibbutz and moved to the agricultural farm, Kfar Shmaryahu, where she lived until her death. At a certain point in Israeli history, segments of the socialist movement felt that Israel should become part of the Communist bloc, rather than seek the support of the western world. Because the Schloss couple support of Moshe Sneh’s left-wing party, they had to leave the kibbutz. She loved to depict ordinary women as figurative on her painting without hiding or making up anything. The poet Natan Zach wrote about her works in 1955: “Her motto remains that which has been all these years: life as it is, without bluffing." Schloss’s “Pietà” (1953) became a universal cry expressing the pain of mothers on either side of the divide. In the late 1950s, she was the mother of two daughters. When she drew her daughters, unlike the universal babies she depicted, naked and with clenched fists, the painting of her children employed babyish sweetness to the full in a quiet, peaceful and heart-stirring filling rather than urgency. She also painted children in the transition camp and Jaffa in the 1950s and 1960s. 1960s-1980s – The period of Studio in Jaffa Schloss painted at a studio in Jaffa from 1962 till 1983. In this time, she turned her interest to people around her more than kibbutz – the children, mothers, and poor workers, the alleys and houses. She opened the space to the street and its dwellings, built interactions around it, and was nurtured by the presence of the outside in her work. 1960s Schloss familiarized to an Arab woman, Nabava, lived in poor. Schloss returned to painting images of old people later, and she called her painting figurative elderly people in the old age homes “waiting”. In the late 1960s, Ruth discovered acrylic paint and never turn back to oil painting. In 1965 Schloss devoted a series “Area 9 (1965)”, dedicated to the demolition of Israeli-Arab houses and the expropriation of the land, and carried a definite socio-political messages. The series was exhibited at Beit Zvi, Ramat Gan, in 1966. She was the only artist who addressed the result of the Six-Day War immediately afterward. In 1968, Schloss and Gansser-Markus presented “Drawing of War” in Zurich gallery. She expressed the war as an ultimate expression of destruction and ruin, regardless of victors and vanquished. 1970s In late 1970s Schloss began printing the selected photograph directly on the canvas, posterior reworking it in acrylic. She decided to print her work at Har-El Printers in Jaffa, and these became the surface of her painting. This technique was mainly adopted in two large series: Anne Frank (1979-1980) and Borders (1982). Through this technique she placed the figure of elder Frank next to that of the famous young Frank, and released it at the exhibition at Bet Ariela Cultural Center, Tel Aviv, in 1981. The series touched upon the Nazi Holocaust. 1980s The Lebanon War raised the question of “The Good Fence” and the effect of the war. She dedicated a large series Boarders, one of the most powerful image linked to the series is the figure of Yemenite woman raising her hand. She was the first to raise the Black Panthers demonstration to the level of a social icon. In the 1980s and again in 2000, the Intifada uprisings also led Schloss to the easel to render a good number of representational and symbolic works that in their way denounced Israel's political and military actions. 1990s – 2000s Ruth Schloss never had an exhibition in a major Israeli museum. Her works were presented in private galleries and small museums. The main museums, the Tel Aviv Museum of Art and the Israel Museum, included her works only in group exhibitions, and only in 1991 was her retrospective exhibited at the Herzliya Museum. In the 2000s, Schloss’s metaphors turned into animal kingdom and Bedouins in the south. A huge rhinoceros, birds of prey, and other "bad animals," as Cohen Evron, daughter of Ruth, calls them and "I connected this to the Nazis," said Schloss. Schloss' work after she didn't find human expression able to transmit the endless cruelty she saw in Israel's political mentality. Schloss also continued to follow and collect documentary photographs of destructions of houses from the war, the Intifada, the sequence of her work about ruin from 1949 to 2005, was a cumulative testimony about the painful history of Israel and Palestine. In 2006, a large retrospective exhibition of her work was presented at the Museum of Art in Ein Harod, curated by Tali Tamir. Education 1938-41 Bezalel Art Academy, Jerusalem, with Mordecai Ardon 1946 painting course for Kibbutz Artzi artists with Yohanan Simon and Marcel Janco 1949-51 Académie de la Grande Chaumière, Paris Awards and recognition 1965 Silver Medal, International exhibition in Leipzig, Germany 1977 Artist-in-Residence, The Cité Internationale Universitaire de Paris Selected solo exhibitions 2004 “Micha...

Pinchas Litvinovsky (Russian/Israeli, 1894-1985) A group of people, Jerusalem Types Hand signed indistinctly (lower right) in English and in Hebrew Verso. Oil on canvas Dimensions 16 1/8 x 51 1/16in Pinchas Litvinovsky (1894-1985) was a prominent Israeli painter, born in the Russian Empire (now Belarus) in Novo-Georgiyevsk, Russia. As a student he visited the Bezalel exhibition in Odessa and met Boris Schatz, the founder of the Bezalel School of Arts and Crafts. Schatz persuaded the young, talented student to study art in Jerusalem at Bezalel. He immigrated to Palestine in 1911, where he became a key figure in the local art scene and was among the pioneers of Israeli art. Litvinovsky studied art in Odessa and later in Paris at the Académie Julian. In the 1930’s he traveled to Paris, France where he encountered the art of Henri Matisse, Pablo Picasso and artists of the Ecole Juif Jewish School of Paris. (Marc Chagall, Modigliani, Chaim Soutine). Litvinovsky worked in many modernist styles, especially Cubism as reflected in the Russian constructivist paintings of the 1920’s His work, which includes landscapes, portraits, and biblical scenes, reflects a blend of European influences and Middle Eastern motifs. He was a member of the Bezalel group of artists and participated in the establishment of the Tel Aviv Artists' House. Throughout his career, Litvinovsky's art evolved, but he remained dedicated to exploring the unique light and landscapes of Israel, contributing significantly to the cultural fabric of the young nation. Select Group exhibitions Jewish Artists Association, Levant Fair, Tel Aviv, 1929 Artists: Arie Allweil, Ludwig Blum, Nachum Gutman, Itzhak Frenel Frenkel, Reuven Rubin, Shmuel Schlezinger, Eged - Palestine Painters Group, Allenby Street, Tel Aviv, 1929 Artists: Chana Orloff, Abraham Melnikoff, Sionah Tagger, Elias Newman, A Collection of Works by Artists of the Land of Israel The Bezalel National Museum, Jerusalem, 1940 Artists: Moshe Mokady, Jakob Steinhardt, Anna Ticho, Joseph Budko, Mordecai Ardon, Moshe Castel, Abel Pann, Hermann Struck, Rina Gallery, Jerusalem Artists: Motke Blum, Efraim Fima (Roytenberg, Ephraim) Zelig Segal, David Sharir, Joseph Halevi, David Caftori, Menashe kadishman, Dedi Ben Shaul, Raffi Lavie Exposition des Artistes de Jérusalem Grand Palais, Paris, France Artists: Samuel Ackerman, Marek Yanai, Zvi Tolkovsky, Zvi Miron Sima...

Urbain Huchet (French, 1930-2014) La Pause De Midi, Acrylic on canvas, (the certificate was marked acrylic but it seems like oil to me. I am not positive) Hand signed lower right. Framed dimensions: H: 30 x W: 35.25 in. Image H: 19.5 W: 25 in. This depicts farm or vineyard workers at a picnic outing Urbain Emmanuel Huchet was born in Rennes, France on April 28, 1930. Known for his modernist marine, cityscape, figure and genre painting. After studying law and owning a textile factory for four years, he decided in 1960 to devote himself entirely to painting. Mr. Huchet spent his first three years as an artist in Pont-Aven, following in the footsteps of the Post Impressionist, Paul Gauguin, and Symbolist, Emile Bernard, both of whom influenced him a great deal. In 1963, he moved to Paris, catching the travel bug. He journeyed throughout Europe and the Middle East, spending time in Indian markets, visiting Peru, Mexico, Egypt, and every beautiful country he could, finding inspiration in each place. He painted the scenery of each locale, culminating in a book to document his experiences. His works are typified by a fluid and free, gestural approach to both form and color, and they are immediately recognizable. He is adept at both painting oil on canvas and watercolor, and is an accomplished lithograph artist. His subjects are diverse, but are primarily a reflection of the landscape of the Brittany region as he has a profound love for the coast. His wonderful depictions of circus performers, vineyard workers having lunch, farmers, cabaret musicians and everyday people were strongly influenced by his adventures and sojourns in foreign lands. Urbain Huchet has been an exhibiting artist since 1960. He has had exhibitions in New York, London, New Orleans, Egypt, and Paris. He has exhibited at Park West Galleries along with Yaacov Agam, Alvar, Fauvist artist Emile Bellet, Romero Britto, Slava Brodinsky, Pierre Eugene Cambier, Claude Cambour...

Eliezer Weishoff (Israeli, 20th century) Still life of kettle (Russian samovar) over a warmer, 1973 Acrylic or oil on canvas Signed, dated and signed ...

This is a two sided painting. Nude reclining woman and a ship lit at night. Harold Cohn (1908 - 1982) Harold Cohn was active/lived in New Jersey, Michigan. Harold Cohn is known fo...

This is a two sided painting. Nude reclining woman and a ship lit at night. Harold Cohn (1908 - 1982) Harold Cohn was active/lived in New Jersey, Michigan. Harold Cohn is known fo...

Genre: Judaica Subject: Architecture Medium: Oil Surface: Canvas Country: United States Dimensions: 40X60 inches Temple Chaim Goldberg -- born in the Polish shtetl of Kazimierz D...

This piece came from the collection of the Bezalel Art Gallery on the Lower East Side of New York City. Emmanuil Snitkovsky is an internationally known artist, sculpture and poet. Emmanuil Snitkovsky was born into a family of artists and scholars from the Odessa Art College in Russia. Immersed in the traditions of Russia art, he approaches form, line, space and color with relentless vision and impeccable technique. Two highly successful artists, the husband and wife team of Emmanuil and Janet Snitkovsky have exhibited a selection of eight large Judaic paintings at the Chabad Chassidic Art Institute (Chai Gallery) in Crown Heights. Three of those paintings are truly singular visions of Jewish Art that cause us to stop and reassess our preconceptions about the meaning and importance of their subjects. Emmanuil and Janet Snitkovsky were both born in the Ukraine in the 1930′s. Emmanuil was trained in Odessa in public monument art, and Janet majored in fashion at the Lvov Decorative Art Institute. After both narrowly survived the devastation of the Second World War in Stalin’s Russia, they began to collaborate on state sponsored art works in 1962. For ten years, they worked on grandiose public sculptural projects to commemorate the fallen Russian heroes of the Second World War in Moscow, Kiev, Tula and Kazan. They were exemplary Soviet Realists working for the Soviet regime. Eventually, this career became untenable for them, both as artists and as Jews, when they clashed with Soviet officialdom over a commission to commemorate the Babi-Yar massacre. The Soviets refused to acknowledge this massacre of 100,000 Jews and eventually suppressed the memorial. In 1978, Emmanuil and Janet arrived in New York and began to recreate their artistic lives. In the ensuing 25 years, they have been quite successful, exhibiting widely in the United States and Europe. They have nurtured a hybrid style of painting and sculpture called “Renaissance Revival” combining contemporary and classical subjects in a stylized realism that evokes both the American regionalist Thomas Hart Benton and the Italian Renaissance master Sandro Botticelli. The works are highly proficient, polished, and commercial productions in a quirky decorative style. They have continued to accept sculptural projects that have not shied away from kitschy realistic sculptures of Charlie Chaplin as “The Kid,” The Little Tramp” and Buster Keaton as “Cameramen.” In some ways, they have appropriated American culture just as they once accepted Soviet culture. Janet, a graduate of the Lvov College, was invited- by virtue of the high honors she achieved there- to matriculate at the Lvov University of Art. Such an opportunity is extremely rare for anyone, particularly for someone of Jewish descent. Their works of art are included in collections of the Japanese Imperial Family...

Maris Bishofs was born in 1939 in Rujiena, Latvia. In 1965 he became the first artist to graduate from the Latvian Art Academy with an interior design diploma. In 1972 he emigrated t...