Latin Art Core

Ferdinand Leeke Carnival test, 1914 Oil on canvas 32 x 39 in

Carlos Enrique Alvarez Untitled, 2024 Oil on canvas 47 x 47 in

Tomas Sanchez Inner Love, 2024 Print Ed. 510 of 630 23 x 18 in Includes a certificate of authenticity signed by the artist

Robert Indiana HOPE Blue Red White Painted Polystone 6 x 6 x 3 in Editions Studio. It comes in the original box and with the certificate of authenticity.

Robert Indiana HOPE Blue Red White Painted Polystone 6 x 6 x 3 in Editions Studio. It comes in the original box and with the certificate of authenticity.

Salvador Dali Ed. of /3000. On the bottom stamp: Rosenthal Studio Linie Germany, Limitierte Kunstreihen. Dimensions 10 in Porcelain plate.

Ed /3000. On the bottom stamp: Rosenthal Studio Linie Germany, Limitierte Kunstreihen. Dimensions D 340 mm. Medium Porcelain plate. Date 1976

Salvador Dalí, a glass dish, for Rosenthal Studio Line, Germany, Ed /3000, dated 1979. In original box, diameter 36 cm. Perfect Condition

Three Light LILY Table Lamp, 1900s Favrile glass, patinated bronze, two shades engraved L.C.T. F Avrile base impressed TIFFANY STUDIOS NEW YORK319 13 in

Rafael Soriano Untitled, 1990s Serigraph Ed. of 150 33 x 26 in Provenance: Private Collection, Miami. Born in 1920 in the town of Cidra in the prov...

“Jai Alai Suite” 1969 Perspex, nylon thread, and steel Ed 47 of 300 19 x 6 x 6 in

Jesús Rafael Soto was a Venezuelan artist known for his kinetic sculptures and large-scale installations. Like Alexander Calder and George Rickey, Soto’s delicate and responsive constructions react to external stimuli and changes in the atmosphere, as seen in his work Penetrable (1990). “Artistic creation is a force which should preferably be directed towards the exploration of space, of the universe, of the infinite realities which surround us, but of which we are hardly conscious,” Soto once mused. Born on June 5, 1923 in Cuidad Bolívar, Venezuela, he studied at the Escuela des artes plásticas in Caracas from 1942–1947 and later served as the director of the Escuela de bellas artes in Maracaibo, Venezuela until his move to Europe in 1950. Settling in Paris, he associated with the Op Art artists Victor Vasarely and Yaacov Agam, as well as members of the ZERO group such as Otto Piene, Jean Tinguely, and Heinz Mack. In 1973, the Museo de arte modern Jesús...