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Unseen
Located in New Orleans, LA
Martryce Roach is a self-taught visual artist from New Brunswick, NJ, who introduced her work in 2014. Martryce incorporates elements of music, education, geometric shapes, and envir...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Paper, Pastel
Camouflage
Located in New Orleans, LA
Martryce Roach is a self-taught visual artist from New Brunswick, NJ, who introduced her work in 2014. Martryce incorporates elements of music, education, geometric shapes, and envir...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Paper, Pastel
Chicago
Located in New Orleans, LA
Martryce Roach is a self-taught visual artist from New Brunswick, NJ, who introduced her work in 2014. Martryce incorporates elements of music, education, geometric shapes, and envir...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Paper, Pastel
Athirst VI
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Athirst V
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Athirst IV
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Athirst III
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Athirst II
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Athirst I
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Athirst (Hexaptych)
Located in New Orleans, LA
Ina Kaur (b. 1980) is a multidisciplinary artist whose conceptually driven work responds to imbalances and injustices within social, cultural, and ecological environments. Her practi...
Category
21st Century and Contemporary Contemporary Abstract Paintings
Materials
Gold Leaf
Lola I
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Dish
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Three Tier
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Sweet Tea
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Study Hippo
Located in New Orleans, LA
Michael Tole is a figurative painter currently living in Tempe, AZ with his wife and daughters. A Texas native, most of his 20 year long career was spent in Dallas. After relocating to Tempe, his work experienced a significant shift from photo-based paintings of retail interiors to fantastical figurative inventions based on pop culture imagery he has encountered via his two daughters’ taste in music videos, and his proximity to Southern California and it’s particular brand of Disney-esque hedonism. Mr. Tole’s career includes shows in New York, Los Angeles, San Francisco, Dallas, and Miami. His work has been reviewed in Art Forum International...
Category
21st Century and Contemporary Contemporary Animal Drawings and Watercolors
Materials
Paper, Charcoal
Quarantine Drawing 1
By Anastasia Pelias
Located in New Orleans, LA
medium: Chinese ink, ink stick, and charcoal on handmade paper
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is roote...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Charcoal, Ink, Handmade Paper
Quarantine Drawing 8
By Anastasia Pelias
Located in New Orleans, LA
medium: Chinese ink, ink stick, and charcoal on handmade paper
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural id...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Charcoal, Ink, Handmade Paper
Quarantine Drawings 9, 6, 5
By Anastasia Pelias
Located in New Orleans, LA
medium: Chinese ink, ink stick, and charcoal on handmade paper
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is roote...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Charcoal, Ink, Handmade Paper
Dirty Rice on Tinder
By Ruth Owens
Located in New Orleans, LA
RUTH OWENS graduated in 2018 with an MFA from the University of New Orleans after leaving her medical practice of 25 years. She is represented by Jonathan Ferrara Gallery, and belong...
Category
21st Century and Contemporary Contemporary Figurative Paintings
Materials
Canvas, Oil
P.O.P. (Piece of Pie)
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 15h x 20w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Ink, Mylar
The Whole Pie
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 35.5h x 39w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Ink, Mylar
Cherry / Silver / Lace
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 20h x 14w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Ink, Mylar
Natural Lure
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor and Eudora Welty. As a Georgia native, Graham’s work seeks to understand the ways in which pattern and printed textiles are informed by social and political movements. Her narratives are tightly bound to antebellum traditions while balancing the changing ideals of the new generation of southern society.
Graham received her MFA from the University of Illinois at Urbana-Champaign and a BFA from Florida State University. She has exhibited nationally in both group and solo exhibitions including the Weatherspoon Art Museum, the Ogden Museum of Southern Art, and the Athens Institute of Contemporary Art. She has also been a visiting artist at Tulane University and Valdosta State University. In 2016, Graham was awarded a fellowship and residency at the Ucross Foundation and the Vermont Studio Center. Graham is currently living and making work in Tucson, AZ.
STATEMENT
Firmly grounded in America’s expansive colonial history, my work interrogates how Southern culture has been idealized as “quintessential America” and the bedrock of traditional American values. Using my familiarity and position within Southern culture, I have created a new visual literacy to demonstrate how America’s nostalgia for tradition has been manipulated in an effort to isolate and disenfranchise. My drawings act as a visual archive of research that examines the consequences of American colonialism and addresses the sense of white fragility that continues to pervade Western culture. In the midst of widespread anxiety over the collective American identity, there has been a revival of many of the country’s unresolved historical battles, including contentious race relations, sexism, nativism, and an ever-growing wage gap. I employ the Americana aesthetic of the old South to parallel historical and contemporary acts of resistance to racial, economic, and gender diversity. Borrowing directly from the decorative arts, the meticulously hand-cut mylar and equally intricate drawing capitalizes on America’s propensity for nostalgia to lure the viewer into confronting injustices through the detached lens of that which has already happened.
Through a combination of appropriated and invented imagery, my work contextually constructs contemporary accounts of systemic marginalization, executed under the guise of leisure, embellishment and luxury. The dense visual language invites investigation into the textured surfaces and leads the viewer to reflect on the social textures of contemporary culture while questioning their own complicity in current social constructs. Sourcing from period- specific textiles, turn-of-the-century advertisements, campaign posters, and found family photographs, the collaged images create a singular narrative composition that document the cyclical and systemic nature of marginalization in America. The methodology with which the drawings are constructed echoes historical layers of rules, regulations and hierarchies that are stitched into dominant white American myths. The resulting drawings are indexical in nature, recording the parallels between topics of current debate and 18th century Western expansionism.
The disconnect between the delicate nature of the work and the unresolved cultural tensions that it reveals provides a visual record of the inconsistencies of American idealism. My current project explores the South as the embodiment of America’s pastoral traditions and values that are at the center of the “Make America Great Again” movement, a movement which has both exploited and is at odds with a social ideal that simultaneously proclaims itself to be “post- racial” and “post- gender” while identifying with a “pull-yourself-up-by-the-boot-straps” mentality. As one of the earliest colonized areas, the South is often portrayed as a region of racial and gender stability in the face of impending change. I am currently working with research institutions in the South to further understand how the architectural structure of the Southern plantation...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Barbecue Nation
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 59h x 41w inches
LAURA TANNER GRAHAM’s drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing simil...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Dead Eye #2
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Ink, Mylar
Dead Eye #1
By Laura Tanner Graham
Located in New Orleans, LA
artwork dimensions (unframed): 37.5h x 13.5w inches
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing s...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
Merrymaking
By Laura Tanner Graham
Located in New Orleans, LA
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with authors such as Flannery O’Connor ...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Mylar, Ink
La Calavera
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Glass, Ink, Handmade Paper
The Gift II
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Glass, Ink, Handmade Paper
The Harvest
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues including Smack Mellon Gallery, Neuberger Museum of Art, Bronx Museum of Art, Queens Museum, El Museo Del Barrio, MoMA PS1, Socrates Sculpture Park and White-box Gallery in New York City. Nationally Cortes exhibitions include Cleveland Art Museum, OH, CSU Galleries at Cleveland University, OH, Helen Day Art Center, VT and The Lorenzo Homar...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Glass, Ink, Handmade Paper
The Giving Hand
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Glass, Ink, Handmade Paper
The Gift
By Esperanza Cortes
Located in New Orleans, LA
ESPERANZA CORTÉS is a Colombian born contemporary multidisciplinary artist based in New York City. Cortés has exhibited in the United States in solo and group exhibitions in venues ...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Glass, Ink, Handmade Paper
Untitled (Georgia I)
By Anastasia Pelias
Located in New Orleans, LA
In her studio practice, Pelias embraces a process that is both intuitive and deliberate. Her work moves from paintings on canvas and works on paper to site-specific installations, ob...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Charcoal, Ink
Low Front IV
By Laura Tanner Graham
Located in New Orleans, LA
[Tucson, AZ ::: b. 1987, Atlanta, GA]
LAURA TANNER GRAHAM's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes ...
Category
21st Century and Contemporary Contemporary Drawings and Watercolor Paint...
Materials
Mylar, Ink
179
By Jenny Day
Located in New Orleans, LA
JENNY DAY is a painter who lives in Santa Fe, New Mexico. She earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from the University of Alaska Fa...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Tape, Pen
Donut Dollies
By Laura Tanner Graham
Located in New Orleans, LA
Artwork dimensions (without frame): 60h x 40w inches
During World War II an the Vietnam War, women were encouraged to volunteer to travel to war zones through the Red Cross. They w...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Mylar, Ink
Plaything
By Laura Tanner Graham
Located in New Orleans, LA
Plaything, 20”x20”, Ink on Hand-Cut Mylar, 2018
This piece focuses on America's cultural appropriation and exploitation of Mexican culture. Living in the desert Southwest...
Category
21st Century and Contemporary Contemporary Figurative Drawings and Water...
Materials
Mylar, Ink
Low Front I
By Laura Tanner Graham
Located in New Orleans, LA
medium: ink on hand-cut mylar
Laura Tanner Graham's drawings and installations are often discussed as part of the Southern Gothic literary tradition, sharing similar themes with aut...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Mylar, Ink
Irma
By Anastasia Pelias
Located in New Orleans, LA
[New Orleans, LA ::: b.1959 New Orleans, LA]
BIO
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Gesso, Paper, Oil Crayon
Untitled II
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Charcoal
Untitled I
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Charcoal
Untitled III
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon
Automatic (green, red, orange)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Gesso, Paper, Oil Crayon
Automatic (green, red, yellow, blue)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Gesso, Paper, Oil Crayon, Mixed Media
Automatic (blue, yellow, white)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon
Automatic (red, yellow, crimson)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Oil Crayon
Automatic (yellow, crimson, olive)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon, Mixed Media
Automatic (white, red, black, yellow, green)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon, Mixed Media
Automatic (pink, silver, gold, green)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Paintings
Materials
Gesso, Paper, Oil Crayon
Automatic (white, green, blue, yellow)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon
Automatic (blue, orange, white)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Gesso, Paper, Oil Crayon
Untitled (pthalo green and beige)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon
Untitled (magenta and orange)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Paper, Oil Crayon
Automatic (red, gold, white)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Abstract Drawings and Waterco...
Materials
Gesso, Paper, Oil Crayon
Untitled
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Abstract Mixed Media
Materials
Paper, Oil Crayon
Untitled (greys)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Abstract Abstract Drawings and Watercolors
Materials
Paper, Oil Crayon
Untitled (hanging)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Gesso, Paper, Oil Crayon, Mixed Media
Untitled (Umbers)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Paper, Oil Crayon
Untitled (mama study) II
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
21st Century and Contemporary Contemporary Mixed Media
Materials
Gesso, Paper, Oil Crayon, Ink, Mixed Media
Untitled (Georgia III)
By Anastasia Pelias
Located in New Orleans, LA
ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native and ancestral roots in New Orleans, LA...
Category
2010s Contemporary Abstract Paintings
Materials
Paper, Charcoal, Ink, Mixed Media
