Darnley Fine Art
to
316
148
120
75
67
56
45
38
34
19
12
11
11
10
10
9
8
8
7
7
7
7
6
5
5
4
4
4
3
3
3
3
2
2
2
2
2
2
2
1
1
1
1
1
22
17
15
14
7
Returnable Items Only
Girl at the Window
By Adrian Paul Allinson
Located in London, GB
Provenance:
Displayed by the Art Exhibition Bureau
Displayed in Southport, 1946
Displayed at Waterman Fine Art, 1989
This painting depicts a blonde lady in a simple pink dress as sh...
Category
20th Century Paintings
Materials
Oil, Board
Portrait of a Lady
Located in London, GB
Gilbert Soest
Gilbert Soest also known as Gerard Soest, was a distinguished English Portrait painter of the late 17th Century, though he his origins trace back to Dutch-German herita...
Category
17th Century Portrait Paintings
Materials
Canvas, Oil
Study of the Borghese Gladiator Sculpture
By Maria Brooks
Located in London, GB
This painting is a study of the Borghese Gladiator, an acclaimed classical sculpture held in Rome. Casts of the statue exist all over the globe, and have been used by artists and stu...
Category
19th Century Paintings
Materials
Canvas, Oil
A Summer's Day
Located in London, GB
The subject matter of this painting is imbued with a sense of childlike innocence and peace. The white dress that the young female subject wears connotes both innocence and simplicit...
Category
19th Century Figurative Paintings
Materials
Oil, Board
Portrait of Lady
Located in London, GB
Oil on canvas
Image size: 30 x 25 inches (76 x 63.5 cm)
Original gilt swept frame
This portrait is marked by its loose brushwork, which creates a sense of hazy nostalgia. Despite th...
Category
Late 18th Century Academic Portrait Paintings
Materials
Canvas, Oil
Portrait of a Lady, Early 20th Century Oil
By Arthur Ambrose McEvoy
Located in London, GB
Follower of Ambrose McEvoy
Circa 1910
Portrait of a Lady
Oil on canvas
Image size: 20 x 16 inches (51 x 40.5 cm)
Original ebonised Frame
A stunning portrait of a lady with flami...
Category
Early 20th Century Portrait Paintings
Materials
Canvas, Oil
One of the Howling Dawashes in Cairo Orientalist Watercolour Portrait
By Carl Haag
Located in London, GB
Carl Haag
1820 - 1915
One of the Howling Dawashes in Cairo
Watercolour on paper, signed lower right & dated 1880
Image Size: 10 5/8 x 7 3/4 inches (27 x 19.5 cm)
Original Frame
'One...
Category
1880s Portrait Drawings and Watercolors
Materials
Watercolor, Laid Paper
The Right of Way
By Frederick Walker
Located in London, GB
In this pastoral scene, the sky is portrayed with twisting clouds, suggesting the onset of a summer storm. On the right-hand side of the painting, dotted across a field sheep and the...
Category
19th Century Landscape Paintings
Materials
Paper, Watercolor
St George Slaying the Dragon
Located in London, GB
This 18th century carved and gilt wood statuette depicts the moment in the story of St George where he slays the dragon that has been terrorising the citizens of Silene. St George is...
Category
18th Century Figurative Sculptures
Materials
Wood
Portrait of a Woman
Located in London, GB
The lady averts her eyes from the gaze of the spectator, gently resting her chin on her hands. Her dress, makeup and hairstyle are drawn from the in-vogue fashion of 1930s Europe, ch...
Category
20th Century Art Deco Portrait Paintings
Materials
Canvas, Oil
Portrait of an Arabian Bay in an Orientalist Landscape
Located in London, GB
John E Fernley, senior
1782-1860
Portrait of an Arabian Bay in an Orientalist Landscape
Oil on panel
Image size: 16 x 21 inches (40.5 x 53.5 cm)
Hand made Orientalist gilt frame
Thi...
Category
19th Century Animal Paintings
Materials
Oil, Panel
Still Life of Fruit in a Wicker Basket with Bird
Located in London, GB
This intricate still life, representative of Dutch Golden Age ideals, captures the essence of fertility, prosperity and transformation. At the heart of the composition a wicker baske...
Category
17th Century Still-life Paintings
Materials
Oak, Oil, Panel
Still Life of Roses in a Glass Vase
Located in London, GB
This intricate still life, representative of Dutch Golden Age ideals, captures the essence of fertility, prosperity and transformation. At the heart of the composition a wicker baske...
Category
17th Century Paintings
Materials
Oil, Panel
The Fortune Teller
Located in London, GB
Rendered in an almost autumnal colour palette with Darnley Fine Art, Budd’s oil painting depicts a Romani Gypsy engaging in the practice of fortune-telling whilst an enraptured crowd watches on. Clasped in the fortune-teller’s hand is a crystal ball, whilst behind him is a wall on which a deck of cards is pinned. Crystallomancy and cartomancy are two ways in which fortunes have historically been told, and are two practices particularly associated with Roma communities.In communities where Romani people have historically been confined to the periphery, fortune-telling - or dukkering, as it is called in the Romani language - provided an opportunity to earn money whilst practicing their own culture.
Budd was known for his paintings depicting scenes of life from London, so it is likely that the setting of this painting is an anonymous London street. It is easy to see a continuity between the performer depicted in this work from the early 20th century, and the variety of magicians and acrobats enticing crowds in today’s world.
Herbert Ashwin Budd
Herbert Ashwin Budd was born in Staffordshire in 1881. In his twenties, he was an apprentice lithographer at Allbut & Stanley, and was eventually elected a member of the Amalgamated Society of Lithographic Artists in 1901. Between 1903 and 1907, Budd studied at the Hanley School of Art before winning a scholarship to study at South Kensington’s Royal College of Art.
Budd was an Associate of the Royal College of Arts and a member of the Royal Institute of Oil Painters. His works were exhibited at the Royal Academy, the New English Art Club, and the Ipswich Art Club - he was also given an Honourable Mention at the 1927 Paris Salon. In the 1930s, he worked for London Transport and designed their travel posters, whilst also teaching at St Martin’s School of Art until 1949.Herbert Ashwin Budd passed away in 1950, leaving behind a wonderful artistic legacy with his striking oil paintings of London...
Category
20th Century Modern Paintings
Materials
Canvas, Oil
Approach of the Simoon - Desert of Geezah, 19th Century Subscription Edition
By David Roberts
Located in London, GB
After David Roberts R.A. 1796 - 1864
Approach of the Simoon - Desert of Geezah
Subscription Edition lithograph Full plate: 240
Presented in a acid free mount
An original 19th Ce...
Category
19th Century Landscape Prints
Materials
Lithograph
Lanidloes, Contemporary 21st Century Oil Landscape
By Jeremy Andrews
Located in London, GB
Jeremy Andrews
Born 1974
Llanidloes
Oil on board, signed verso
Image size: 9.75 x 7.5 inches
Jeremy Andrews works in oils and uses traditional techniques such as under painting and glazing. He works meticulously to recreate what he sees, observing the finest details and subtleties in light and form.
A renowned portraitist, Andrews also specialises in landscapes and animal paintings. He lived and worked on a farm for a number of years and gained inspiration from the flora and fauna that surrounded him. He views this as a natural progression, imbuing his landscapes with the same depth and emotion that are perceptible in his other works.
THIS WORK IS INCLUDED IN OUR 'MOONLIGHT IN PAINTINGS AND WATERCOLOURS' EXHIBITION, CURRENTLY AT DARNLEY FINE ART...
Category
21st Century and Contemporary Contemporary Landscape Paintings
Materials
Board, Oil
Scene Near London Bridge
Located in London, GB
Cyril Walduck Edwards RI RBA
Scene Near London Bridge
1902-1982
Oil on canvas, signed lower left, titled on verso
Image size: 23 1/2 x 30 3/4 inches (60 x 78 cm)
Original frame
Exh...
Category
20th Century English School Landscape Paintings
Materials
Canvas, Oil
Head of Dame Edith Sitwell
Located in London, GB
Maurice Lambert
Head of Dame Edith Sitwell
1901-1964
Patinated bronze on marble base
Dimensions: 7 x 16 inches (18 x 41 cm)
Provenance
Private collection
Originally commissioned by Edith's brother Osbert Sitwell circa 1926/27. Our version is of the same period and must have been commissioned at the same time. A version of this piece made in 1984 in aluminium is held in the permanent collection of the National Portrait Gallery (NPG 5801).
Maurice Lambert
Maurice Lambert, born in Paris, was son of the Russian-born Australian painter George Washington Lambert...
Category
20th Century Modern Figurative Sculptures
Materials
Marble, Bronze
Portrait of a Privateer
By Francis Hayman
Located in London, GB
Portrait of a Privateer
Francis Hayman
1708 - 1776
Oil on canvas
Image size: 20 x 14 inches (51 x 36 cm)
Contemporary style frame
Provenance
Charles Fleischmann Esq
Here, a small ...
Category
18th Century English School Portrait Paintings
Materials
Canvas, Oil
Possible Portrait of William Shakespeare
Located in London, GB
Oil on oak panel
Image size: 17 1/4 x 22 1/4 inches (44 x 56.5 cm)
Period oak frame
This is a portrait of a Tudor gentleman in an open next shirt with one hand raised to his chest. ...
Category
Early 1600s Portrait Paintings
Materials
Oak, Oil
Still Life with Sheep Skull, Abstract 20th Century British Oil Painting
Located in London, GB
Oil on canvas, inscribed on reverse
Image size: 18 1/2 x 18 1/2 inches (47 x 47 cm)
This abstract still life has been painted intuitively by the artist in a limited palette of soft ...
Category
Late 20th Century Abstract Still-life Paintings
Materials
Canvas, Oil
Death the Bride, Late 19th Century Pre-Raphaelite Graphite on Paper
By Thomas Cooper Gotch
Located in London, GB
Thomas Cooper Gotch RBA RI
1854 - 1931
Death the Bride
Graphite on paper
Image size: 44 x 34 inches
Pre Raphaelite Style frame
The title of the painting comes from Shakespeare. It ...
Category
Late 19th Century Pre-Raphaelite Figurative Drawings and Watercolors
Materials
Graphite
Life Drawing Class
Located in London, GB
Leighton Hall Woollatt
Life Drawing Class
1905-1974
Oil on canvas, dated '1930' on verso
Image size: 26 x 18 inches (66 x 45.7 cm)
Handmade contemporary frame
In this painting the s...
Category
20th Century Nude Paintings
Materials
Canvas, Oil
Christ as a Boy
Located in London, GB
Attributed to Francesco Bonsignori
Italian 1455-1519
Christ as a Boy
Oil on wood panel
Image size: 12 1/4 x 16 inches (31 x 40.5 cm)
Original gilt frame
In this painting on panel, ...
Category
16th Century Italian School Portrait Paintings
Materials
Oil, Wood Panel
Man Smoking on a Barrel
By David Teniers the Younger
Located in London, GB
Man Smoking on a Barrel
Circle of David Teniers the Younger
1610-1690
Oil on oak panel
Image size: 9 1/2 x12 1/2 inches (23.5 x 32 cm)
Handmade contemporary frame
Here in this tave...
Category
17th Century Flemish School Figurative Paintings
Materials
Oil, Panel
Portrait of a Girl Reading
By Robert Anning Bell
Located in London, GB
Robert Anning Bell
1863-1933
Portrait of a Girl Reading
Oil on canvas, signed upper right
Image size: 6 1/2 x 8 1/2 inches (16.5 x 21.5 cm)
Original frame
In this composition, a fair-skinned girl with an iridescent blush and lustrous golden-bond hair is depicted engrossed in her reading. The book she holds is strategically positioned facing upwards, to catch the same gentle light that illuminates her almost ethereal face. Her luminous appearance is set against a vivid blue background, providing a striking contrast that enhances the composition. The rich hue of the background serves to emphasise her fair complexion and the subtle luminosity of her blush. This contrast is further accentuated by the deep black of her dress with its juxtaposition of light and dark within the composition creates a focus on the lady’s serene and focused expression. Though the meticulous use of colour and light, the artist captures a moment of quiet introspection, highlighting the delicate beauty of the subject in the contemplative state.
Robert Anning Bell
Robert Anning Bell was a renowned British painter, sculptor, designer, illustrator and educator. Born in London in 1863, the son of a cheesemonger, Bell underwent varied but extensive artistic training. He began working in an architect’s office before studying at the University College School, the Westminster School of Art, and the Royal Academy Schools. His artistic practice was later influenced by the classical and renaissance art he encountered on extensive trips to Paris and Italy.
Upon his return to England, Bell shared a studio with the Sculptor George Frampton...
Category
20th Century Portrait Paintings
Materials
Canvas, Oil
Armand Emmanuel du Plessis, 5th Duke of Richelieu
Located in London, GB
Oil on canvas
Image size: 10 x 7 1/2 inches (25.5 x 19 cm)
Contemporary gilt frame
This painting is a copy of Thomas Lawrence’s 1822 portrait of Armand Emmanuel du Plessis, Duke of ...
Category
19th Century English School Portrait Paintings
Materials
Canvas, Oil
Portrait of Nicholas Poyntz
Located in London, GB
Remigius Van Leemput
Portrait of Nicholas Poyntz
1607-1675
Oil on oak panel
Image size: 13 x 10 1/4 inches (33 x 26 cm)
Contemporary style frame
Provenance
The Dalva Brothers Colle...
Category
17th Century Flemish School Portrait Paintings
Materials
Oil, Panel
The Callings of Saints Peter and Andrew
Located in London, GB
The Callings of Saints Peter and Andrew
Robert Edge Pine
1730-1788
Chalk on paper
Image size: 15 1/2 x 17 inches (39.5 x 43 cm)
Original frame
Here in Pine’s picture displays an ac...
Category
18th Century English School Figurative Drawings and Watercolors
Materials
Paper, Chalk
Interior with a Lady in Grey Washing her Hand
By Gerard ter Borch the Younger
Located in London, GB
Gerard Ter Borch
Interior with a Lady in Grey Washing her Hand
1617 - 1681
Oil on Canvas
Image Size: 20 1/2 x 26 1/2 inches (52 x 67.5 cm)
Contemporary Dutch ripple frame
In this genre painting by Ter Borch, the central woman is composed facing the viewer in a grey satin dress...
Category
17th Century Dutch School Interior Paintings
Materials
Canvas, Oil
Jane Shore doing Penance
Located in London, GB
Jane Shore doing Penance
Richard Redgrave
1804-1888
Oil on canvas, signed with monogram (centre right)
Image size: 14 x 27 inches (35.5 x 68.5 cm)
Original gilt tabernacle frame
Ex...
Category
19th Century Pre-Raphaelite Figurative Paintings
Materials
Canvas, Oil
Conestabile Madonna Old Master Renaissance
By (after) Raphael (Raffaello Sanzio da Urbino)
Located in London, GB
After Raphael
Conestabile Madonna
1483 - 1520
Oil on canvas
Image size: 8 x 8 inches (20.5 x 20.5 cm)
Original ornate hand carved gilt frame
Conestabile Madonna
Made in compositiona...
Category
16th Century Old Masters Portrait Paintings
Materials
Canvas, Oil
Cardinal Thomas Wolsey 16th Century Oil Portrait
Located in London, GB
English School
Cardinal Thomas Wolsey
16th Century
Oil on oak panel
Image size: 22 1/4 x 18 inches (56.5 x 46 cm)
Contemporary style frame
Provenance
Tudor Exhibition, New Gallery, ...
Category
16th Century Portrait Paintings
Materials
Oil, Oak
After Hours
Located in London, GB
Oil on canvas on board, signed lower left
Image size: 14 1/2 x 17 1/2 inches (36.5 x 44.5 cm)
Hand made frame
In this atmospheric scene a drunk is walking home, he must be causing some noise as another person is leaning out of his window to the right looking at him.
The artist has captured old London beautifully with the old bins, advertising on the walls and the cats bemused by the drunken figure. It sometimes takes an outsider such as Sancha to appreciate the beauty of the scene.
Francisco Sancha Lengo
Self portrait in London
Francisco Sancha y Lengo was born in Malaga in 1874. He attended the School of Fine Arts there and studied under Joaquín Martínez de la Vega, the eccentric, influential teacher that baptised a young Picasso with champagne. Such an education served him well, and by 1897 Sancha was studying at the Royal Academy in Madrid under José Moreno Carbonero...
Category
Early 20th Century Portrait Paintings
Materials
Oil, Canvas, Board
Bernard, Self Portrait
Located in London, GB
English School
Bernard, Self Portrait
1950s
Pencil and sepia chalk on paper
Image size: 9 1/2 x 13 1/2 inches (24 x 34.3 cm)
Handmade contemporary frame
This imaginative self-portra...
Category
1950s Portrait Drawings and Watercolors
Materials
Paper, Chalk, Pencil
Lower Chedworth
Located in London, GB
English School
Lower Chedworth
20th Century
Oil on board, signed lower right
Image size: 19 1/2 x 23 1/2 inches (49.5 x 59.5 cm)
Original frame
In this painting, the winding countr...
Category
20th Century Figurative Paintings
Materials
Oil, Board
Sculpture Gallery with Madonna and Child
Located in London, GB
Leighton Hall Woollatt
Sculpture Gallery with Madonna and Child
1905 - 1974
Oil on canvas, signed, titled 'Painting of a Antique Cast' from the Royal Academy Schools and dated '28 Ju...
Category
20th Century Still-life Paintings
Materials
Canvas, Oil
John the Baptist
By Francesco Curradi
Located in London, GB
Oil on canvas
Image size: 17 x 21 inches (43 x 53 cm)
18th Century Carlotta frame
Provenance
Private Country Estate
When depicting John the Baptist artists often added an outer ga...
Category
17th Century Portrait Paintings
Materials
Canvas, Oil
Diana
By Studio of Sir Peter Lely
Located in London, GB
Studio of Sir Peter Lely
Diana
Oil on canvas
Image Size: 38 x 50 inches (96.5 x 127 cm)
Ornate auricular frame
Provenance
The collection of Mr Campbell
Private Estate
Mary II (16...
Category
17th Century Old Masters Figurative Paintings
Materials
Canvas, Oil
Tower of London
By Norman Wilkinson
Located in London, GB
Norman Wilkinson
Tower of London
Oil on canvas, signed lower left, dated June 1960 on verso
Image Size: 23 1/2 x 17 1/2 inches (59.6 x 44.5 cm)
Original gilt frame
Provenance
Tryon ...
Category
20th Century Post-War Landscape Paintings
Materials
Canvas, Oil
Two framed drawings - The School of Arms, Pen and Ink Fencing Drawing
Located in London, GB
These pen and ink studies show two gentleman fencers in various fighting positions. These have been hand drawn on early laid paper and are accompanied by a general explanation of the...
Category
20th Century Portrait Drawings and Watercolors
Materials
Paper, Ink
Fennys Lane
Located in London, GB
John Shelley
Fennys Lane
1938-2020
Oil on board, signed and dated '1968' on verso
Image Size: 35 1/2 x 27 1/2 inches (90 x 69.8 cm)
Original frame
Provenance
The artist, whom exhibi...
Category
21st Century and Contemporary Post-War Abstract Paintings
Materials
Oil, Board
Battle of Tory Island
By Thomas Luny
Located in London, GB
Thomas Luny
Battle of Tory Island
1759-1837
Oil on Canvas, signed and dated '1825' lower left
Image Size: 34 x 23 1/2 inches (86.5 x 59.5 cm)
Handmade gilt frame
This painting is of Commodore Sir J.B. Warren BT in H.M.S Canada together with H.M.S Robust, H.M.S Foudroyant and five frigates, engaging a French fleet under commodore J.B.F. Bompart, 12th October, 1798 and thereby preventing an invasion of Ireland and Lough Swilly.
Britain’s enemies in Europe had long recognised Ireland as a weak point in Britain’s defences. The attempt by the French during the French revolutionary Wars to land troops in Ireland in 1798 as depicted here became known as the Battle of Tory Island.
The Society of United Irishmen, led by Wolfe Tone...
Category
18th Century Landscape Paintings
Materials
Canvas, Oil
Study of a Standing Female Nude
By Evelyn de Morgan
Located in London, GB
Evelyn de Morgan
Study of a Standing Female Nude
1855 - 1917
Black chalk and pastel on grey paper
Image size: 12 ½ x 19 inches (48.2 x 31.7 cm)
Pre-Raphaelite style frame
Provenance
J.S. Mass & Co., Ltd., London, J.X. Reynolds & Co., Ltd.
Once she had graduated from the Slade School of Art, Evelyn continued to draw every day for the rest of her life. Her drawings are enlightening not only for their skill and subject matter, but also for their ability to teach us her working process. From loose compositional sketches, Evelyn swiftly progressed to detailed life studies for the figures in her paintings. Choosing to draw mainly on a grey wove paper in pencil and pastel, Evelyn produced hundreds of figure studies. Her rigorously-examined double studies of clothed and nude figures are particularly fascinating and underline the artist’s obsession with the human form and her desire for accuracy. A deep understanding of anatomy is obvious in this drawing and looking at the work you feel as though you can reach out and feel the muscle and bone under the skin, that you could feel the pulse of life through the soft skin.
Evelyn de Morgan
Born into a landowning family, from an early age Evelyn De Morgan, née Pickering, demonstrated a precocious artistic talent and a passionate desire to pursue a career as an artist, writing in her diary on her seventeenth birthday ‘Art is eternal, life is short… I have not a moment to lose’ (Evelyn De Morgan’s Diary, 30 August 1872, De Morgan Foundation Archive). Her maternal uncle, the artist John Roddam Spencer-Stanhope encouraged her talents and accompanied her on her first formative journeys to Italy where she discovered the Renaissance masters, particularly Botticelli. Overcoming initial parental opposition, Evelyn enrolled at the newly formed Slade School in 1873, one of the first women to do so.
The Slade revolutionised women’s artistic education by allowing female students to study the nude from life alongside their male counterparts. Whilst at the Slade she began to submit work under her middle name Evelyn, rather than her Christian name Mary, as its gender ambiguity offered a chance for her work to be judged on its own merit.
One of her tutors, Edward Poynter...
Category
20th Century Victorian Nude Drawings and Watercolors
Materials
Paper, Chalk, Pastel
The First Taste
By Joan Fairfax Whiteside ARRC FMAA
Located in London, GB
Oil on board, signed lower right
Image size: 14 1/4 x 16 inches (36 x 40 1/2 cm)
Hand made frame
Joan Fairfax Whiteside was a prodigious artist and illustrator. Born into an eminent...
Category
Early 20th Century Modern Paintings
Materials
Oil, Board
A Wooded Path
Located in London, GB
Oil on canvas, signed lower right
11 4/5 x 12 9/10 inches (30 x 32 cm)
Gilt frame
Nora Summers was a British painter, printmaker and photographer who grew up in an engineering family. She studied at Bristol School of Art before progressing on to the Slade School in London where she developed under the teaching of Henry Tonks from 1907-1910. Her work was often characterised by its serene, still quality, here her landscape captures a forest scene as a poignant documentation of the moment- a fleeting memory, frozen in time. She was predominantly shown in the NEAC as well as the Walker Art Gallery. Summer’s contemporaries were captivated by her striking look and modernist style, many of whom used her as a muse for some of their works such as Augustus John, Henry Lampard, and Walter Russel.
After meeting her husband Gerald Summers at Slade, the two honeymooned in Italy where they both worked closely on topographical paintings and etchings of Italian...
Category
20th Century Modern Landscape Paintings
Materials
Oil, Canvas
'Don't I Wish it Was Loaded'
By John Hassall
Located in London, GB
Gouache on board, signed lower right and titled bottom left
Image size: 20 1/2 x 18 inches (52 x 46 cm)
Art Deco frame
Designed in 1907 for W.D & H.O Wills, advertising Capstan Navy Cut Tobacco & Cigarettes. The text that accompanied this painting on the original poster read 'Capstan Navy Cut, Tobacco and Cigarettes in three grades of Strength'.
This original artwork features a young boy and sailor stood together on a pebbly English beach. The boy stands to attention with a toy gun...
Category
Early 1900s Art Deco Landscape Drawings and Watercolors
Materials
Gouache
Landscape with Ruins by the Tivoli Falls
Located in London, GB
Oil on copper
Image size: 15 x 10 1/2 inches (38 x 26.5 cm)
Period style hand made frame
This landscape depicts the area surrounding the Tivoli waterfalls in Italy. Thanks to its proximity in Rome, which lies some 30 km to the Southwest, Tivoli has long been a destination for artists. The Italian landscapists whose work was so coveted by Grand Tourist collectors—Claude, Gaspard Dughet and Salvator Rosa—all sketched there, while the Northern Italianates, including Cornelis van Poelenburgh...
Category
Early 17th Century Landscape Paintings
Materials
Copper
Minaret & Grand Entrance of the Metwaleys, Cairo
By David Roberts
Located in London, GB
Subscription and first edition lithograph in stock
Full plate: 218
Presented in an acid free mount
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
General View Asouan & The Island of Elephantine
By David Roberts
Located in London, GB
Subscription and first edition lithographs in stock
Full plate: 196
Presented in a acid free mount
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
Principal Court of the Convent of St. Catherine
By David Roberts
Located in London, GB
First Edition lithograph
Full plate: 120
Presented in a acid free mount
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
Convent of St. Catherine, Mt. Horeb
By David Roberts
Located in London, GB
First edition lithographs in stock
Full plate: 118
Presented in a acid free mount
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
The Theatre, Petra
By David Roberts
Located in London, GB
First Edition lithograph
Full plate: 98
Presented in a acid free mount
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
Lower Portion of El Khasne, Petra
By David Roberts
Located in London, GB
Subscription and first edition lithograph in stock
Full plate: 94
Presented in a acid free mount
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
El Deir, Petra
By David Roberts
Located in London, GB
Available in the First Edition lithograph
Full plate: 90
Presented in a acid free mount
We only sell the original 19th century lithographs by David Roberts, please read the informa...
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
Baalbec, Western Portico
By David Roberts
Located in London, GB
First edition lithograph in stock
Full plate: 79
Presented in a acid free mount
Modern hand-coloured lithograph for the first edition of David Roberts’ The Holy Land available.
Pub...
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
Baalbec, General View
By David Roberts
Located in London, GB
Subscription and first Edition lithographs
Full plate: 77
Presented in an acid free mount
Original hand coloured subscription edition and modern hand-coloured lithograph for the fir...
Category
19th Century Victorian Landscape Prints
Materials
Lithograph
A Riverside Conversation
Located in London, GB
British School
Oil on Canvas
Image Size: 31 inches x 25 3/4 inches (79 x 65.5 cm)
Original gilt frame
Gathered along a riverside are two fishermen turned in conversation, one of who...
Category
18th Century English School Landscape Paintings
Materials
Oil, Canvas
Stone Lion
Located in London, GB
G R Neale
Oil on Canvas, Signed and dated ‘1933’ lower right
Image Size: 13 1/2 x 9 1/2 inches ( 34.3 x 24.1 cm)
Hand made ebonised and gilded frame
Accentuated by the works golden tones, the painting is a duality of strength and stillness. Explored through the compositions stoic stone lion; angled to gaze just out of frame; in contrast with the draped ochre curtain of the piece’s background.
Reeves and Sons...
Category
20th Century Modern Animal Paintings
Materials
Oil, Canvas
Portrait of Lady Mansfield of Ringwood
By Thomas Hudson
Located in London, GB
Portrait of Lady Mansfield of Ringwood
Oil on Canvas
Image size: 25 x 30 inches (63 x 76 cm)
Original carved & gilded frame
POA
Provenance
Descended through the Family Estate
Born in Poland in 1760 to the 2nd Earl of Mansfield and his wife, Elizabeth Mary Murray would later come under the care of her uncle, William Murray (1st Earl of Mansfield) at Kenwood House in Hampstead. David Murray (2nd Earl of Mansfield) was set to inherit the title and full wealth of his uncle, including Kenwood House. Lady Mansfield’s second cousin would soon join her at Kenwood, where they would be raised together and featured in multiple portraits of the time. Her younger sister, Henrietta, is seen in a separate portrait done by Thomas Hudson as well. At the age of 25 she married George Finch-Hatton, an English aristocrat and politician who sat in the House of Commons from 1772-1784.
Gazing out at the viewer, Lady Mansfield wears a decorated dress, with an abundance of pearls and lace, and a transparent gold lined veil surrounding her right shoulder. The excess of luxurious fabric matches another Hudson portrait of another Lady Mansfield, with the lace detailing and complementary bodice. The depiction of this Lady Mansfield epitomizes the style of portraiture in the 18th century, such as the styles Hudson’s pupils Joshua Reynolds, Joseph Wright, and Peter Toms. From Hudson’s travels to the Low Countries and Italy, he no doubt brought back artistic inspiration from the international pieces he encountered.
Thomas Hudson
Hudson was a celebrated 18th century portrait painter. Born in Devon in 1701 he studied under the artist Jonathan Richardson and married his daughter, against Richardson’s wishes.
He had many artistic friends including William Hogarth and Francis Hayman and travelled with them in Europe in 1748. He also visited Italy with the sculptor Louis-François Roubiliac in 1752. Hudson’s style of portraiture proved so successful that for a decade from 1745 to 1755 he was London’s most popular portrait painter and made a fortune painting the cream of London society and members of the Royal Family.
He was also a talented teacher, perhaps too good, as subsequently a number of his former assistants overtook him in popularity including the artist Joshua Reynolds.
Hudson retired in the late 1750’s and died in Twickenham in 1779. His most notable works include portraits of King George II and George Friedrich Handel and his “Portrait of a Nobleman in Van Dyck dress.” Many of Hudson’s works may be seen in art galleries. These include the National Portrait Gallery, the National Maritime Museum, the Tate Gallery, the Foundling Museum and the Bristol City Museum and Art Gallery. His works are also in Museums across the world...
Category
18th Century English School Paintings
Materials
Canvas, Oil