Art Mûr Figurative Photography
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Untitled
Located in Montreal, Quebec
In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Untitled
Located in Montreal, Quebec
In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Untitled
Located in Montreal, Quebec
In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Untitled
Located in Montreal, Quebec
In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Untitled
Located in Montreal, Quebec
In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Untitled
Located in Montreal, Quebec
In a series of portraits documenting the body in nature, Isaac’s model dons a fantastical mask — one side overgrown with fledgling greenery while the other half conjures a ghost of t...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Trinity
By Bevan Ramsay
Located in Montreal, Quebec
Following his first post-secondary degree in Fine Arts in 1994, he trained as a cabinet-maker and completed an apprenticeship in antique restoration. He was co-founder of a successfu...
Category
2010s Contemporary Figurative Photography
Materials
Photographic Paper
Deployment llI (Ice Hole with Letters) - Antarctica
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Letters to the Future – Antarctica (3019)
By Jessica Houston
Located in Montreal, Quebec
In Jessica Houston’s Afterward, Silence (Franklin’s Crewmen’s Grave, Beechey Island) a single pale gravestone stands on an otherwise desolate ashen shore – a relic of Sir John Frankl...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Golden Slumbers
By Jennifer Small
Located in Montreal, Quebec
For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea market, objects are resurrected and given a second life. This is where Jennifer Small...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Word World
By Jessica Houston
Located in Montreal, Quebec
Collage of photographs and Pantone color swatches on paper
Suspended in a Sunbeam, is a series of mixed-media works that span Jessica Houston’s decade-long engagement with the Canad...
Category
2010s Contemporary Figurative Photography
Materials
Mixed Media, Photographic Paper
Looking forward
By Jessica Houston
Located in Montreal, Quebec
Collage of photographs and Pantone color swatches on paper
Suspended in a Sunbeam, is a series of mixed-media works that span Jessica Houston’s decade-long engagement with the Canad...
Category
2010s Contemporary Figurative Photography
Materials
Mixed Media, Photographic Paper
Basic needs
By Jessica Houston
Located in Montreal, Quebec
Collage of photographs and Pantone color swatches on paper
Suspended in a Sunbeam, is a series of mixed-media works that span Jessica Houston’s decade-long engagement with the Canad...
Category
2010s Contemporary Figurative Photography
Materials
Mixed Media, Photographic Paper
Which we are part
By Jessica Houston
Located in Montreal, Quebec
Collage of photographs and Pantone color swatches on paper
Suspended in a Sunbeam, is a series of mixed-media works that span Jessica Houston’s decade-long engagement with the Canad...
Category
2010s Contemporary Figurative Photography
Materials
Mixed Media, Photographic Paper
We are part of that nature we see to understand
By Jessica Houston
Located in Montreal, Quebec
Collage of photographs and Pantone color swatches on paper
Suspended in a Sunbeam, is a series of mixed-media works that span Jessica Houston’s decade-long engagement with the Canad...
Category
2010s Contemporary Figurative Photography
Materials
Mixed Media, Photographic Paper
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Signs of disorientation
By Patrick Beaulieu
Located in Montreal, Quebec
During the summer of 2017 and 2018, Patrick Beaulieu realized the performative excursion EL PERDIDO. Travelling with the geographer Alexis Pernet on board a 1977 Dodge camper van, th...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Longing #29
By Sonny Assu
Located in Montreal, Quebec
Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...
Category
2010s Contemporary Figurative Photography
Materials
Archival Pigment
chuchotement
By Patrick Beaulieu
Located in Montreal, Quebec
For the last ten years, the work of Patrick Beaulieu has been built around the initiation of performative trajectories resulting in a corpus of visual artworks combining installation...
Category
2010s Contemporary Figurative Photography
Materials
Digital
Longing #28
By Sonny Assu
Located in Montreal, Quebec
Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...
Category
2010s Contemporary Figurative Photography
Materials
Archival Pigment
Longing #2
By Sonny Assu
Located in Montreal, Quebec
Four years ago, I stumbled upon the site of a log-home developer on the traditional territory of the We Wai Kai Nation, my reserve on northeastern Vancouver Island. I found it comica...
Category
2010s Contemporary Figurative Photography
Materials
Archival Pigment
Entre nous V
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Entre nous IV
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Entre nous II
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Entre nous I
By Karine Payette
Located in Montreal, Quebec
Text by Nancy Webb
It’s Saturday night and Karine Payette is in her studio. We meander into a conversation about the dog she used to have and her soft spot for German shepherds, an intensely obedient and loyal breed in a deceivingly wolf-like package. Payette’s most recent series of photographs, sculptures and video work seem to speak directly to this preoccupation with the multifaceted nature of human-animal relationships—the dialogues of control, intimacy, violence and domestication that subtly take place on an interspecies level.
Her workspace is part laboratory, part prop closet—a bowl of fur sits not far from her computer. Somehow in this bright, open, chemical-clean scented room, Payette conjures wildness. We are taken to a strange place, the borderlands of interspecies mingling. At one extreme of the animal-human dynamics scale is the stalwart compliance of a professionally trained German shepherd who responds to commands with robotic precision. Here, power is comfortably held by an off-screen voice, animality pacified by a set of linguistic prompts. At the other end of the scale is a sculpture of a human figure clad in red, sharing a languorous kiss with a wolf. The story of Little Red Riding Hood is immediately called to mind, except that here our hooded protagonist seems to have bailed on grandmother’s orders, instead opting for a forest floor make-out with her canine stalker. This taboo mise-en-scène is a brazen inquiry into the boundaries we maintain with our animal counterparts. Its scale and three-dimensionality contribute to a feeling of immersion that the artist has been courting with her work for the past several years. It feels as though you’ve just walked in on something: you are implicated and your discomfort is like an invisible mist that coats these inanimate beings.
Elsewhere in Payette’s suite of anthropomorphic works, the demarcation between species grows even fainter. A photographic series depicts the slow encroachment of fur, scales and feathers on human skin—a striking process of contamination facilitated by touch. The fusion of flesh, charcoal cat fur and a pale silky dress...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Pain Killer
By Karine Giboulo
Located in Montreal, Quebec
Karine Giboulo creates colourful miniature worlds in which depictions of reality and flights of fantasy mingle. Her intricate sculpted scenes use pathos and humour to comment on the ...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Photographic Paper
Now look at Barack Obama and Bill Cosby
By Bevan Ramsay
Located in Montreal, Quebec
Beyond Sociology: The Act of Seeing a Person
Text by Edwin Janzen
It is hardly surprising that in our society perceptions of homeless persons remain two-dimensional, stereotypical, inadequate. Even for the rare administration tackling the problems of homelessness in an effective, meaningful way, the homeless person’s humanity is buried beneath a mountain of endless statistical markers: mental illness, substance abuse, soup-kitchen attendance, etc. The enormous negativity lingering about the resultant profile permits scant room for other, arguably important accoutrements of the human experience—character, emotion, intellect, beauty, relationship to divinity—and leaves homeless persons basically where they already are: on the street, the objects of middle-class loathing or pity.
Struck by this depressing determinism, artist Bevan Ramsay set out to cast portrait busts of homeless persons (one woman, the others men), producing an edition in fine, white statuary Hydrocal plaster mounted on mahogany bases. These portraits, titled Lesser Gods...
Category
21st Century and Contemporary Contemporary Figurative Photography
Materials
Plaster
