Anthony Rosa Folk Art

A wonderful American naive oil painting on canvas. The United States was already two years into WWII. Rationing and personal hardship was an everyday occurrence. Families were unsure...

Decorative marble fruit. The fruit and nuts that never go bad. Assorted fruit and nuts hand colored and hand carved white marble. The cornucopia of fruit and nuts consists of grapes,...

Recently purchased from a multi-generational Ridgefield, CT estate of the former President of Ridgefield Savings Bank. Our esteemed and avid collector found time in his off hours in Post World War II Connecticut to scour the countryside for just about anything that struck his fancy. He had an enormous passion for model trains, porcelain figurines and pattern Depression Era glass...

Very nice painting with a folk art feel by the artist, Horace M. Stone, Jr. (1919-1978). The piece was executed in 1956. Stone has depicted the brick facade of the main offices of th...

Trompe l'oeil oil on board painting. Trick of the eye still life of a hand towel, a folding ruler, envelope and an almanac dated 1831. Most likely, the mundane everyday items used in...

Fantastic hand crafted carved wood horse pull toy. Possibly made from scraps of wood during the Depression Era resembling a Trojan Horse of sorts. Carv...

A wonderful vintage articulated wood artist's mannequin. A must have for the artist or objet d'art. The interior coils and bands that position the model are in good condition. The qu...

Authentic First Nations wood carved mask by master carver, Henry Hunt (1923-1985). This hand carved gem depicts a Canadian Grizzly Bear. Pencil signed in cursive on the reverse, Henry Hunt. Carved out of Pacific Northwest pine. Hunt had a rich history replicating and also making one of a kind masks, figures and totems in the Kwakwaka'wakw tradition. This piece dates circa 1970-80. Good overall condition with wear consistent with age. One minor ding near the eye (see photo). Dark patina. No visible splits. Approximately 5" deep x 5.13" wide x 7" high. Galleries West Bio: In 1941, the Royal British Columbia Museum in Victoria opened Thunderbird Park on a small piece of land adjacent to the museum. Centred around the historic Helmcken House on the same site, it was a small but growing collection of authentic examples of northwest coast art — poles, grave markers, and other ceremonial carvings by the Haida, Songhees, Nuu-cha-nulth, and Kwakwaka’wakw people. By the early 1950s, the carvings had started to decay, and the museum hired a carver to replicate the existing poles, and create new carvings based on original works from sites along the west coast. Kwakwaka’wakw chief Mungo Martin was hired as head carver, and he brought in his stepson, Henry Hunt, to assist him. Based on the northeast coast of Vancouver Island, the Kwakwaka’wakw carvers are known for poles and masks carved with traditional hand tools, faces and figures with theatrical expressions, and bright painting outlined in sharp contrast. Martin learned the art from his own stepfather, Charlie James...

An amazing spider's web of a rollercoaster of design and line. This sculpture is just as delicate and light filled like a spider's web. A work that reaches, careens, and zigzags Constantly changing maze of line and perspective. Comprised of welded metal rods and airbrushed in different colors. Circa 1960. Good overall condition with all welds intact. Some minor rust and pitting, but that just adds to the piece's outsider art charm. Clipped corners on the piece's base. Reminiscent of a small skeletal sculpture by the artist, Lee Bontecou...