Wladimir Zwaagstra

Gorgeous 1975 serigraph after Jean Michel Folon's beautiful "l'arbre" or "forest". Produced in 1975 by Editions Marquet for Gallery Marquet in Paris, France. This print is in excellent condition, see pictures for details. It comes unframed. Jean-Michel Folon’s (Belgium 1934 - 2005) enigmatic landscapes and mysterious humanoid forms helped revolutionize conceptual approaches to illustration in the late 20th century. While Folon has worked across multiple disciplines—including painting, textile, sculpture, stained glass, and printmaking—he is perhaps best known for his drawings and watercolors depicting landscapes in the vein of Surrealist masters such as Salvador Dalí and René Magritte. These works depicted idyllic forests and prison-like skyscrapers populated by butterfly or bird/human hybrids he called “Everymen.” Folon’s drawings were published in such publications as Esquire, The New Yorker, and Time, among others, and he illustrated a number of well-known books. Folon widely exhibited during his lifetime, including at institutions such as Les Arts Décoratifs, the Museum Boijmans Van Beuningen, the Metropolitan Museum of Art, the Institute of Contemporary Arts in London, and the Musée Picasso.

Issued in the much sought after and scarce series: Abbé Lorenzo Berlèse Iconographie du genre camellia ou description et figures des camellia les plus belles et les plus rares ...

A pair of early prints by KAWS being sold together. Supermodel #1 1999 Supermodel #2, 1999 Screen prints signed in pencil, numbered and dated 99. The prints are matched numbered ...

This extraordinary small lithograph by Eduardo Chillida, created in 1975, was originally produced as an invitation for one of the artist’s exhibitions. The piece is part of a rare Ep...

Serigraph by Alex Foxton, 2021: This captivating serigraph by Alex Foxton is part of a 2001 series entitled 'Frankenstein'. This magnificent artwork on vellum paper, signed and numb...

Original letterpress woodblock print, signed by the artist Susan Acker, c. 1975 Professionally matted, framed and ready to hang.

An entertaining, vibrant, and large Herman Miller screen print by artist Steve Frykholm. Screen printed with lacquer ink with a lacquer finish.” This individual print is of a detailed frame of a pop art style cherry pie that reads “Herman Miller Summer Picnic August 8, 1975.” Frykholm was at one point acting as the vice president of creative design at Herman Miller. In 1970 he created a series of graphic posters referred to as ‘The Picnic Posters...

Original midcentury abstract art exhibition poster with wonderful vivid colors of blue, red, green, beige, etc... Very decorative, signed by t...

A fine original midcentury abstract art exhibition poster featuring the work of French listed artist, Karl Fey-Rouger. The event was held at L' Art Marginal Gallery in Nice, France...

Stockbridge, framed serigraph by Thomas McKnight.

A beautiful original midcentury poster signed by listed artist Ivicevic Slobodan on July 2, 1975 in Nice, France during his exhibit at the famous L'Art Marginal. As shown on the le...

Original, midcentury poster dated 1975 from Gallerie Lovreglio in Nice, France. Signed by the artist Jean Messagier (1920-1999), multi-faceted artist. Measures: 17" W × 1" D × 24" H "Like the meanders of the Doubs so dear to Jean Messagier, the furrows that the artists on the paths of art history are sometimes complex and tortuous. Messagier, famous since the 1950s, exhibited all over the world, a friend of painters, rockstars and poets, began the 1980s with a retrospective exhibition at the Grand Palace (Paris) which then marks, paradoxically, the beginning of a certain forgetfulness. The reasons are many times that today the work of this immense artist is partly forgotten, in all unknown cases, and is probably the object of a misunderstanding. Messagier, abstract? Arise then these images of colorful tracery, this so-called "tile washer" painting, which was, he, is true, that of her first successes and her consecration, but which is only one of facets of a gigantic and protean work that has endlessly put itself in danger and to reinvent herself. The object of the retrospective imagined at the Musée de Dole in 2019 is clearly to show that Messagier was working beyond the issues of figuration and of abstraction, in an urgency to paint, to draw, to create, which has as principal obsession to respond to the cruel creativity of nature. Messagier, springtime specialist, ecologist almost before the hour, experimenter of frost painting winter, poet of the sap and pollen, draws his breath in that, vital, libidinal of nature. It's the same energy that pushed him to touch everything, with a freedom and a lack of interest manifest for opinion or criticism. It does not matter if we say crazy - on the contrary - Messagier the almost American abstract painter never finished with the figure or the figuration and allowed herself as early as the 1970s to both summon images from the popular culture like Goldorak, the Marsupilami, Betty Boop, glamorous figures like Lady Di or Greta Garbo, to jostle her masters by quoting Delacroix, Matisse, Picasso ... with total irreverence. These years 1970-1980, where will face jovial triviality, fried eggs, radishes, a thousand giant leafs...