Thomas Harlev Furniture

Mid-Century Modern Scandinavian Stick Back chair by Thomas Harlev, black stain beech. New edition. Architect Thomas Harlev belonged to a group of Dan...

Fantastic set of four dining chairs in teak with wool seats designed in the 1960s by Kai Kristiansen for K.S. Mobler of Denmark. The style of these Kai Kristiansen chairs is often mi...

This rare organic shaped Scandinavian Modern teak dining chair was designed by Johannes Andersen in the 1960s and produced by Bramin Mobler, mod. no 178. It features a solid teak w...

Armchair model 3758 A in original red indian leather and mahogany base. Model designed in 1927 for the Danish Museum of Decorative Art, produced by Rud Rasmussen in the 1940’s. Signed with manufacturer’s label to underside: (Rud. Rasmussens Snedkerier). Kaare Klint is widely recognized as the father of Danish modern design. It is hard to overstate his influence. He developed an entirely new analytical approach to furniture design that his students at the Danish Academy of Art would emulate for years to come, yet was also inspired by historic designs from various cultures, modernizing and re-interpreting classic pieces for new generations. Literature: Kaare Klint, Harkær, pg. 28-30. Dansk Møbelkunst Gennem 40 Aar: 1927-1936, Jalk, pg. 169. Danish Chairs, Oda, pg. 22-23. Kaare Klint (1888-1954) is regarded as the founding father of Danish Modernim. As an architect, furniture designer and leading professor at the Department of Furniture Design at the Royal Danish Academy of Fine Arts, Copenhagen, Klint established the principles of modern Danish furniture by combining a profound appreciation of traditional construction techniques with a modernist emphasis on function and a rejection of ornaments. Klint’s design was always based on relentless research; he never compromised. Every piece had to fulfill its purpose, be completely clear in its construction with dimensions and proportions corresponding to the human body and display materials and craftsmanship of the highest quality. Logic, often using a mathematical system of measures, and a constructive way of thinking were the foundation of Klint’s philosophy of furniture design. Like many of his contemporaries, counting Le Corbusier and Walter Gropius, he advocated standardization and functional requirements and dismissed the use of all ornamentation. But Klint realized his vision in wood and leather, using traditional craftsmen and working methods and often finding inspiration in historical models. In this way, he charted the course for an alternative Nordic Functionalism that idealized the workshop and the collaboration between furniture architects and cabinetmakers as opposed to the factory. Kaare Klint’s first major work was a collaboration with his mentor, the architect Carl Petersen. In 1914 they were commissioned to design furniture and fixtures for Faaborg Art Museum. One of the highlights to emerge from this commission was the Faaborg chair, a light and elegant chair with clear references to classical furniture. The construction and proportions of an 18th century English Chippendale...

Armchair in patinated leather made by Danish Cabinetmaker in 1930s. Great original condition.

Vintage Danish teak dining chairs by Korup Stolefabrik 1960s, Set of 4. Set of Danish Mid-Century Modern ladder back dining chairs in solid teak with new upholstery in black faux le...

Vintage danish teak dining chairs by Kjærnulf for Vejle Møbelfabrik 1960s Set of four dining chairs in teak designed by Danish architect Henning/Hen...

1960s, set of 4 Danish dining chairs by Farstrup. Back in the bent teak wood, the rest of the construction in dark beech wood. Reupholstered by craftsman in black artificial leather....

Pair of beechwood chairs with sprung upholstery and fabric cover.

iconic Italian Mid-Century Modern folding chairs in brown plastic and chromed aluminum, designed by Giancarlo Piretti 1967 for Anonima Castelli, Italy. The Plia folding chair is a re...

"Dialogo" brown fiberglass and pale wood chair by Tobia Scarpa for B&B, Italy 70s The ‘Dialogo’ chair was designed by Afra and Tobia Scarpa in the 1970s and convinces with its tw...

Armchair with rosewood frame by Ole Wanscher. Seat and back upholstered with black leather. Made by cabinetmaker A. J. Iversen. Normal patina due to age and use including scratche...