Siot-Decauville Furniture

Bronze sculpture of female nude, not signed. Measures: Height 18 cm. Width 21 cm. Depth 22 cm. Weight 3 kg.

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

"WALTER SCOTT: CHEVAL DE'SELLE DE L'EMPEREUR" BY ALFRED BARYE (FRENCH, 1839-82) Patinated bronze, titled to base; signed "Barye Fils" Item # 001ZKK18W Orig...

ALFRED DUBUCAND French, 1828-1894 "Standing Stag" Medium-brown patinated bronze Signed in naturalistic base "A. Dubucand" Item # 109HPV21P A beautifully textured model of Stan...

EUGÈNE MARIOTON French, 1857-1933 Diana, the Huntress Patinated and burnished bronze signed to base "Eug. Marioton" and cold-stamped by foundry "E. Colin et Cie Paris" Item # 305...

"HARVESTER" AFTER A MODEL BY MATHURIN MOREAU (FRENCH, 1822-1912) In a reddish-brown and golden patinated bronze; signed in base "Math. Moreau" Item # 012SKP14W A fine model of a rural young farmer resting against a rocky outcrop to sharpen his scythe, the base of which has been set in the hay collected in a pile beside the rock; the naturalistic base is signed along the back in his typical nearly cursive script "Math. Moreau". It is a complex model and a fine accomplishment for the foundry, the joints seamlessly flowing into one another without any obvious connections. The surface is chiseled with great care, resulting in fine detailing of the toes and fingers to include the wrinkles at each joint and texturing of the nails, crisp eyelids and flawless skin, gorgeous texturing of the garment...

EUGENE AIZELIN French, 1821-1902 Bust of a Young Woman (1864) Patinated bronze raised on an original turned rouge marble base over brass rim signed on shoulder "Eug. Aizelin 1864"...

A good antique French cast bronze sculpture bust of Ludwig Van Beethoven, circa 1890. The bronze sculpture bust depicting the celebrated German composer & pianist; Ludwig Van Beethov...

EMMANUEL FREMIET French, 1824-1910 Chien loulou couché Nuanced brown patina on sand-cast bronze Signed in base "E. FREMIET" a Charles More cast numbered 213 Item # 202FPP12G A good lifetime casting by Charles More numbered 215, it captures the entirely relaxed spirit of the recumbant husky dog...

Alfred Barye was a French artist known for his meticulously detailed bronze sculptures of the Belle Époque featured in this listing. The standing figure with a dog and monkey at his ...

ISIDORE JULES BONHEUR French, 1827-1901 Taureau Aberdeen-Angus" (Standing Aberdeen-Angus Bull) Patinated sand-cast bronze Signed to base "I. BONHEUR" Item # 211HDB17Z An exquisite and very rare casting of an Aberdeen-Angus bull, an unusual and distinctive breed of cattle from Scotland, this sculpture by Isidore Jules Bonheur is almost without a doubt cast by the foundry of his brother-in-law Hippolyte Peyrol and a rather early model as well in light of the distinctive construction method. In her text on the selection of 46 animal bronzes in the collection of the Georgia Museum of Art, Eleanor Luciano notes regarding this model that "Bonheur is never recorded to have been to Scotland, where he would have seen this unusual breed. Rosa Bonheur painted in Scotland, and its seems likely that Isidore would have drawn the idea for this bull either from one of her sketches or from an agricultural show in France. The animal's rich mane and strong modeling make this one of the most successful." Notable is the very fine surface patination which exhibits a glassy finish with a complex range of colors presenting in the body of the bull, overall being medium brown but augmented with an underlying reddish hue against auburn highlights. The base is signed "I. BONHEUR" in the typical manner. Museum Collections: * National Gallery of Art, Washington DC, acc. no. 2006.128.3 * Georgia Museum of Art, University of Georgia...

The intersecting sculptural lines of this French signed vintage bronze sculpture by Boucher is polished and has a rose gold color of the bronze. It sits on a white and gray veined Carrara marble block base that is attached. The measurements for the sculpture alone are as follows: 9" H x 5" D x 4.5" W. It is from the 1960s. The intersecting lines of this sculpture give it parallel forms. It is a dynamic sculpture...