Sheryl Bodily Paintings
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Creator: Sheryl Bodily
"Stagecoach Crossing" Original Painting by Sheryl Bodily
By Sheryl Bodily
Located in Coeur d'Alene, ID
Measures: 6" x 12" oil on board. Bodily received his early training from an uncle and furthered his artist education at Brigham Young University. Subjects rendered in oils include In...
Category
Late 20th Century American Sheryl Bodily Paintings
Materials
Paint
Moose Hunt Original Oil Painting by Sheryl Bodily
By Sheryl Bodily
Located in Coeur d'Alene, ID
Original oil on board painting by Sheryl Bodily; 14" x 18". Framed in light colored rustic frame. Painting portrays a Native American hunter drawing bow back to shoot at large bull m...
Category
Late 20th Century American Sheryl Bodily Paintings
Materials
Canvas, Paint
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J. Earle Pfoutz had a long and distinguished career as a self trained artist. More can be learned about him from reading this article produced by Gary Hawbaker at askART
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An image of J Earle Pfoutz
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J. Earle Pfoutz (John Earle Pfoutz) – (Oct 23, 1891-Nov 9, 1957)
“A seventh generation descendant of a Swiss family which arrived in America early in the 17th Century, J. Earle Pfoutz was born in Lancaster, PA, son of John Bachman and Susan Allison Pfoutz. He painted houses for a living and pictures for a life.
A self-taught artist, described as a primitive, he was distinctive for his vivid imagination and bold color application. He painted hundreds of Lancaster County scenes. Pfoutz traveled through the hills near his home and along the Susquehanna River in search of scenes. He began painting with a brush when he was fourteen, but added a palette knife after suffering an eye injury. He completed eighth grade in the Lancaster Public Schools and there his formal education ended. However, the Department of Public Instruction of the State of Pennsylvania thought so highly of his work as an artist that officials certified him as an art instructor and he taught for a year in the York (PA) public schools. He also was an art instructor under the program for disabled veterans, sponsored by the Veterans Administration, when he gave private instruction to veterans in their homes.
In 1947, J. Earle Pfoutz finally earned national recognition as an artist. His painting, Opalescent October, was chosen by the Museum of Art of Dayton Ohio, to travel all over the country for a year with its Group Exhibition. Described as a “very colorful, calm scene, iridescent in color, sweeping in design,” the painting started on its journey around the country early in 1948. In an interview with the Sunday News (Lancaster, PA – Nov 2, 1947), Pfoutz stated that he didn’t know whether he was a “primitive” or an “impressionist.” No master taught him, no school channeled his style. “Sometimes I didn’t eat, but I always managed to paint,” he recalled. Many of his hundreds of canvases -most of them not sold, but given away to friends – found their way to other parts of the country. “I never remember the day when I did not love color,” Pfoutz said. “I was about 12 years old when I saw my first palette – a string of different colored paint paddles that graced the stores of that day. As a boy I had two great desires. One was to be able to eat all the strawberry jam I could, and the other to possess a string of those beautiful paint paddles. Well, I’ve got my fill of jelly, but I’ve never yet got my fill of beautiful colors.”
In 1950, Pfoutz’s one man show of paintings made front page headlines in the Lancaster Intelligencer Journal: “Most of the twenty oil paintings on exhibition are landscapes, although there are several interesting figure studies. Colors again, as in all Pfoutziana are rich and full-bodied, but for the most part not as startlingly as in some of the earlier work. Most of the paintings were done during the past year, and also reveal the painter’s characteristic heavy impasto technique, in which the rich swirls of paint carry their own message. Among the figures, The Banjo Picker, and The Magician, are the most provocative. Both are character studies; the first being of a tramp musician whose drab clothing is set-off by a luminous aqua blue background. Modern in feeling and treatment is The Magician, a clown-faced wizard whose spinning ball in the air suggests the fourth dimension – space. The use of the primary colors in this picture serves to emphasize the theme effectively.
A large colorful landscape, Opalescent October, depicting rolling hills against a late afternoon sky is new to Lancastrians, as it has just returned from Dayton, Ohio, where it hung in the Dayton Art Institute. Another landscape with soft dreamy colors is Fantasie D’Autumne, and one of the loveliest pictures in the show. Pennsylvania Dutch Country is another with eye appeal, and was one of the works which was hung in the Old Customs House in Philadelphia during Pennsylvania Week, and before that in a collection of Pfoutz work in the same place. In deep contrast to the sunny skies and brilliant foliage of many of the pictures, is the somewhat morbid Worry, in which the center of interest is a tremendous rat. This, the painter explains, was symbolic of 1948 in China, which was ‘The Year of The Rat’ in the Chinese calendar. Background material for the picture was furnished to Pfoutz by author Pearl Buck.
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Sheryl Bodily paintings for sale on 1stDibs.
Sheryl Bodily paintings are available for sale on 1stDibs. These distinctive items are frequently made of paint and are designed with extraordinary care. There are many options to choose from in our collection of Sheryl Bodily paintings, although brown editions of this piece are particularly popular. If you’re looking for additional options, many customers also consider paintings by William Phelps Montgomery, Stevan Kissel, and Steven Sles. Prices for Sheryl Bodily paintings can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $2,500 and can go as high as $3,000, while a piece like these, on average, fetch $2,500.