Scott Meyer Furniture

A whimsical little statue of a pony unicorn and carriage by Bill Meyer, signed, 20th century. The pony’s back leg has been repaired so please see photos for details; priced according...

Cast Bronze H34 x W10 x D8 cm

Whimsical flowers with bee sculpture in mixed metal on quartz base by Ken Rains, circa 1970s. The sculpture is in very good vintage condition and measur...

Amazing eight man assembly line whirligig. Attributed to an auto worker in Detroit. Fantastic original dry paint surface. Crank turns and figures move pe...

Whimsical wheeled ceramic and plaster sculptures by artist Scott Rosenthal. The larger sculpture is fired ceramic, and the two smaller car sculptures are pl...

In this listing you will find a very rare Murano art glass figurine of a blue fish with the black stripes. It was designed by Ken Scott for V...

Born in Milan, Italy, Alfredo Pina studied at the Accademia di Belle Arti di Brera. He continued to work and exhibit almost exclusively in Italy until 1906 when he won the Grand Prix...

A unique patinated bronze sculpture in the form of a 1940's leather bomber jacket hanging on a wall mounted coat rack. The 1940's bomber jacket. It is one of the few items that has really transcended both fashion and trends. People are wearing these jackets today in the same way they have for the last six decades. It's a symbol of freedom, of the rebel in us, or a certain kind of social stigma, a certain attitude. Hanson chooses to isolate and immortalize a man's leather jacket. The choice becomes a comment on the power in our culture of image per se. A comment on the ascendance of personal style and image, via our possessions and fashion, to a consuming culture value. Seemingly casually tossed over a hook, yet frozen there in bronze, the jacket evokes an entire range of masculine stereotypes celebrated by the media-cowboys, mavericks and rebels of our time. The open road, macho bravado, rugged individuality, sex appeal. Yet the presence of this lone jacket equally evokes the very personal, if anonymous, history of its wearer. Like the cast-form-life sculpture of George Segal, it expresses mystery, even poignancy, of its owners absence. As in much of Hanson's art, this culture manages both to critique and also to value such material icons of our culture. Scott Hanson...

Richard Rohac, Chinese figure, salt and pepper shaker, Austria, 1955.

Luminous sculpture by Richard Faure in worked brass. The abdomen is made from a slice of agate concealing the lighting, the eyes are two fossil ammonites. Unique piece. Signed.

Crane sculpture Bill Scott, USA 1991 Walnut, brass lacquer 17 tall x 15 deep and 7.5 inches wide. From an estate of a collector of art from around the United States. Elegant details such as the method used to cut the brass to impart bird feather tuffs behind the head and at the base of neck coupled with carved walnut feathers to the tail show quality studio attention to detail and a high level of professional craftsmanship. Possibly American School art...

Green geometric sculpture by Ken Bentley. Ken Bentley San Antonio architect and sculptor, Bentley is a University of Texas at Austin graduate a...