Sandra Zeenni Furniture

Beautiful colors on this ceramic gourd vase.

Quimper ceramic earthenware vessel with lid Substantial piece in weight and feel with beautiful floral motif Wonderfully vibrant colors Marked identi...

Clyde Burt vase, striped graduated tones vase. "Signed underside CB".

A fine German large ceramic cockerel figure dating from around 1970. The cockerel stands on a round pedestal base with incised and molded detailing wi...

Grandiose, striking, remarkable. This Ardmore Ceramic sable vase is a sophisticated piece sculpted and painted by the great Ardmore duo Sabelo and Jabu...

French midcentury vase by Accolay, France, 1950s. Turquoise blue concentric circle vase. Height 25cm (9.8"), Diameter 17cm (6.7"). Signed "Accolay" below. After the war “ceramic but...

Mugly NYC is a Brooklyn based ceramic studio specializing in richly textured sculptural clay and porcelain that evoke the poetics of the handmade. This vessel is made to order with ...

A large Mid-Century Italian ceramic standard white poodle "Spaghetti" dog sculpture. With its sweet face and wonderfully executed fur, this poodle sculpture is a perfect companion f...

A porcelain flower vase with an organic and fabric-like form and texture. Clear glazed applied on interior surface. As a result of the production...

An oversized ovoid cizhou wear jar. Depicting unusual rich blue hand-painted decoration on a soft white ground. This tall ceramic jar was originally used for pickling. The combinatio...

A beautiful handcrafted mid-20th Century French Accolay ceramic vase or vessel. This stunning Accolay ceramic vase was hand-crafted with an eye catching design. The neutral colors and design fits perfectly with almost any color scheme. Designed in the manner of Alexander Kostanda pieces this Accolay ceramic vase will enhance any setting. Stamped Accolay. Very good vintage condition, no cracks or chips. Measures: 9" H x 9 3/4" W x 5 1/2" D More about Accolay pottery: Under the term Poterie d'Accolay or Accolay pottery, we group together the production of a community of potters settled in the village of Accolay, in the department of Yonne. This production center was created by four former students of Alexander Kostanda. Active from 1945-1983, their pottery is distinguished by a great technical inventiveness and an extremely abundant production. The pottery community exploited the proximity of the National 6 (can be compared to Route 66 in the USA) by investing in the service stations to make permanent exhibition places on the circuit of migration of Parisian tourists. Their exhibition buildings, inspired by the construction of the 24h circuit of Le Mans, became the obligatory stage for holiday makers in transit. The National 6 joins the 7 known as the sun route. This form of marketing continued at the entrance to Vermenton until the closure of factories in 1983. The creation of the Lyon motorway had however for several years derived the flow of tourists. The forefather Alexandre Kostanda (Dec 1921 - Nov 2007) was born in Poland of Russian parents. The family emigrated to Lorraine in France, where his mother Irene worked as a decorator in a porcelain factory. They then moved to Vallauris, where his mother worked at Louis Giraud's workshop. Alexandre joined the company as an apprentice from 1936-1938. After the war he taught pottery at the Longchamps Pottery...

GUIDO GAMBONE - VIETRI - Rare Mid Century monumental studio ceramic vessel / jug - hand painted - thick, frothy, gritty glaze (sand added in production) - signed with a donkey and VI...