Rosie Phipps Art

Roses by Louise Alix (French, 1888-1980) *see notes below provenance stamp to the back gouache painting on artist paper, unframed measures: 13 high by 16.5 inches wide condition: ov...

'Family Farm in France', gouache on art paper, by Michel Debiève (circa 1970s). An extremely endearing depiction of a French family farm, the delight is...

Abstract impressionist work done in blue and green tones of a cityscape by artist Robert Weimerskirch in 1991. Signed and dated by artist. Dimens...

French gouache on card, an interior view of an artist's atelier by Claude Gemy. The painting is signed bottom right and is annotated, signed and dated to the back of the card. Prove...

Bright Yellow Daffodils and Tulips by Helen Greenfield (British 20th century) gouache painting on artist paper, unframed artist paper: 23 x 15.5 inches condition: overall very good...

This artwork "My love for Paul Cezanne" , inspired by Paul Cezanne, presents a vibrant and abstract interpretation of a tranquil landscape, characterized by energetic brushstrokes an...

"Sweet Heat" is a watercolor on paper framed on patine gold wooden frame. Unframed size : 40 X 30 cm Framed size : 50 X 40 cm The work thus incites one to reconnect, to take a br...

Mixed media abstracted landscape composition on handmade paper of a town on the edge of a lake, in monochromatic orange tones with white accents, by Grace Eichholz (American, b. 1927...

Tree with Red, Pink, White & Blue Abstract Forest Background by British Landscape Artist, Angela Wakefield. From the 'Spring Burst' Interior Design Series. Framed in a high quality c...

Dina Nath Walli (1908–2006) Almond Blossom, Kashmir Watercolour on Board c 1960 Framed size: 42.8cm x 52.8cm Image size: 27.5cm x 38cm Signed and dated 1970 on the verso, gifted fro...

And I Think of You 30.0 x 30.0 x 2.0, 6.0 lbs Watercolor on board Hand signed by the artist Artist's Commentary: "The colors in the painting are vibrant and saturated. A limited p...

Edward Avedisian ( 1936-2007 ) Gouache or oil on paper, 3 guys around a car, hand signed in paint lower left, Measures 30"x 22.5" Edward Avedisian (June 15, 1936, Lowell, Massachusetts – August 17, 2007, Philmont, New York) was an American abstract painter who came into prominence during the 1960s. His work was initially associated with Color field painting and in the late 1960s with Lyrical Abstraction and Abstract Expressionism. He studied art at the School of the Museum of Fine Arts, Boston. By the late 1950s he moved to New York City. Between 1958 and 1963 Avedisian had six solo shows in New York. In 1958 he initially showed at the Hansa Gallery, then he had three shows at the Tibor de Nagy Gallery and in 1962 and 1963 at the Robert Elkon Gallery. He continued to show at the Robert Elkon Gallery almost every year until 1975. During the 1960s his work was broadly visible in the contemporary art world. He joined the dynamic art scene in Greenwich Village, frequenting the Cedar Tavern on Tenth Street, associating with the critic Clement Greenberg, and joining a new generation of abstract artists, such as Darby Bannard, Kenneth Noland, Jules Olitski, and Larry Poons. Avedisian was among the leading figures to emerge in the New York art world during the 1960s. An artist who mixed the hot colors of Pop Art with the cool, more analytical qualities of Color Field painting, he was instrumental in the exploration of new abstract methods to examine the primacy of optical experience. One of his paintings was appeared on the cover of Artforum, in 1969, his work was included in the 1965 Op Art The Responsive Eye exhibition at the Museum of Modern Art and in four annuals at the Whitney Museum of American Art. His paintings were widely sought after by collectors and acquired by major museums in New York and elsewhere. He has been exhibited in prominent galleries, such as the Anita Shapolsky Gallery and the Berry Campbell Gallery in New York City. Edward Avedisian was known for his brightly colored, boldly composed canvases that combined Minimalism's rigor, Pop art exuberance and the saturated tones of Color Field painting. Roberta Smith of the NYT writes of Avedesian: "Edward Avedisian helped establish the hotly colored, but emotionally cool, abstract painting that succeeded Abstract Expressionism in the early 1960s. This young luminary harnessed elements of minimalism, pop, and color field painting to create prominent works of epic proportions that energized the New York art scene of the time." In 1996 Avedisian showed his paintings from the 1960s at the Mitchell Algus Gallery, then in SoHo. His last show, dominated by recent landscapes, was in 2003 at the Algus gallery, now in Chelsea. Selected Exhibitions: Op Art: The Responsive Eye, at the Museum of Modern Art, Whitney Museum’s Young America 1965 Expo 67, held in Montreal, Canada. Six Painters (along with Darby Bannard, Dan Christensen, Ron Davis...