Roger Mühl Paintings

Eleanor Woolley Original Painting Oil Paint on Canvas Size: H:15 cm x W:15 cm x D:4cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look W...

Original Oil Painting of Murlough Bay with the Mourne Mountains in the Distance, Ireland Art measures 30 x 20 inches Frame measure 36 x 24 inches Wi...

Large scale French still life of a vase with flowers by André Vagh Weinmann. The painting is signed and dated bottom right. Presented in a very fine patinated wood frame. An imposin...

Landscape Memories-Sunlit Series captures the summer Dahlias under the morning warm glow in her herbaceous border. This painting is Shizico’s artistic exploration with and around th...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Farm near Repps Signed, inscribed with title verso Oil on boa...

'Still Life with Bouquet of Flowers', oil on canvas (1970), by Lilian Whitteker (1881 - 1979). This impressionist bouquet of mixed flowers is a swirl of colour elegantly posed in a g...

Will Beger and his contemporary-minimalist paintings, take on an entirely unique approach to southwest art. Influenced by his youth and inspired by nature, he effortlessly captures a...

A substantial, sunlit landscape showing a fruit-tree in blossom in the foreground with verdant fields receding towards rolling hills beneath turquoise and lavender clouds. Signed ...

Beach Bar Original Abstract Painting Acrylic & mixed media on canvas Image Size: 40 cm x 40 cm x 4 cm Framed Size: 54 cm x 54 cm x 4 cm Sold Framed Beach Ba...

In this vibrant oil painting, I've unleashed a wave of dynamic energy and emotion. The abstract forms blend with expressionist fervor, as the figures—a synthesis of impressionist and...

Ricky Hunt’s mixed media minimalist wall art is influenced by his tumultuous past that led to a paradigm shift in creativity and life. He covers the wood panel with layers of acrylic...

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...