Robert Robinson Art

Cubist Nude Woman by the Window in Oil on Canvas-Wrapped Illustration Panel Lovely modernist depiction of a nude woman, facing away from the viewer, by Kero Antoyan (Armenian, 1912-...

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Charming mid century figurative landscape of Aptos Village Apple Shed and Market by listed California artist Jon Blanchette (American, 1908-1987). Aptos is just south of Santa Cruz,...

Matthew Durante's "Figure 1 2021" is an original, handmade acrylic painting that depicts a blue-toned nude female model superimposed over a pink and purple background.

Title: Torero and Bull Artist: José María Tuser Vázquez (1919-1986) Technique: Oil on canvas mounted on board Dimensions: 18.9 x 15 inches Framing: Unframed Art Movement: Costumbrismo, Figurative Expressionism Theme: Bullfighting Date of Creation: Second half of the 20th century DESCRIPTION The painting Torero and Bull depicts a classic bullfighting scene, where a matador, elegantly dressed in a golden and violet traje de luces, performs a pass with the cape while the bull, wounded with banderillas, bows toward the ground. The composition conveys dynamism and tension, emphasizing the drama of the moment with loose and expressive brushstrokes. The background is rendered in warm, diffused tones, contrasting with the deep black of the bull and the vivid hues of the cape. The thick brushwork and vibrant oil application enhance the sense of movement and emotion in the scene, a distinctive feature of Tuser Vázquez’s bullfighting paintings. ARTIST'S BIOGRAPHY José María Tuser Vázquez (Barcelona, 1919 - 1986) was a Spanish painter specializing in bullfighting themes. He trained at the School of Arts and Crafts in Barcelona, where he developed a strong foundation in drawing and painting. From 1947 onwards, he dedicated his artistic production to tauromaquia, creating posters, illustrations, and paintings that captured the intensity of the bullfighting spectacle. He was a regular contributor to the magazine El Ruedo and designed a series of postcards featuring traditional Spanish costumes for Editorial Artigas in the 1940s. His work has been auctioned numerous times and is highly valued by collectors of bullfighting art...

Fun Dining Oil on canvas artist signed. Smith Blanchard was born on August 19, 1952 in Port-au-Prince, Haiti. Smith Blanchard was the son of the late Haitian artist Sisson Blanchard...

Long Winter Shadows 2 [December 2022] original Oil Paint on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:2cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Long Winter Shadows 2 is an Original Painting by Eleanor Woolley. The Winter Sun is setting, intensifying the contrast between light and dark. The long shadows are cast on the pavements whilst the shoppers and workers make their way home. Lovely pinks and violets make up this painting, which is inspired Cheltenham's Montpelier on a winters afternoon. Eleanor Woolley was born in the Channel Island of Jersey, and moved to Gloucestershire where she was drawn to the outdoors, always taking walks in the landscape. Her first true love for painting came from an inspirational...

Mum’s Favourite [2022] original Acrylic on canvas board Image size: H:30 cm x W:26 cm Complete Size of Unframed Work: H:30 cm x W:26 cm x D:0.5cm Frame Size: H:39 cm x W:34 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look. This contemporary still life features a characterful pot (Mum's favourite!) on a patchwork tablecloth. The rich textures and the colour palette of spice tones are perfectly set off by a French style white wooden frame and will add vibrance and warmth to both traditional and modern homes. Kerry Louise...

Emigrating to Boston in 1913 from Poland with his Russian-Jewish parents, Presser was admitted in 1921 at age 12 to the Boston Museum School of Art with a full four-year scholarship, the youngest student ever accepted at the school. The lack of challenge for the boy who could draw everything with ease set the stage for Presser’s search as an adult for new forms and styles of expression. After completing 4 years at BMFA, Presser’s boundless curiosity led him to Europe in the late 20’s, signing on as a crew member of a freighter, jumping ship in Hamburg, and working on horse-drawn canal barges in Belgium and France and with small traveling circuses. It was at this time that Presser began reaching for new ideas of expression while still embracing the “old world masters.” In Paris, his studies of Renaissance painters in the museums of Europe are reflected in “Cybele.” His first major painting sale...

Scottish Highland Seascape Shoreline Impasto Painting of An Teallach, Gruinard Bay, Wester Ross by Royal Society Artist, Sheila Macleod Robertson RSMA, SWA. Presented in a vintage wo...

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

Mystery European Artist Untitled, c. 20th Century Oil on canvas board 31 x 22 3/4 in. Framed: 36 1/4 x 28 x 1 1/2 in. Signed lower right