Richard Smith Sculptures

Pop Art American Flag in Handsewn Patchwork Denim. I had another with a label from OK Harris Gallery verso. This one does not have that label or the label Label from Pratt verso (Pratt MFA '75) Not positive of the year Hand signed Genre: Modern Medium: Denim Jean Textile Fabric, Mixed Media Country: United States Dimensions: 14 X 28 inches This is a textile wall hanging tapestry "painting" made from vintage jeans. JJ had a masters (MFA) from Prat and studied at Hunter college for many years. He was a master jeweler and goldsmith for 50 years, a musician and a photographer. He made a living working with photography, jewelry, bronze sculpture and antique restoration. An artwork in denim fabric by a French Post War & Contemporary artist living in New York City, Jean de la Verrière, An untrained, art brut, 'outsider' artist, now 85. He sold some of his denim patriotic flag works through OK Harris gallery in Soho in the 1980s, one went directly to Ralph Lauren, according to the artist. He is also known for sculpture. particularly his working model, fully functional guillotine sculptures. Artist says he was influenced by Pop Art particularly Robert Rauschenberg and Jasper Johns works. He was in the New York art world along with his artist friends Bernar Venet, Arman and Claude Gillie. He fabricated and cast jewelry for some of his friends. This has a Sterling Ruby feel to it but was done a generation earlier. This is assembled like a quilt and was influenced by early American folk art. Jean Jacques De La...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

The natural world provides infinite inspiration for the beautifully textured work of Chung-Im Kim. The fabric artist creates unique wall hangings ...

Kristina Fjellman, a Minnesota-based visual artist and performer, seamlessly blends sculpture and performance art in her captivating work. She has garnered recognition with exhibitio...

"GRASS SPEAKS IN RIDDLES" Abstract Sculpture 22" x 11" x 10" in by Shawn Kolodny Medium: Stainless Steel & Automotive Paint Creating art to reflect the times we live in, Kolodny cr...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artw...

Sculpture, 1990 Handsigned by the artist in pencil Compression of capsules and wires Unique work of a series in 500 different copies Depth: 2.30 cm A modestly sized compression of ...

Naum Knop (Ukrainian-Argentinean, 1917-1993) Modernist Brutalist bronze figural sculpture with heavy verdigris green finish. Melted forms in the shape of an abstract pretzel like twist. Affixed to white stone plinth. Artist signature, "NK" side of base. Good condition, shows rich green patina and aged oxidation. Measures approximately 17.5 in. x 19.5 in. x 6.5 in. Naum Knop, Argentine sculptor, was born in 1917 in Buenos Aires, into a Jewish family of Russian origin from Ukraine. His childhood was spent in the neighborhood of La Paternal where his father had a carpentry workshop, a space in which he made contact for the first time with the technique of wood carving. After finishing elementary school, he worked with the teacher Luis Fernández and soon after he dedicated himself to furniture design. Around 1935, he entered the Manuel Belgrano School of Fine Arts . Between 1941 and 1942 he attended the course for graduates taught by Alberto Lagos and Alfredo Bigatti at the National School of Fine Arts and continued his training between 1942-1945 at the Ernesto de la Cárcova High School with Soto Avedaño, Carlos de la Cárcova and José Fioravanti. At this time he put his works in dialogue with other young artists such as Libero Badii and Aurelio Macchi . Around 1947 he made his study trip abroad. He goes to California, United States, where he enters the Art Institute of Los Angeles. At the same time visit museums and galleries. In January 1948 he organized his first exhibition abroad, held at the Hall of Arts in Beverly Hills in Los Angeles. During this period he toured Chicago and then New York. That year he traveled to Europe; his itinerary includes France, Italy, Switzerland and England. As a result, he came into contact with the work of Henry Moore, Hans Jean Arp, Jacques Lipchitz, Constantin Brancusi, Umberto Boccioni, Henry Laurens, Ossip Zadkine. Artists who have an impact on the young Knop and whom he honors in his subsequent production. He returned to Argentina in 1949 and installed his workshop where he worked on ornamental carving and on pieces in which he oscillated between a synthetic figuration and abstraction. In 1956 he began his successful participation in salons , obtaining numerous awards at the national and municipal level. In 1959 he participated in the shipment to the 5th São Paulo Biennial and since then, to the success achieved at the local level, the multiple exhibitions carried out in the international field have been added. The exhibitions in Tel Aviv , Jerusalem and Rome (1966) stand out; Dusseldorf (1977); Los Angeles and Palm Spring (1981); New York (1986), San Pablo and Los Angeles(1989). During this period, his work matured, while he began to experiment with the direct wax technique, obtaining textured surfaces similar to welds that gave it a strong abstract expressionist feature. In parallel to his personal production and to the small models, the artist receives private and public commissions for which he works on large-scale sculptures and murals. Around 1967, the architect Mario R. Álvarez summons him to participate in a closed competition for the creation of a work to be located in the General San Martín Cultural Center . Libero Badii and Enio Iommi participate with the artist ; the bronze Reclining Figure Knop is chosen. Among the large-scale monuments it is worth remembering the piece Los tres soles temporarily located in Recoleta in 1984 and later installed in Maryland, United States; as well as Seated Figure (Reminiscence of Michelangelo) located in the shield of a private building in 1970. To these are added the numerous murals in which he experiments with various materials and techniques such as casting in bronze, openwork and reliefs in wood and work in cement. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop, Aldo Paparella, Enrique Romano, Eduardo Sabelli, and Luis Alberto...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

keywords; #sinuous, focus on material, sculptural folds, Aldo Chaparro, use of common materials, creased crinkled and wrinkled, angular, abstract sculpture, angular, process-oriented...

This elegant handcrafted ceramic urn with a smooth oval shape, delicate stands soft green and pink tones with fine decorative details, blending timeless design and natural inspiratio...

hand embroidered wool and thread work with wood top and bottom from Norwegian superstar Hama Woods HaMa Woods (b.1981) is a stencil artist based in Oslo. H...