Rex Yuasa Abstract Paintings

Walter Darby Bannard (born September 23, 1934 in New Haven, CT) "Natural Christmas (1972)" Alkyd Resin Magna Medium Aquatec Gel on Canvas Painting Walter Darby Barnard is a Profess...

Signed lower left, 'R. Bowman' for Richard Irving Bowman (American, 1918-2001), titled, 'Kg. 55' (Kinetogenics 55) and dated February 1962. Additionally titled, on stretcher bar verso, 'Kg 55'. Accompanied by a first edition copy of 'Richard Bowman: Radiant Abstractions', by Patricia Watts and Stefanie De Winter, published 2018. Richard Bowman's work is featured in the July/August 2024 issue of Architectural Digest: 'Inside a 1920s LA Respite Re-envisioned by Jamie Bush. Richard Bowman received a scholarship to study at the Art Institute of Chicago, from which he received his Bachelor's degree in 1942. He subsequently attended the University of Iowa, receiving his Master's degree in 1945. Over the course of a long and distinguished career, Bowman exhibited internationally with success and was the recipient of numerous gold medals, prizes and juried awards. With the Kinetogenics Series, which he began in 1956, Bowman explored the intersection of color and light using contemporary advances in light theory and fluorescence technology. "For this series, he started using fluorescent enamel alkyd paint, which, Bowman stated, emitted an actual, measurable energy from the canvas. He combines his early concept of elemental radiants with the gestures of a mature Abstract Expressionist. Incorporating bold fluorescent strokes of orange, yellow and blue, which are activated by the ultraviolet in daylight, Bowman's new abstractions represented a synthesis of the physical and sensorial transmissions of energy. The combination of the artist's interests in nuclear physics, atoms, and dynamism with these vibrant colors reflected Bowman's increasing confidence as an unconventional artist working in an unconventional medium." (Richard Bowman: Radiant Abstractions, p. 13) "The 'kinetogenic' series which Bowman has been painting recently, are whorls of pure energy in colors from the violet edges of the spectrum in vibrant relationship to the vivid primaries of the center. These paintings have much less sense of place or landscape than Bowman paintings we have seen before. The “Environs” group accompanying the energy pictures in this exhibition, are, on the other hand, specific about place: are of flower beds and branches of trees, painted with the same brilliant color intensity. This use of vibrant colors gives an all-over electric, textural effect in contrast to the after-image jump which obtains when the vibrants are painted flat and geometric. This textural mosaic effect is close to the vision of heat and passionate rhythm which was central to pre-Columbian art, and is still present in the Mexican arts and crafts, which were one of Bowman’s formative sources. It is interesting to note that several of the painters who have influenced many others to experiment with vibrancy and glow in color, found their own impetus in this direction while painting in Mexico. Bowman was one of the painters who was working with fluorescents when the general tendency was to paint with muck. One feels that using color thus leads the artist, as it did his pre-Columbian esthetic ancestors, in the direction where the ecstatic becomes mystic." (courtesy: Artforum, April 1964) Thomas Albright writes of the artist, "Visiting Mexico on a traveling fellowship in the early 1940s, [Bowman] met Gordon Onslow-Ford, with whom he renewed a friendship after moving to San Mateo County in the early 1950s. His paintings, although gestural and abstract, were close in spirit to those of the Dynaton artists than to the mainstream of Abstract Expressionism. They constituted an intensely lyrical and metaphorical abstract Impressionism inspired by Bonnard and an intimacy with the natural environment. Bowman was also influenced by jazz improvisation and the jazz poetry of Kenneth Patchen, a close friend" (p. 263) EDUCATION Art Institute of Chicago, BFA, 1944 University of Iowa, MFA, 1949 AWARDS 1942 Edward L. Ryerson Foreign Traveling Fellowship, Art Institute of Chicago (Mexico) 1945 William M. R. French Memorial Gold Medal, Art Institute of Chicago 1952 Modern Painting Prize, Montreal Museum of Fine Arts 1972 Gift of Time Grant, Roswell Museum and Art Center, Roswell, New Mexico SOLO EXHIBITIONS 1945 The Pinacotheca Gallery (Rose Fried Gallery) New York 1946 Milwaukee Art Institute, Wisconsin 1949 Swetzoff Gallery, Boston 1949 Bern Porter Gallery, Sausalito, CA 1950 Kinetic ... A commentary on the relationship of SCIENCE and ART. Stanford Art Gallery, Stanford University, Palo Alto, CA 1956 Stanford University, Palo Alto, CA 1957-1977 (every 18 months) Rose Rabow Galleries, San Francisco 1961 Richard Bowman: Paintings and Reflections.1943-1961. San Francisco Museum of Art 1970 Richard Bowman: Paintings from 1966-1970. San Francisco Museum of Art 1972 Richard Bowman: Paintings, 1943-1972. Roswell Museum and Art Center, New Mexico. Traveled to the Museum of Texas Tech University, Lubbock, 1972; and Sacred Heart Convent Gallery, Menlo Park, 1972 1986 Richard Bowman: Forty Years of Abstract Painting. Harcourts Modern Gallery, San Francisco 2000 Rock and Sun: Richard Bowman's Pioneer Abstractions of the 1940s. Steven Wolf Fine Arts, San Francisco 2019 Radiant Abstractions, Curated by Patricia Watts. the Landing Gallery, Los Angeles TWO-PERSON EXHIBITIONS 1945 Room of Chicago Art: Paintings by Richard Bowman and Russell Woeltz. Art Institute of Chicago. 1947 Joan Mitchell and Richard Bowman: Oil Paintings. Harry and Della Burpee Art Gallery, Rockford, Illinois. Traveled to University of Illinois. Sponsored by Rockford Art Association. 1959 Gordon Onslow Ford and Richard Bowman. San Francisco Museum of Art 1990 Independent Abstraction: A Survey of Paintings by Richard Bowman and Emerson Woelffer. Harcourts Modern & Contemporary Art, San Francisco. SELECT GROUP EXHIBITIONS 1943 Ras-Martin Gallery, Mexico City 1945 56th Annual American Exhibition of Oil Paintings. Art Institute of Chicago 1945 Art of This Century Gallery, New York 1947–48 Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Art Institute of Chicago. Curators: Daniel Catton Rich, Frederick A. Sweet, and Katherine Kuh. Catalogue. 1948 Fourth Summer Exhibition of Contemporary Art. State University of Iowa, Iowa City. Organized by Lester D. Longman. Included Milton Avery, Max Beckmann, Leonora Carrington, Max Ernst, Hans Hofmann, and others. Brochure. 1948 Joslyn Memorial Art Museum, Omaha, NE 1949 2nd Biennial Exhibition of Paintings and Prints. Walker Art Center, juried show, Minneapolis, 1949. Brooklyn Museum. 1951 [Group exhibition of University of Manitoba, Winnipeg, artists.] Montreal Museum of Fine Arts. Included William McCloy, Robert Gadbois, John Kacere, and other instructors from the School or Art, University of Manitoba. 1952 Sixty-ninth Annual Spring Show. Montreal Museum of Fine Arts. Bowman awarded Modern Painting Prize. 1953 Annual Exhibition of Canadian Painting. The National Gallery of Canada, Ottawa. Included John Kacere, William McCloy, Roland Wise, and Takao Tanabe. 1953 Winnipeg Group. Vancouver Art Gallery. Included William McCloy, John Kacere, Cecil Richards, Roland Wise. 1953–54 São Paulo Biennial of Modern Art, Second edition. Canadian section. Traveled to Caracas, Venezuela, and the Palacio de Bellas Artes, Mexico City. Catalogue. 1954 [Group exhibition of Winnipeg artists.] Art Gallery of Ontario, Toronto. Included Oscar Cah n, William McCloy, and Cecil Richards. 1954 Royal Ontario Museum, Toronto 1958 Esther Robles Gallery, Los Angeles 1959 Rabow Galleries, San Francisco. Included Julius Wasserstein, Gordon Onslow Ford, and Fred Reichman. June 18, 1960 David Cole Gallery, Inverness, CA. Included Ruth Awasa, John Baxter, Nankoku Hidai, Onslow Ford, Fritz Rauh, David Simpson, and Jean Varda. 1961 Paintings from the Pacific: Japan, America, Australia, & New Zealand. Auckland City Art Gallery, New Zealand. Catalogue. 1961–62. Pittsburgh International Exhibition of Contemporary Paintings and Sculpture. Fine Arts Gallery, Carnegie Institute. 1962 50 California Artists. Whitney Museum of American Art, New York. Organized by the San Francisco Museum of Art, with assistance of the Los Angeles County Museum of Art. Traveled to Walker Art Center, Minneapolis, MN; Albright-Knox Gallery, Buffalo, NY; and Des Moines Art Center, IA. Catalogue. February 1966 Contrasts. San Francisco Art Institute. Included Hassel Smith, Gordon Onslow Ford, and Ruth Asawa. October 1967 Arleigh Gallery, San Francisco. Included Lee Mullican, Fred Reichman, Amalia Schulthess, and John Baxter. 1975 Gallery 865, San Francisco 1976 Painting and Sculpture in California: The Modern Era. San Francisco Museum of Modern Art. 1978 Creation. Galerie Schreiner, Basel, Switzerland. Included Joan Mir , Fritz Rauh, John Anderson, Ruth Asawa, J.B. Blunk, Roberto Matta, Lee Mullican, Gordon Onslow Ford, Wolfgang Paalen, Fritz Rauh, Yves Tanguy, and others. Accompanying book by Onslow Ford. 1984 A Personal Selection/Collection. David Cole Gallery, Inverness, CA. Forty-eight artists including Richard Diebenkorn, Claire Falkenstein, Richard Faralla, Sam Francis, Arthur Holman, Frank Lobdell, Ed Moses, Gordon Onslow Ford, Fritz Rauh, David Simpson, Amalia Schulthess, Jean Varda, Jack Wright, J.B. Blunk. 1987 Visions of Inner Space: Gestural Painting in Modern American Art. Wight Gallery, UCLA. Fifteen artists including Sam Francis, Morris Graves, John Anderson, Lee Mullican, Gordon Onslow Ford, Mark Tobey, and Ed Moses. Co-curated by Merle Schipper and Lee Mullican. Catalogue. Traveled to National Gallery of Modern Art, New Delhi, India, 1988 1997 Through the Light: An Exploration into Consciousness. Arts and Consciousness Gallery, John F. Kennedy University, Berkeley, California. Curated by Farbiba Bogzaran. Catalogue. 1998 Lee Mullican Memorial Exhibtion. Herbert Palmer Gallery, Los Angeles. 2007 The Rose Rabow Galleries Retrospective: 1959-1977. The 8 Gallery, San Franicsco. 2008 Landscapes of Consciousness: A Circle of Artists at the Beginning of Lucid Art. Weinstein Gallery, San Francisco. Included Gordon Onslow Ford, Fritz Rauh, John Anderson, and Jack Wright. Catalogue. 2016 Palm Springs Fine Art Fair, the Landing Gallery, Palm Springs, CA 2018 Ship of Dreams: Artists, Poets, and Visionaries of the S.S. Vallejo. Sonoma Valley Museum of Art, Sonoma, CA. Catalogue. 2019 FOG Design+Art. the Landing Gallery, San Francisco, CA 2020 FOG Design+Art. the Landing Gallery, San Francisco, CA 2022 FOG Design+Art. the Landing Gallery, San Francisco, CA MUSEUM COLLECTIONS Nora Eccles Harrison Museum of Art, Utah State University, Logan Oakland Museum of California San Francisco Museum of Modern Art Santa Barbara Museum of Art, California The Smart Museum of Art, University of Chicago Taubman Museum of Art, Roanoke, Virginia BOOKS AND CATALOGUES 1947 Rich, Daniel Catton. Abstract and Surrealist American Art: Fifty-Eighth Annual Exhibition of American Paintings and Sculpture. Chicago: Art Institute of Chicago. 1948 Fourth Summer Exhibition of Contemporary Art. Iowa City: State University of Iowa. 1956 Porter, Bern. Kinetic: A commentary on the relation of Science and Art in conjunction with a retrospective exhibition of paintings by Richard Bowman. Palo Alto: Stanford University Art Gallery. 1986 Kim Eagles-Smith, ed. Richard Bowman: Forty Years of Abstract Painting. San Francisco: Harold Parker in association with Harcourts Modern Gallery, Inc. 1961 Culler, George D. Richard Bowman, Paintings and Reflections, 1943-1901. San Francisco: San Francisco Museum of Art. 1962 Culler, George D. 50 California Artists. New York: Whitney Museum of American Art. 1972 Nordland, Gerald. Richard Bowman, Paintings, 1943-1972, Roswell, NM: Roswell Museum and Art Center. 1978 Onslow Ford, Gordon. Creation. Basel: Galerie Schreiner. 1987 Schipper, Merle. Visions of Inner Space: Gestural Painting in Modern American Art. Los Angeles: Frederick S. Wight Art Gallery, UCLA. With introduction by Lee Mullican. 1997 Bogzaran, Fariba. Through the Light: An Exploration into Consciousness. San Francisco: Dream Creations. 2008 Bogzaran, Fariba. Landscapes of Consciousness: A Circle of Artists at the Beginning of Lucid Art. San Francisco: Weinstein Gallery. 2018 Bogzaran, Fariba, ed. Artists, Poets, and Visionaries of the S.S. Vallejo: 1949-1969. Inverness, CA: Lucid Art Foundation. ARTICLES AND REVIEWS [Review of Solo Exhibition at The Pinacotheca Gallery.] Art News. March 1945. “Joan Mitchell, Richard Bowman Open TwoMan Show Tomorrow at Art Association Meeting.” Rockford Morning Star (IL). January 1947. Robert Ayre. [Review of Exhibition, Montreal Mu-seum of Fine Arts.] Montreal Daily Star. 1951. Ben Metcalfe. "Varsity Art Shock —A Morbid Hoax?" Winnipeg Tribune, December 3, 1951. Beverly Wright. "Richard Bowman, abstract painter, has one-man show at Stanford Gallery." Palo Alto Times. February 17, 1956. "Atomic Art Show at Stanford." San Francisco Chronicle. February, 19, 1956. "P.A. Artist Portrays Energy in Oils." San Jose Mercury News. July 25, 1958. Neita Crain Farmer. "A Solitary Voice: Richard Bowman's Paintings Say Something, In A New Way." Palo Alto Times. May 30, 1959. Barbara Bladen. "Dick Bowman's Paintings Show Atomic Awareness," San Mateo Times. July 18, 1959. Arthur Bloomfield. "Two Top Painters at San Francisco Museum." San Francisco Call Bulletin. July 31, 1959. Alfred Frankenstein. "Slow and Fast Sculpture and Kinetogenics." San Francisco Chronicle. May 24, 1959. "Paintings on Display: Bowman and Onslow Ford Show." San Francisco Weekly. July 1959. Herman Wong. "Bowman's Art Seen At Show, Artist Builds Studio Near Hillside House." Red-wood City Tribune, September 15, 1960. Dean Wallace. "Four Bring Their Art to Perfec-tion." San Francisco Chronicle. September 30, 1960. Dean Wallace. "A Painter Looks at the Atom." San Francisco Chronicle. May 29, 1961. Alfred Frankenstein. [Review of retrospective at San Francisco Museum of Art.] San Francisco Chronicle. November 12, 1961. "International Art." Pittsburgh Post-Gazette, Sunday Magazine. October 29, 1961. "Pacific Paintings Show Common Character-istics." The Press (Auckland, New Zealand). August 5, 1961. Naomi Baker. "San Francisco's Art Is Viewed." San Diego Evening Tribune. January 26, 1962. John Canaday. "Visitors From the West." New York Times. October 28, 1962. Arthur Bloomfield. "Lost in a World They Were Never Made For." San Francisco News-Call Bulletin. August 3, 1963. Arthur Bloomfield. "Bowman Paints His Own Path." San Francisco News-Call Bulletin. February 11, 1964. "The Rockford Fifty States of Art Exhibition." Palo Alto Times. October 5, 1965. Alfred Frankenstein. "Bowman's Radiant Ab-stract Art." San Francisco Chronicle. November 12, 1965. Thomas Albright. "A Kind of Non-Art Show: Brilliant Work by Bowman." San Francisco Chronicle, February 14, 1970. Paul Emerson, "Menlo Gallery Shows Bow-man Art: Major Retrospective Show." Palo Alto Times. October 6, 1972. Arthur Bloomfield. "A Luxuriant Impact to Bowman Paintings." San Francisco Examiner. November 20, 1972. Thomas Albright. "Two Artists Views of Na-ture." San Francisco Chronicle. October 9, 1974. Arthur Bloomfield. "All But the Kitchen Sink." San Francisco Examiner. September 24, 1974. Thomas Albright. "Realism Moves In." San Francisco Chronicle. Thursday, September 4, 1975. Suzanne Muchnic. "Inspired Visions of Inner Worlds at UCLA." Los Angeles Times. January 10, 1988. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, page 404; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 2, page 701; Art in the San Francisco Bay Area: 1945-1980, Thomas Albright, University of California Press, 1985, page 263; A Dictionary of Contemporary American Artists, Paul Cummings, St. Martin’s Press: New York 1966, page 66-67; Mallett’s Index of Artists, Supplement, Daniel Trowbridge Mallett, Peter Smith: New York 1948 Edition, R.R. Bowker Company 1940, page 31; Richard Bowman: Radiant Abstractions, essays by Patricia Watts and Stefanie De Winter, published by Watts...

Rizaldy Celi Jr. (Filipino-Vietnamese, American, born 1983) "Death of the Ego" 2024 Oil paint, Acrylic paint, Canvas, Stretcher bars The artist signed the back of the painting. 'Dea...

IIn this piece, I've unleashed a flurry of emotions through dynamic drops and splashes. The vivid greens, blacks, whites, and yellows dance across the canvas, capturing the essence of a vibrant spring emerging from the darkness. Crafted with acrylics it's a raw, passionate display of expressionism. This artwork pulses with life and energy, ready to invigorate any space with its bold spirit. ________________________________________________ Artist : Natalia Krykun...

WILL LUSTENADER Education Courtauld Institute of Art, University of London, M.A. 1981 Vassar College, Poughkeepsie, New York, B.A. 1979 Selected Exhibitions 2015 65 Art of the Northeast, Silvermine Gallery, New Canaan, CT, June-July, 2015, Michelle Grabner and Brad Killam curators Remythologies: New Inventions of Old Stories, Housatonic Museum of Art, June 11 – July 24, 2015 2014 Fred. Giampietro Gallery, New Haven, CT Group exhibition: “Self-Absorbed” June, 2014 Paul Mellon Arts Center, Choate Rosemary Hall, Wallingford, CT, “Manufactured Realities” Will Lustenader and Blinn Jacobs, Sept. – Oct. 2014 Artspace, New Haven, CT, City-Wide Open Studios, October Fred. Giampietro Gallery, New Haven, CT Solo exhibition: “Approximating Continuity” April 25- May 24 Artspace, New haven, CT “Something Blue” benefit auction exhib. April 2013 The Gallery at Whitney Center, Hamden , CT “Vibrant, A Look at Contemporary Lyricism Curated by Debbie Hesse and Insook Hwang, Presented by The Arts Council of Greater New Haven Nov. 2013 – Feb. 2014 Artspace, City-WideOpen Studios, Oct. 2013 John Slade Eli House Center for Contemporary Art, New Haven, CT “Handful of Art” Group Show June 2013 Artspace, New Haven, CT “Domestic Spaces” Flatfile selections. July – Sept. 2013 2012 Fred. Giampietro Gallery, New Haven, CT “Look Out / Out Look” Nov. 16 – Dec. 21 2011 Giampietro Gallery, New Haven, CT “Areas of Refuge” Solo exhibition June 2011 Artspace, New Haven, CT “Out of Line” work on paper curated by Leslie Nolan, Dir. Center of Contemporary Printmaking, Norwalk, CT Manifest Gallery, Cincinnati, OH group show “ ARCH., Exploring Made Space” Mar. 2011 Flinn Gallery, Greenwich Public Library, Greenwich, CT “Three Visions: Perry Burns, Willard Lustenader and Karen Santry” Feb 3 – March16, 2011 2010 Silvermine Galleries,“61st Art of the Northeast”, New Canaan, CT Katie Rashid, director Jack Shainman Gallery, NY, juror International Juried Show 2010, Visual Arts Center of New Jersey, Summit, NJ Jan. – Mar. 2010 Artspace “Conspectus I” flat file exhib. New Haven, CT curated by Liza Statton 195 Gallery, New Alliance Bank Exec. Suite, New Haven, CT 2009 San Diego Art Institute, “50th Annual Awards Exhibition”, San Diego, CA Manifest Gallery , “Monochrome”, Cincinnati, OH Artspace, “Refurbished Means”, New Haven, CT Bachelier Cardonski Gallery, “Open House, David Eddy, Willard Lustenader, Kathryn McAuliffe, Melissa Stern and Luari Zarin” Kent, CT Artspace, “ Index II”, New Haven, CT Member’s Exh. City Wide Open Studios, artSPACE, New Haven, CT John Slade Ely House Center for Contemporary Art, “Inviting Abstraction, W. Lustenader, Megan Craig and Levni Sinanoglu, New Haven, CT 2008 Wesport Arts Center,” Willard Lustenader” Westport , CT . Solo Exhib. Creative Arts Workshop, “Painting as Presence”, New Haven, CT William Bailey juror, Honorable Mention Silvermine Galleries, “59th Art of the Northeast” New Canaan, CT Thom Collins , Dir. Neuberger Museum, Purchase, NY juror. Honorable Mention Hygienic Gallery, New London, CT “Third Crossing” Jeffery Anderson, Dir. F. Griswold Museum, Old Lyme, CT juror, Best in Show. Brad Cooper Gallery, Tampa, FL “Co-Existence” 23rd Anniversary Exhib. Dec. 2007 – Feb. 2008 Seton Art Gallery, Sacred Heart University, Faculty Show, Fairfield, CT 2007 Hoorn-Ashby Gallery, New York, NY “The Unexpected” Luchsinger Gallery, Wallace Performing Arts Center, Greenwich Acad., Greenwich, CT Solo Exhib. Haskins Laboratories, New Haven , CT “Table Tops” ,Debbie Hesse curator Seton Gallery, Uni. of New Haven, CT Faculty Show Nov./ Dec. Brad Cooper Gallery Group Show, Tampa, FL Hoorn Ashby Summer group, Nantucket, MA Artspace, New Haven, CT 2006 Brad Cooper Gallery, Tampa, FL “Conventional Wisdom” Solo Exhib. Chase Freedman Gallery, JCC Greater Hartford, West Hartford, CT “Four Years of Space” Solo Exhib. Vanbrundt Gallery, Beacon, NY Artspace, Open Studios, New Haven, CT Hoorn-Ashby Gallery, Nantucket, MA Brad Cooper Gallery, Tampa, FL Greenwich Art Soc. Members Exh. Greenwich, CT Dede Young juror Stamford Art Assoc. Winter Exhibition, Stamford, CT 2005 Longstreth Goldberg Gallery, Naples FL Artspace, Open Studios, New Haven, CT Bachelier Cardonsky Gallery, Carol Anthony, Willard Lustenader and Melissa Stern . Kent, CT Hoorn-Ashby Gallery, Summer Group, New York, NY Hoorn-Ashby Gallery, Nantucket, MA Brad Cooper Gallery, Tampa , FL 2004 Brad Cooper Gallery, Tampa, FL “20 Years, 20 Artists” Gallery North, Setauket, NY Cooley Gallery, Old Lyme , CT “Annual Group Exhibition” Hoorn-Ashby Gallery, New York, NY “City Life” Artspace, New Haven, CT “Open Studios1 Louisiana State University Art Gallery, Baton Rouge, LA “20x20x20” 1st prize. Hoorn-Ashby Gallery, Nantucket, MA summer group Artspace, New Haven, CT benefit auction New Britain Museum of American Art, New Britain , CT benefit Brad Cooper Gallery, Tampa, FL summer show, gallery artists 2003 Brad Cooper Gallery, Tampa, FL “Painting and Drawing” Solo Exhib. Melvin Gallery, Florida Southern College, Lakeland, FL “Painting and Drawing” Solo Exhib. Stephen F. Austin State University, Art Center, Nacogdoches, TX Kathryn Schultz Gallery, Cambridge Art Association, Cambridge, MA Kauffman Gallery, Shippensburg University, Shippensburg, PA Louisiana State University Art Gallery, Baton Rouge, LA “20 x 20 x 20” Brad Cooper Gallery, Tampa, FL “Realist Arrangements” Artspace, New Haven, CT “Open Studios” Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” 2002 Premier Etage Galleries, Newport, RI “Recent Paintings” Solo Exhib. Hartford Steam Boiler, Polytechnic Club, Hartford, CT Solo Exhib. Brad Cooper Gallery, Tampa, FL “Nude in the Postmodern”, Best in Show. John Slade Ely House, Center for Contemporary Art, New Haven, CT “Portraits” Artspace, New Haven, CT “City Wide Open Studios” New Britain Museum of American Art, New Britain, CT “The Body Revealed, 200 Years of the American Nude”, Douglas Hyland, curator Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” Premier Etage Gallery, Newport, RI “Gallery Artists” 2001 Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” New Britain Museum of American Art, New Britain ,CT “Recent Acquisitions” Premier Etage Galleries, Newport, RI “Figures and Still Life” Solo Exhib. artSPACE, Citywide Open Studios, New Haven, CT New Britain Museum of American Art, New Britain, CT “Art for the Cure”, Honorable Mention. 2000 Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” artSPACE, Citywide Open Studios, New Haven,CT 1999 Cooley Gallery, Old Lyme, CT Solo Exhibi. Yale University, Ezra Stiles College Master’s House, New Haven, CT Solo Exhib. Silvermine Galleries, 50th Art of the Northeast, New Canaan, CT Cooley Gallery, Old Lyme, CT “Annual Group Exhibition” 1998 Cooley Gallery, Old Lyme, Connecticut Lyme Art Association, Old Lyme, CT 1997 Nassau Club, Pinceton, N J Solo Exhib. New Britain Museum of American Art, New Britain, CT “Art for the Cure” Honorable Mention. Gregory Gallery, Darien, CT Cooley Gallery, Old Lyme, CT 1996 Ward Center for the Arts, St. Paul’s School, Baltimore, MD Paul Mellon Arts Center, Wallingford, CT Cooley Gallery, Old Lyme , CT Gregory Gallery, Darien, CT Artspace, New Haven, CT John Slade Ely House, Center for Contemporary Art, New Haven, CT, Award Solo Exhib. Greenwich Art Society, Greenwich, CT E.C. Potter Award for Best in show. Silvermine Guild Galleries, 46th Art of the Northeast, New Canaan, CT Erector Square Gallery, New Haven, CT 1995 Paul Mellon Arts Center, Wallingford, CT "Portraits, Figures and Landscapes" Solo Exhib. John Slade Ely House, Center for Contemporary Art, New Haven, CT Greene Art Gallery, Guilford, CT Cooley Gallery, Old Lyme, CT 1994 Cooley Gallery, Old Lyme, CT John Slade Ely House, Center for Contemporary Art, New Haven, CT 1993 Wallace Library Gallery, Stony Creek, CT "Selected Paintings 1986-1993" Solo Exhib. Artspace, New Haven, CT "New Work/New Haven, Juror's Choice" Willard Lustenader, Linda Lindroth and Bryan Nash Gill curated by Charlotta Kotik, Curator of Contemporary Art, Brooklyn Museum of Art. 1992 Artspace, New Haven, CT New Art/New Haven, curated by Charlotta Kotik CB's Gallery, New York, NY "American Art Since 1992", curated by Margaret Bodell 1990 Hotel de Ville de Montrouge, Paris, France 1989 Madison Gallery, Madison ,CT Erector Square Gallery, New Haven, CT 1988 Erector Square Gallery, New Haven, CT 1987 Erector Square Gallery, New Haven, CT Erector Square Gallery, New Haven, CT "XXXVe Salon de Montrouge" 1986 Paul Mellon Arts Center, Wallingford, CT "New Paintings" Solo Exhib. Sarah Rentschler Gallery, New York, NY 3 person exhib. Greene Art Gallery, Guilford, CT Southern Massachusettes University Gallery, North Dartmouth, MA "Evils of Power", catalogue 1985 Showplace Gallery, New Haven, CT "Recent Paintings" Solo Exhib. New Haven Foundation, New Haven, CT "Works on Paper" Solo Exhib. Slater Memorial Museum, Norwich, CT juried show. Showplace Gallery, New Haven, CT Group show. Richardson-Vicks Corp. Gallery, Wilton, CT, Alice Neal juror Stamford Art Association, Stamford, CT "Faber-Birren Color Award Show" 2nd prize Erector Square Gallery, New Haven, CT Silvermine Gallery, New Members Show, New Canaan, CT 1984 "New Work" Solo Exhib. group Shoreline Alliance for the Arts, Guilford, CT Richardson-Vicks Corp. Gallery, Wilton, CT , Robert Motherwell juror 1983 Wilton Gallery, Wilton, CT Fox Hill Gallery, Ridgefield, CT 1979 Palmer Gallery, Vassar College, Poughkeepsie, NY Collections: New Britain Museum of American Art, New Britain, CT General Electric Corporation, New York, NY Warburg Pincus, New York, NY Surdna Foundation, New York, NY Stephen Hood, Sao Paulo, Brazil Robert and Maureen Rothchild Collection, New York, NY Horace Irvine, II Collection, Boston, MA Suida-Manning,Dolnier Collection, Watertown, CT and Newport, RI Housatonic Technical College, Bridgeport, CT Stoke, Stoke & Lanar LLC. Miami, FL J. Skagen, Chicago, IL Patrick and Carol Cardon, Pontlevoy, FR and Camden, ME Burt and Elena Prohaska Glinn, Southampton, NY B. and M. Cohen, Greenwich,CT D. and K. Keegan, Greenwich, CT Choate Rosemary Hall, Wallingford, CT F. and K. Giampietro,, New Haven, CT H. Greene and M. Kluger, Redding, CT Day Pitney LLP, New Haven, CT Smilow Cancer Hospital, Yale New Haven Hospital, New Haven, CT Bibliography: Areas of Refuge review Ct Art Scene New review for "Areas of Refuge" at Giampietro Gallery by Hank Hoffman for CT ART SCENE Greenwich Time, Willard Lustenader in ‘Three Visions’ exhibition...” Jan. 13, 2011 New Haven Magazine, “The Family Home” by Duo Dickinson, Aug. / Sept., 2010 , p. 28 Manifest vol.39,” Monochrome” catalog Fine Arts Fund pub. 2009 , vol. 39, pp. 9-10 Cincinnati Art Snob, blogspot “Manifest” review posted Sunday, Sept. 27, 2009 Garage Noir, blogspot by Karl Stephan. June 6, 2009 vol. 2, issue 6 New Haven Register, “Paean to Painting” by Judy Burke, Sunday, May 18, 2008 Shoreline Times, “Painting as Presence” by Leah Lopez Schmalz, May 2008 Tampa Review 31/32, “Home Movie” p.11, Uni. of Tampa Pub., 2007 Greenwich Academy Gets Glimpse of Great Art, Greenwich Post, Nov. 15, 2007 Connecticut Art Scene, “Open Studios” by Hank Hoffman, Oct. 19, 2006 New Haven Independent, by Lesha Daley, “From ‘Swimsuit Girl’ to.....” Oct. 16, 2006 New Haven Advocate, Oct. 9, 2006, p.3 New Haven Register, City-wide Open Studios, Oct. 9, 2005 New York Times, CT section, p.13 June 19, 2005 The Ledger, Tampa, FL regional, review Emotion Flows from Realism in FSC Show”, Sept. 19, 2003, p. 4 St. Petersburg Times, Tampa, FL review “Feel the Tension in the Room” by L. Bennett, May 17, 2003 “The Introspective Realism of Willard Lustenader”, by Dr. S. Salamone, Brad Cooper Gallery publication, May 5, 2003 Newport This Week, Newport, RI review “Much to Ponder at Lustenader Show” May 30, 2002, P. 13 New Britain Museum of American Art, cat. The Body Revealed, April-June 2002 The Hartford Courant, Owen McNally, Oct. 7, 1999, p. 37 Antiques and the Arts Weekly, review “Cooley Gallery To Exibit Works by Contemporary Artist Bill Lustenader” Oct. 1, 1999, p. 80 Optimist, Northampton, MA cover and article by Mark Auerbach, “Light in the ....Art of Willard Lusternader” Oct.3, 1996 New Haven Register, May 3, 1987 New Haven Independent, review by Christopher Arnott, Revisionist History” vol. 1, no. 35, May7, 1987 Connecticut’s Finest Magazine, “People and Places”, Charotte Libov, Winter 1986 issue, p.18 Record-Journal, Wallingford, CT “Artist Expresses Images, Feelings...” interview by Martin Glasser...

Gaza, a Provocative and haunting figurative work painted with warm golden and burgundy red hues. ‘Gaza’ takes its inspiration from images of women in turmoil that the artist has seen...

This 2006 work by Luc Hoekx is, both sides, painted on plexiglass.

Craighead's paintings operate somewhere between abstraction and the cognitive world, between the unknown and the known. The works often begin with a general idea. He might be reflect...

Prof. Richardson is the Chair of the Department of Art, he received his MFA degree from Washington University in St. Louis, and his BFA degree from the University of North Carolina, Chapel Hill. He joined the faculty at Maryland in 1978 and has maintained a professional focus on abstract painting and contemporary art theory. His work has been featured in 21 solo and over 100 group exhibitions in museums, galleries, and art centers in Washington, DC, New York, NY, Maryland, Virginia, North Carolina, West Virginia, Missouri, Ohio, Georgia, Minnesota, Illinois, Massachusetts, Pennsylvania, Tennessee, Texas, and internationally in Brussels, Russia, Jordan and Algiers. His work is currently represented by G Fine Art in Washington DC. Past gallery affiliations include Fusebox in Washington DC, and Baumgartner Gallery in DC and NY. Richardson has received numerous grants and awards for his work, including five Maryland State Arts Council Visual Arts Fellowships. Commissioned artwork is permanently installed at Ronald Reagan National Airport and Reston Town Center in Virginia. His work is held in numerous public and corporate collections, including the Hirshhorn Museum and Sculpture Garden (DC), the Corcoran Gallery of Art (DC), the Ackland Art Center (NC), the U.S. Department of State (Algiers), the District of Columbia Town Hall, Prudential Life (NY), IBM Corporation (DC), Richmond Federal Reserve Bank (VA), Washington Post Corporation (DC), Northrop-Grumman (VA), and Reston Town Center (VA). Richardson’s exhibitions have been reviewed in Art In America, Artforum International, ARTnews, NYArts Magazine, The Art Papers, The New Art Examiner, The Washington Post, The Washington Times, The Philadelphia Inquirer, The Baltimore Sun, The Richmond Times Dispatch, The El Paso Times, The Winston-Salem Journal, and The Washington City Paper, among others. Essays and monographs on his work have been published in many exhibition brochures and catalogues. An extensive interview with over 40 reproductions of his work can be found at the online curatorial project geoform. Richardson is an active visiting artist, lecturer, and juror at academic institutions and museums throughout the region and across the country. SELECTED GROUP EXHIBITIONS 2016 Resonance. Steven Cushner, W.C. Richardson and Robin Rose...

This painting is from the artist's Hollywood abstract series, where she instills the character on the lower half of the composition and depicts abstract colors and movements around t...

Exploring the purity of the feminine form and the drama of French haute couture, artist Cindy Shaoul creates a dialogue between the figurative and the abstract. Her spirited composit...

Tim Craighead’s work is categorized as abstract, though it inhabits a space between objective and non­objective painting. Both serve as a matrix for what are essentially autobiograph...