Oscar Edmund Berninghaus Art
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Artist: Oscar Edmund Berninghaus
Winter Pasture
By Oscar Edmund Berninghaus
Located in Missouri, MO
Oscar E. Berninghaus (American, 1874-1952)
"Winter Pasture"
Oil on Canvas
Unframed: 20 x 24 inches
Framed: 25.5 x 29.5 inches
Provo: Noonan-Kocian Gallery, St. Louis, Missouri, Dec. 23, 1954 (Copy of Original Receipt Included)
* Will be included in Kodner Gallery's upcoming Oscar E. Berninghaus Research Project on the artist
A founder in 1898 of the Taos Society of Artists, Oscar Berninghaus excelled at drawing animals and figures in contemporary garb in Southwestern landscapes. Many of his early paintings were Impressionistic, "suffused with color and light". (Gerdts 254)
He was born in St. Louis, Missouri and developed an interest in art through his family's lithography business. He attended night classes at the St. Louis School of Fine Art. In 1898, he was on an illustration assignment for "McClure's" magazine, which took him for the first of many times into New Mexico and Arizona. He had heard of the special beauty of Taos and there met Bert Geer Phillips, who was already a resident, and Phillips invited him to return.
This visit began a tradition of spending the winter months in St. Louis and the summers in Taos. He remained active in both communities, and for many years designed the costumes and floats for the Veiled Prophet parade, a famous annual event in St. Louis.
He also did a series of western scenes commissioned by the Anheuser-Busch Brewing Association to promote a manly, ruggedness theme in their products and to enhance their image as good Americans, an image that was being attacked by suffragettes. In this capacity and without visiting the area, Berninghaus did a painting titled "Old Faithful, Yellowstone" in 1914, which was used as a calendar illustration in the series.
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"The canvases that come from Taos are as definitely American as anything can be. We have had French, Dutch, Italian, German art. Now we must have American art." — Oscar E. Berninghaus, as quoted in Pioneer Artists of Taos
This impressive oil on canvas by the revered painter Oscar E. Berninghaus, entitled Bullfighting, captures the magnificent and complex American Southwest. Astonishing in size, technique and color, this painting is a masterful representation of the Hispanic culture that inspired Berninghaus’ beloved New Mexico. Permeated with palpable sensitivity and compelling preservation of his subjects’ traditions and culture, Bullfighting depicts a traditional Spanish bullfight in full swing. Two decoratively clad matadors surround a raging bull on the ground as a matador on horseback makes his strike. Six other matadors look on from inside the vibrant, fully-packed arena. The arena’s architecture is suggestive of distinctive Spanish design, a nod to the European settlers who infused Taos with their traditions and culture.
Berninghaus began his career as a lithograph illustrator, later studying the masters of Impressionism, Realism, Representationism and Naturalism at the St. Louis School of Fine Arts. By the young age of 25, Berninghaus had his first solo exhibition and taught at his alma mater. In 1899, the artist began his first Western adventure by sitting on a chair fixed on the roof of a train and sketching the mountainous landscape as it passed by. Overcome by the beauty of Taos, New Mexico, Berninghaus vowed to return.
After traveling between Taos and St. Louis for decades, Berninghaus ultimately moved in 1925 to live amongst the electric gathering of Mexican, Native American, European and American people who called Taos home. Fascinated by the adobe architecture, mountains, sage and Pueblo peoples, Berninghaus effectively caught the “Taos germ” and was instrumental in helping the small town become the artistic epicenter of the Southwestern culture. Of the six founders of the Taos Society of Artists, Berninghaus was the only American and quickly became the most critically acclaimed and successful. He demonstrated the greatest passion for establishing positive relationships with the Pueblo people.
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