Nicolaes Maes Art
Nicolaes Maes was a Dutch Golden Age painter of genre and portraits. He was born in Dordrecht, the son of Gerrit Maes, a prosperous merchant, and Ida Herman Claesdr. In about 1648, he went to Amsterdam, where he entered Rembrandt's studio. Before his return to Dordrecht in 1653, Maes painted a few Rembrandtesque genre pictures, with life-size figures and in a deep glowing scheme of color, like The Reverie at the Rijksmuseum in Amsterdam, The Card Players at the National Gallery, and The Children with a Goat Carriage. So closely did his early style resemble that of Rembrandt, that the last-named picture, and other canvases in the Leipzig and Budapest galleries and in the collection of Lord Radnor, were or are still ascribed to Rembrandt. In his best period, from 1655–65, Maes devoted himself to the domestic genre on a smaller scale, retaining to a great extent the magic of color he had learned from Rembrandt. Only on rare occasions did he treat scriptural subjects, as in Hagar's Departure, which has been ascribed to Rembrandt. His favorite subjects were women spinning, or reading the Bible, or preparing a meal. Maes had a particular fascination with the subject of lacemaking and made almost a dozen versions on this subject. While he continued to reside in Dordrecht until 1673, when Maes settled in Amsterdam, he visited or even lived in Antwerp between 1665–67. His Antwerp period coincides with a complete change in style and subject. He devoted himself almost exclusively to portraiture and abandoned the intimacy and glowing color harmonies of his earlier work for a careless elegance which suggests the influence of Van Dyck. So great indeed was the change, that it gave rise to the theory of the existence of another Maes, of Brussels. His registered pupils were Justus de Gelder, Margaretha van Godewijk, Jacob Moelaert, and Johannes Vollevens. Maes died in Amsterdam. Maes is well represented at the London National Gallery by five paintings: The Cradle, The Dutch Housewife, The Idle Servant, The Card Players, and a man's portrait. At Amsterdam, besides the splendid examples to be found at the Rijksmuseum, is The Inquisitive Servant of the Six collections. At Buckingham Palace is The Listening Girl (repetitions exist), and at Apsley House Selling Milk and The Listener. Other notable examples are at the Berlin, Brussels, St Petersburg, the Hague, Frankfort, Hanover, Ottawa and Munich galleries.
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
17th Century Baroque Nicolaes Maes Art
Oil, Canvas
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
19th Century Baroque Nicolaes Maes Art
Canvas, Oil
18th Century Old Masters Nicolaes Maes Art
Canvas, Oil
Charles JervasPortrait of Frances, Viscountess Scudamore in a Silver Dress & Blue Cloak, c.1709-1719
18th Century Old Masters Nicolaes Maes Art
Canvas, Oil
Late 18th Century Old Masters Nicolaes Maes Art
Canvas, Oil, Board
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
Mary BealePortrait of a Lady in Silk Dress & Blue wrap in oval, Mary Beale, Oil on canvas, 1675-1680
Early 2000s Old Masters Nicolaes Maes Art
Canvas, Oil
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
19th Century Baroque Nicolaes Maes Art
Canvas, Masonite, Oil
1680s Old Masters Nicolaes Maes Art
Oil, Canvas
17th Century Old Masters Nicolaes Maes Art
Canvas, Oil
1680s Old Masters Nicolaes Maes Art
Oil, Oak, Panel
17th Century Old Masters Nicolaes Maes Art
Oil
1870s Old Masters Nicolaes Maes Art
Copper
18th Century and Earlier Nicolaes Maes Art
Oil