Massimo and Lella Vignelli
Massimo Vignelli and Lella Vignelli’s legacy can be seen everywhere in the logos of Bloomingdale’s, Ford and American Airlines, among others. In addition to their work in branding, they were prolific creators of modernist home furnishings, products and interiors, and the duo’s collaborations, which span 50 years, have left a profound mark on design and wider visual culture.
After meeting in Italy, Lella (1934–2016) and Massimo (1931–2014) began working together in 1961 and a decade later formed Vignelli Associates in New York. A self-described “information architect,” Massimo was committed to streamlining complex ideas into clear, visually arresting forms. (Witness the graphic identity that he cocreated with Bob Noorda for the New York City Transit Authority as well as his influential 1972 subway map.) The Vignellis’ most recognizable piece, for example, may be the Handkerchief chair, a stackable office chair made of compression-molded plastic that has the look of a cloth floating in air. It was created for Knoll in 1983 after they designed the brand’s logo.
Evidence of the couple’s influence can also be found in their Saratoga line (1964), the first collection of lacquered furniture, which helped herald in the trendy “glossy” look of the decade (and beyond). When the Vignellis created the Poltrona Frau Interview chair in 1988 for an Italian television station, it became widely sought after, “which goes to show you the power of the TV media,” the couple once said. Much like their elemental graphic designs, the Kono (1984) and Pisa tables (1985) — both created for Casigliani — cull the form of the table down to geometric shapes.
Vignelli furniture is often labeled as Massimo Vignelli’s alone, though he fought to have Lella recognized for her work, even throwing away magazines that neglected to give her due credit. As he wrote of their lifelong collaboration in his book Designed By: Lella Vignelli: “It is not holding a pencil with four hands that makes a partnership; it is sharing the creative act and exercising creative criticism which is reflected in the end result.”
Find vintage Massimo and Lella Vignelli seating, tables and other furniture today on 1stDibs.
| Average Sold Price |
| $2,171 |
| Styles |
| Materials |
| Related Creators |
Mid-20th Century Italian Mid-Century Modern Massimo and Lella Vignelli
Wood, Lacquer
Late 20th Century Italian Post-Modern Massimo and Lella Vignelli
Steel
1960s Italian Mid-Century Modern Vintage Massimo and Lella Vignelli
Leather, Polyester, Wood
Late 20th Century Post-Modern Massimo and Lella Vignelli
Plastic
Late 20th Century Italian Minimalist Massimo and Lella Vignelli
Leather, Wood
Early 2000s Italian Modern Massimo and Lella Vignelli
Aluminum
1980s Italian Art Deco Vintage Massimo and Lella Vignelli
Marble, Copper
1990s American Post-Modern Massimo and Lella Vignelli
Steel
Massimo and Lella Vignelli Sale Prices
| Sold Date | Sold Price | Category | Material | Creation Year | |||||||||||||||||||||||||||||||||||||||||||||||||||
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| $2,171 |
Average sold price of items in the past 12 months |
| $225-$4,400 |
| Sold price range of items in the past 12 months |
Creators Similar to Massimo and Lella Vignelli
Massimo And Lella Vignelli furniture for sale on 1stDibs.
- 1stDibs ExpertJanuary 19, 2025Massimo Vignelli was perhaps most famous for the Handkerchief chair, a stackable office chair made of compression-molded plastic that has the look of a cloth floating in the air. It was created for Knoll in 1983. Vignelli and his wife, Lella Vignelli, are also legendary names in branding and were prolific creators of home furnishings, products and interiors. The duo’s modernist furniture collaborations, which spanned 50 years, also left a profound mark on design and wider visual culture. Furniture created by the couple is often labeled as Massimo Vignelli’s alone. However, he fought to have Lella recognized for her work, even throwing away magazines that neglected to give her due credit. Explore a range of Massimo Vignelli furniture on 1stDibs.