Marilyn Levin Furniture

Louis Icart (1888-1950). Etching on paper. "Wishing Well". Dated 1925. Visible dimensions: 43 x 28 cm. Total dimensions: 54 x 40 cm. The frame measures: 2.5 cm. In excellent cond...

Louis Icart (1888-1950). Etching on paper. "Arrival". Approx. 1920 Visible dimensions: 42 x 30 cm. Total dimensions: 39 x 49 cm. The frame measures: 7 cm. Signed in pencil. In e...

Louis Icart (1888-1950). Etching on paper. "Départ". Approx. 1920. Visible dimensions: 42 x 30 cm. Total dimensions: 52 x 40 cm. Signed in pencil. In excellent condition.

Carl Bloch (1834–1890). Etching on paper. Danish coastal scene with sailboats on the sea. Hornbæk. Dated 1883. In good condition with a tear in the middle. Signed. Total dimensions: ...

Louis Icart (1888-1950). Etching on paper. "Look". Dated 1928. Visible dimensions: 46 x 35 cm. Total dimensions incl. passepartout: 67 x 49 cm. The frame measures: 2 cm. In exc...

Louis Icart (1888-1950). Etching on paper. "Madame Butterfly". Dated 1927. Visible dimensions: 51 x 35 cm. Total dimensions incl. passepartout: 66 x 47 cm. The frame measures: 4 c...

Louis Icart (1888-1950). Etching on paper. Semi-nude woman picking grapes. Ca. 1920. Signed in pencil. In excellent condition. Visible dimensions: 24 x 18.5 cm. Total dimensions:...

Louis Icart (1888-1950). Etching on paper. "At the Urn". Dated 1923. Visible dimensions: 44 x 33 cm. Total dimensions: 48 x 38 cm. The frame measures: 1.5 cm. In excellent condit...

Louis Icart (1888-1950). Etching on paper. Women and Buddha. 1930s. Visible dimensions: 56 x 44 cm. Total dimensions: 63 x 52 cm. The frame measures: 1.5 cm. In excellent conditi...

Louis Icart (1888-1950). Etching on paper. Seminude woman picking apples. circa 1920. Signed in pencil. In excellent condition. Visible dimensions: 24 x 19 cm.

Carl Bloch (1834–1890). Etching on paper. Danish coastal landscape with a sailboat on the horizon. From the northern coast of Zealand, Hornbæk Plantation. Dated 1889. In perfect cond...

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...