Margot Glass Art

This delicate, contemporary botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild celandine flower...

This delicate botanical drawing is made with metallic gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild geranium, its leaves,...

This delicate botanical drawing is made with luminous metallic gold oil paint on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild dandelion,...

This delicate botanical drawing is made with graphite on painted black paper. The exploration of ephemerality, and the fragility of a dandelion gone to seed, its leaves and buds are ...

This delicate botanical drawing is made with 14 karat gold on painted black paper. The exploration of ephemerality, and the fragility of of field grasses are the focus of this drawin...

This delicate botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild dandelion. its leaves, petals ...

This delicate botanical drawing is made with luminous silver metallic oil paint with shimmering mica and pigment on cradled panel, painted black. A wild red clover plant, its leaves,...

This delicate botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild anemone flower, its leaves, pe...

This delicate botanical drawing is made with handmade walnut ink on Arches 100% cotton heavyweight paper. The exploration of ephemerality, and the fragility of a wild red clover, its...

This delicate, contemporary botanical drawing is made with gold acrylic on cradled panel, painted black. The exploration of ephemerality, and the fragility of a wild marshmallow plan...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

Margot Glass reimagines color and tone, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemerality, Glass lingers over t...

This contemporary, delicate botanical drawing is made with luminous metallic oil paint with shimmering mica and pigment on cradled panel, painted black. A wild red clover, its leaves...

This delicate botanical drawing is made with 14 karat gold on painted black paper. The exploration of ephemerality, and the fragility of a dandelion gone to seed, its leaves and buds...

This delicate botanical drawing is made with luminous metallic oil paint with shimmering mica and pigment on cradled panel, painted black. A wild red clover plant, its leaves, blosso...

This delicate silver botanical drawing is made with graphite on painted black paper. The exploration of ephemerality, and the fragility of dandelions, their texture and movement, are...

This delicate drawing is made with silverpoint on prepared archival board. The exploration of ephemerality, and the fragility of nature, its textures and movement, is the focus of this work by Margot Glass. The exquisite beauty of a group of simple feathers, often overlooked or considered mundane, is discovered and elevated through close examination and exquisite drawing by the artist. Signed and titled on verso and initialed on recto, lower right corner. Framed in a silver frame, 10 x 8 inches (unframed), 12 x 10 inches (framed). Glass draws with pure silver not only for the delicacy of line the metal point provides, but also for the allure of using a semiprecious metal as a drawing material. Working on an archival board allows the gleam and luster and delicate reflective silver properties of the metallic medium to present as soft and textured against the ground. The surface is primed with traditional silverpoint ground. The silverpoint ground is slightly chalky when dry to provide a subtle toothy surface to grab the silver particles. Glass is interested in the tradition of using nature as idealized ornament in art and design while seeking to carefully observe as accurately as possible in all the irregularity and imperfection. The metallic lines enhance the decorative qualities of the filigree patterns formed by the minute details in each object. Her compositions are tightly cropped to bring the subject as close to the edge of the picture plane as possible. Margot Glass’s work been exhibited widely in the United States and internationally. Glass’s education includes studies in the Brown/RISD Exchange Program, Brown University...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...

Margot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...

Margot Glass reimagines color with her newest specimen, anemones, using luminescent ink to translate vivid shades into bursts of white-gold. Ever-interested in fragility and ephemera...

Margot Glass explores the fragility of communication, and people’s natural drive to find narrative in even the most ordinary of objects. In her Envelopes series, Glass works in water...

Margot Glass’s rendering of detail demands close attention. Her play with positive and negative space—the almost imperceptible shade of translucence between leaf veins, or the rich p...