Lewis Carroll

:The Women Who Defined Interior Design. 1870-1955 Mixing gorgeous interiors with sparkling social history, this is the first book on the visionary women whose work gave us the timel...

The definitive photographic history of how hip-hop blinged out and redefined the world of jewelry, luxury, and style. Signed black-and-white pigment print on Canson Platine paper, 16 x 20 in.; hardcover volume in a slipcase, 9.8 x 13.4 in., 6.29 lb., 388 pages. Whether it’s diamond-encrusted grills, oversized “truck” style chains, bust-down Rolex and Patek Philippe watches, or a Tiffany necklace, jewelry is a cornerstone of hip-hop culture. Glittering, blinged-out jewels are the shining statement of a collective identity: unapologetic, charismatic, and street savvy. Spanning the history of hip-hop jewelry, from the 1980s to today, Ice Cold: A Hip-Hop Jewelry History is a stunning compilation of storytelling and visuals. Hundreds of extraordinary images of every major hip-hop artist on record celebrate how “ice” has become a proclamation of identity and self-expression. Starting with Run-DMC’s gold Adidas pendants and Eric B. & Rakim’s ostentatious dookie rope chains and Mercedes medallions, the jewelry then transforms from street style into a booming design culture. The hip-hop tradition of “show up and show out” reaches new heights with artists like Pharrell Williams, Jay-Z, Gucci Mane, and Cardi B...

The definitive book on the legendary decorator Billy Baldwin, known as the "Dean of American Decorating," famous for his classical taste, streamlined modernism, and brilliant use of colour. In the tradition of Rizzoli’s Albert Hadley and David Hicks, this is the first fully illustrated account of the career of Billy Baldwin (1903–1983), one of the most important decorators of the twentieth century, whose work has influenced contemporary designers from Bunny Williams to Jeffrey Bilhuber. A native of Baltimore, Baldwin’s work caught the eye of eminent New York decorator Ruby Ross Wood. She invited him to join her firm, saying his work stood out "like a beacon of light in the boredom of the houses around it." Baldwin’s style was a revelation—simultaneously classical and modernist, tailored and clean, yet dramatically coloured, and above all American. An enemy of clutter and conspicuous wealth, he favoured natural materials and comfortable furniture. The drama in his rooms often came from colour, as seen in the dark brown lacquered walls of Cole Porter’s library or the scarlet cotton print that covered Diana Vreeland’s apartment. Immensely charming, Baldwin was a popular addition to the high society of New York. His clients included Bill and Deeda Blair, Babe and Bill Paley...

Inventing the California Look: Interiors by Frances Elkins, Michael Taylor, John Dickinson, and Other Design Innovators Author Philip E. Meza, Photographs by Fred Lyon, Foreword b...

The Adventures of Pinocchio by Carlo Collodi [pseud. of Carlo Lorenzini]; translated by Carol della Chiesa and illustrated by Attilio Mussino New York: Macmillan Company, 1929. F...

The Life and Adventures of Santa Claus by Julie Lane. Hardcover with dust jacket. Published by Equity Publishing 1979. Nicholas the orphan becomes Nicholas the woodcarver, whose job ...

In very good condition with dust Jacket. One of a Limited First Edition of only five thousand copies published in 1992. Unpagenated, Folio. Out of Print and now scarce. The photograp...

Jean-Michel Basquiat Rare vintage Japanese publication from 1997 which chronicles the life of Basquiat and the feature film by Julian Schnabel. Includes great early photos...

Alice's Adventures in Wonderland by Lewis Carroll Circa 1945 - Rare Vintage Edition. Vintage Book Alice in Wonderland by Lewis Carroll with Illustrations by John Tennel Children's Cl...

One of Andrew Wyeth’s most important paintings, Wind from the Sea, a recent gift to the National Gallery of Art, is also the artist’s first full realization of the window as a recurr...

A beautiful Set of 20 Postcards with original photos of Arab cultures of North Africa created and commercialized by Lehnert & Landrock and signed "Editeurs L&L". This was a photographic studio run by Rudolf Franz Lehnert (Germany 1878-1948) and Ernst Heinrich Landrock (Bohemia 1878-1966) active in Tunisia and Egypt in the early 20th century, noted for producing Orientalist images of North African people...

Presented is a beautiful photogravure showing a Klamath man hunting from a dugout canoe. This image is Plate 458 from Volume 13 of Edward Curtis' epic project The North American Indian. The photogravure was published in 1923 by Suffolk Engr. Co., in Cambridge, MA. The Klamath people are from the inland region of Northern California and Southern Oregon. Their oral history records the volcanic eruption that created Crater Lake over 7000 years ago Edward S. Curtis created one of the most enduring and iconic visual records in the history of the photographic medium. He was an award-winning artist, a consummate craftsman, a visionary, an intrepid entrepreneur, and was highly regarded as a respected ethnographer and publisher. Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer. Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm. Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published. An ambitious and extensive project, Curtis spent much of his life documenting as many Native tribes as possible. The importance and the urgency of the task was clear to him, as he wrote in the introduction to his first volume of The North American Indians in 1907, "The information that is to be gathered ... respecting the mode of life of one of the great races of mankind, must be collected at once or the opportunity will be lost." In 1930, some 24 years after his initial request for funding, the last two volumes, Vol. 19 and Vol. 20, were published and The North American Indian project was finally completed. Curtis took over 40,000 photographs and made over 10,000 wax cylinder...