La Chance Furniture

Stunning, solid oak Dutch Renaissance Revival coat and hat rack with noble men or merchant carvings. We all know how important first impressions are and with this stunning 19th century coat rack you will never fail to impress anyone entering your home or office. The quality of the deep and detailed carvings is wonderful and the condition is nothing short of amazing. And how about those superb condition, original solid oak hooks? They are like the proverbial cherry on the pie and they too are highly practical and very safe to hang your coats on. Because of their size, they can also be used for hats and caps. On either side of this work of art coat rack is a noble man sculpture and it is our strong belief that this particular piece was hand-crafted for a partnership of two wealthy and/or important males...

Set of nine Swedish Modern provocative coat hangers in red plastic. The hangers named ”Svea” are made by A&E Design and is extremely rare. Unused and coverd in its original packing. ...

A large Scandinavian wall unit circa 1960's. It features teak wood finish with a drop down center desk. The unit is totally modular and can arra...

Beautiful hardwood, designed and manufactured in Denmark in the 1960s. Excellent original condition.  

This coat and hat hanger was made around 1910 in the former Austria-Hungary. It is made of stained oak wood. It has several chrome holders, one storage shel...

Lot of three coat hooks and cloth hanger, 1970s German. Nice addition to your room, entry hall or just for your collection of design items. Made of brass and Lucite. They are in used...

Sandcast modern solid bronze wall hook, with mount system. Designed by Daniel Barbera.  

Set of Three Italian 1950s Brass Wall Coat Hangers

This hand-carved wooden object is an Indonesian wall hanger for displaying batik textiles, woven tapestries or works of embroidery. The hanger is carved with a pierced, low relief de...

A Space Age design with the coat hanger by Studio BBPR. Graduates of the Milan Polytechnic, the four designers in their early work followed the themes of Italian Rationalism of the 1930s, although they were not an integral part of the main 'Group 7' Movement and MIAR, they collaborated on some projects with Figini and Pollini; these compositional canons can be clearly read in an exemplary building such as the colonia elioterapica in Legnano (1938), where they also realised popular housing units, the so-called Le Grazie working-class neighbourhood (1940-1942). They distinguished themselves for various town-planning schemes, the Pavia Master Plan (1932), the Tourism Plan for the Island of Elba (1939), and above all for the most important and far-reaching, the Valle d'Aosta Master Plan (1936-1937). During this period they took an active part in the controversy that arose between rationalists and traditionalists and at first, like others, felt they could support the clash for freedom of expression and the triumph of modern architecture within fascism, but after the introduction of the racial laws of 1938 that also affected one of their collaborators, the BBPR architects...

The Unison Vinyl Record Storage Cabinet is a perfect stand alone solution for vinyl record storage or it also makes a great companion to any Unison Record Stand...

Carved triangle waveform Douglas fir, paint Measures: 48” x 5.25” x 3.5” 2017 8 LBS Waveform: Burnt with an icon of authenticity Produced by hand in Los Angeles, CA. from re...