Jennifer Bartlett Art
American, b. 1941
Jennifer Losch Bartlett (born March 14, 1941) is an American artist. She is known for paintings and prints that combine the system-based aesthetic of Conceptual art with the painterly approach of Neo-expressionism. Many of her pieces are executed on small, square, enamel-coated steel plates that are combined in grid formations to create very large works.to
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Artist: Jennifer Bartlett
Ocean Piece: unique drawings of studies for ocean painting (hand signed)
By Jennifer Bartlett
Located in New York, NY
Jennifer Losch Bartlett
Ocean piece: Untitled painting studies, 1975
Ink and pastel, mixed media on graph paper
Boldly signed and dated "Summer 75" by Jennifer Bartlett on the lower right front
Frame included: held in a museum quality wood frame with UV plexiglass
Ink and pastel on graph paper drawing.
Boldly signed and dated "Summer 75" by Jennifer Bartlett on the lower right front.
Some of the artist's annotations on the drawings say:
Ocean piece
Sky Water Beach Sometimes looking from water
maybe see mountain
two people on beach lying down
sometimes they face each other
... bwhitefree hand drawing
from water beach w/ towel
sky sand water on a diagonal
on a curve
sky water sand...
Category
1970s Contemporary Jennifer Bartlett Art
Materials
Oil Pastel, Ink, Mixed Media, Graphite
6p.m. from Air: 24 Hours
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
6 p.m. from Air: 24 Hours, 1994
Drypoint
19 x 19 inches
Edition of 65
Unframed
Category
20th Century Contemporary Jennifer Bartlett Art
Materials
Drypoint
Graceland Mansion
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Graceland Mansions, 1978-79
Drypoint, aquatint, silkscreen, woodcut, and lithograph on J. Green Cold Press paper and Rives BFK paper
24 x 120 inches, unframed
Ed...
Category
20th Century Modern Jennifer Bartlett Art
Materials
Etching, Lithograph, Screen, Woodcut, Drypoint, Aquatint
7 (Glass Houses), Mixed Media: 3D Sculpted plate glass over grid, Signed Framed
By Jennifer Bartlett
Located in New York, NY
Jennifer Losch Bartlett
#7 (Glass Houses), 2000
Mixed Media: 3D Sculpted plate glass over silkscreen grid on baked enamel and steel plate, housed in a box frame
Signed 'J. Bartlett' and dated on the reverse, with the artist's original label.
Unique
Frame included
Floated and framed in a museum quality white wood frame with UV plexiglass and a die-cut window in the back revealing the artist's original label and signature
Provenance:
The original owner acquired this work directly from the artist; bears the artist's bespoke studio label and signature
This unique, exceptional 3-D mixed media work is signed 'J. Bartlett' and dated on the reverse, with the artist's original label.
Measurements:
Frame:
15.75 x 15.75 x 2 inches
Artwork:
12 x 12 inches
About Jennifer Bartlett:
By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...
Category
Early 2000s Contemporary Jennifer Bartlett Art
Materials
Enamel, Steel
Untitled (Chamber Music Society) by Jennifer Bartlett
By Jennifer Bartlett
Located in New York, NY
This screen print was commissioned by Lincoln Center in 1981 to celebrate the Chamber Music Society in a signed and numbered edition of 144.
Born in 1941, Long Beach, CA, Jennifer B...
Category
Late 20th Century Contemporary Jennifer Bartlett Art
Materials
Screen
American Dance Festival 1978
By Jennifer Bartlett
Located in New York, NY
Jennifer Losch Bartlett
American Dance Festival 1978, 1978
Lithograph on wove paper
Pencil signed and numbered 163/150
31 × 23 inches
Unframed
This limited edition print was designed by Jennifer Bartlett for the American Dance Festival in 1978. It is ; this is the hand signed and numbered limited edition lithograph - not to be confused with the separate poster edition which was not on the same lithographic paper.
About Jennifer Bartlett:
Jennifer Bartlett (b. 1941, d. 2022) was known for her room-sized installations ranging in medium, that explored her immediate environments including houses, mountains, trees, gardens, and the ocean. Inspired by Minimalism, she started working on square steel enameled plates in 1968 on which she went on to create her most notable works. Rhapsody (1975–1976), a polyptych first installed at Paula Cooper Gallery filling the entirety of the gallery, included hundreds of these painted steel plates. That work is now part of the permanent collection of the Museum of Modern Art, New York. Her work moved from Abstract Expressionism to Minimalism to Conceptualism with some works touching on all at once. Working in two dimensions and occasionally moving to three, her works often started in a controlled, mathematical abstraction and moved to more painterly realism.
Bartlett’s first survey exhibition was held in 1985 and traveled to the Walker Art Center, the Brooklyn Museum, and the Museum of Art, Carnegie Institute. In 2006, her early enameled steel plate paintings were surveyed at the Addison Gallery of American Art. Klaus Ottman curated her second traveling survey exhibition in 2013–14, Jennifer Bartlett: History of the Universe—Works 1970–2011, which traveled to the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum. In 2014, the Cleveland Museum of Art exhibited all three of her monumental plate...
Category
1970s Contemporary Jennifer Bartlett Art
Materials
Lithograph
Rhapsody, hardback monograph (Hand signed and inscribed by Jennifer Bartlett)
By Jennifer Bartlett
Located in New York, NY
Jennifer Losch Bartlett
Rhapsody (hand signed and inscribed), 1985
Hardback monograph with dust jacket (hand signed and inscribed to Nadine)
Hand signed and inscribed in black marker "for Nadine" by Jennifer Bartlett on the half title page
12 × 12 × 1 inches
Provenance
signed for the present owner at Paula Cooper Gallery on January 21, 2016
This substantial, lavishly illustrated hardback monograph with dust jacket, was hand signed by Jennifer Bartlett for the present owner at Paula Cooper Gallery on January 21, 2016.
Makes an excellent gift
Book information:
Publisher: Harry N Abrams (November 1, 1985)
English; Hardcover; 108 pages with color illustrations
Editorial Review:
Rhapsody'' is Bartlett's multi-part, multi-theme epic, a statement of the coming of age of an artist. A portable mural extended over 987 one-foot steel plates requiring 153 running feet of wall space, it is an enormous and infrequently mastered challenge to install and exhibit. In 1985-86, however, it will be on view in Minneapolis, Kansas City, Brooklyn, La Jolla, and Pittsburgh, and well worth a trip. In book form it becomes more available, with Smith's guided tour through sections, with Bartlett's notes giving conceptual coherence, and the opportunity to move from close-up to long view by turning a page. Rhapsody'' and this book afford a glimpse of a mind and art in action, a discovering and ordering process, an exciting demonstration of ways of growing and expressing the self and the world. Highly recommended.
About Jennifer Bartlett:
By the mid-1970s, Jennifer Bartlett (1941-2022, b. Long Beach, California) had emerged as a leading American artist of her time—particularly following the landmark presentation at Paula Cooper Gallery of Rhapsody (1976), Bartlett’s magnum opus, now in the collection of the Museum of Modern Art, New York. Bartlett’s first survey exhibition was held in 1985 at the Walker Art Center, Minneapolis, and traveled to the Brooklyn Museum, New York, and the Carnegie Museum of Art, Philadelphia, among others. In 2006, the Addison Gallery of American Art surveyed Bartlett’s early enameled steel plate paintings in the period from 1968–76. In 2013-14, Klaus Ottmann curated her second traveling survey, which visited the Pennsylvania Academy of the Fine Arts and the Parrish Art Museum, New York. In 2014, the Cleveland Museum of Art united her three monumental plate...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Paper, Ink, Mixed Media, Lithograph, Offset
Fire
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Fire, 1998 (from The Elements)
Etching
33 1/4 x 33 inches
Ed. 80
Category
20th Century Abstract Geometric Jennifer Bartlett Art
Materials
Etching
Air: 24 Hours (Hand signed and inscribed hardback monograph) abstract figurative
By Jennifer Bartlett
Located in New York, NY
Jennifer Losch Bartlett
Air: 24 Hours, 1994
Hardback monograph (book) bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Hand signed and inscribed by the artist on the half title page to Nadine (Witkin)
11 × 9 1/4 × 1 inches
Unframed
Hand signed and inscribed to Nadine on the title page
Hardback monograph bound in the publisher's original pink satin cloth with the covers and spine stamped in black. In publisher's original acetate dust jacket.
Publisher's Blurb:
In Air: 24 Hours, Jennifer Bartlett creates her most personal paintings, all made between 1991 and 1992. Here, in each work, the unflinching presence of time is carefully, conspicuously monitored by a clock - light gray for day, dark gray for night. But motifs, color combinations, even certain images variously recur throughout the 24 paintings, shaking us up, causing us to realize that even the most seemingly casual, intimate scenes (a child's bedroom, a bathroom, the garden fish...
Category
2010s Contemporary Jennifer Bartlett Art
Materials
Fabric, Mixed Media, Lithograph, Offset, Mylar, Ink
Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982
By Jennifer Bartlett
Located in New York, NY
Jennifer Bartlett
Los Angeles 1984 Olympic Games (Hand Signed with Olympic Committee COA), 1982
Offset Lithograph; pencil signed on the front
36 × 24 inc...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Lithograph
Earth
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Earth, 1992
Etching, soft ground and aquatint
33 1/4 x 33 inches
Edition of 80
Category
20th Century Contemporary Jennifer Bartlett Art
Materials
Etching, Aquatint
Dear Dad
By Jennifer Bartlett
Located in New York, NY
Jennifer Bartlett
Dear Dad, 2004
Enamel over silkscreen grid on baked enamel and steel plates
19 3/4 x 19 3/4 inches
Signed verso
Category
Early 2000s Contemporary Jennifer Bartlett Art
Materials
Enamel, Stainless Steel
1997 Jennifer Bartlett 'American Dance Festival 1997' FIRST EDITION
By Jennifer Bartlett
Located in Brooklyn, NY
Paper Size: 36.5 x 24.75 inches ( 92.71 x 62.865 cm )
Image Size: 23.75 x 23.5 inches ( 60.325 x 59.69 cm )
Framed: No
Condition: B: Very Good Condition, with signs of handling or...
Category
1990s Contemporary Jennifer Bartlett Art
Materials
Offset
House II #4
By Jennifer Bartlett
Located in West Hollywood, CA
Jennifer Bartlett
"House II #4", 2014-2015
Screenprint on Arches 300 g Hot Press Watercolor paper
20 x 20 inches
Numbered from the edition of 45 in the lower left corner
Signed and d...
Category
2010s Jennifer Bartlett Art
Materials
Screen
Summer, Iceland #5
By Jennifer Bartlett
Located in New York, NY
Jennifer Bartlett
Summer, Iceland #5, 2000
Pastel on paper
30 x 44 1/4 inches (sheet)
Unsigned
Category
Early 2000s Contemporary Jennifer Bartlett Art
Materials
Paper, Pastel
Homan-Ji III
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Homan-Ji III, 1995
Gouache and gold leaf on paper
24 1/2 x 24 in (62.2 x 61 cm) sheet
Category
Late 20th Century Abstract Jennifer Bartlett Art
Materials
Gold Leaf
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Artist biography
The painter JOSÉ HERNÁNDEZ was born in Tangiers in January 1944.
He alternates his studies between the Spanish Institute and the French School in Tangiers. He becomes interested in mathematics and competitive sport. He enjoys long distance running and draws relentlessly. After a fruitful period in which he draws and paints from life, he becomes interested in experimenting with different painting materials, which leads him to a wider knowledge of a number of different oil and watercolour techniques.
He exhibits his first works at the Librairie des Colonnes in Tangiers in 1962, and receives support from friends, artists and writers who encourage him to explore new fields in the arts. In 1964 he settles in Madrid, where he currently works and resides. It is in Madrid that he presents his first solo exhibition in 1966 at Galería Edurne. Since then numerous exhibitions both within and outside of Spain have taken place. In 1967 he publishes his first etchings and lithographs. His work as an engraver, which complements his painting and leads him to produce many bibliophilic books in collaboration with writers and poets, contemporaries and classics. Since 1971 he has also completed a considerable number of projects as an illustrator of widely distributed books. Since 1974 he has collaborated in a number of theatrical projects as a stage and costume designer for both classic and contemporary plays. At present, he is a voted-in member of the Real Academia de Bellas Artes de San Fernando in Madrid, he has been awarded the Honorary Medal of the Real Academia de Bellas Artes de Santa Isabel de Hungría in Seville, and is a member of the European Academy of Sciences, Fine Arts and Literature in Paris.
Individual shows
1962 Tánger, Marruecos. Librairie des Colonnes. 1966 Madrid. Galería Edurne. 1967 Madrid. Galería Seiquer. 1969 Madrid. Galería Iolas-Velasco. 1970 Chicago, Illinois, USA. Deson-Zaks Gallery. 1971 Madrid. Galería Iolas-Velasco. 1973 Palma de Mallorca. Sala Pelaires. La Laguna, Tenerife. Sala Conca. Madrid. Galería Iolas-Velasco. 1974 Pamplona. Caja de Ahorros de Navarra. 1975 Barcelona. Galería Ciento. Valencia. Galería Val i 3O. Alicante. Galería Italia. Madrid. Grupo Quince. Castellón. Galería Canem. 1976 Valladolid. Galería Carmen Durango. 1977 París, Francia. Galerie Octave Negru. Burgos. Galería Mainel. 1978 Madrid. Galería Biosca. 1979 Córdoba. Galería Juan de Mena. Málaga. Colectivo PALMO. París, Francia. Galerie Negru, FIAC. 1980 Bruselas, Bélgica. Galerie Isy Brachot. Madrid. Galería Tórculo. 1981 La Laguna, Tenerife. Sala Conca. París, Francia. Galerie Octave Negru. Munich, Alemania. Galerie Godula Buchholz. Granada, Galería Laguada. 1982 Madrid. Museo Español de Arte Contemporáneo. 1983 Lódz, Polonia. Biuro Wystaw Artystycznych, Galeria Balucka. Leganés, Madrid. Sala Municipal de Exposiciones. Alicante. Galería Italia. Cali, Colombia. Museo de Arte Moderno La Tertulia. 1984 Madrid. Galería Biosca, ARCO. Madrid. Galería Biosca. New Haven, Conn. USA. Yale University. Tokio, Japón. Art Front Gallery. Fredrikstad, Noruega. Galleri Gamlebyen. 1985 Bilbao. Museo de Bellas Artes. La Laguna, Tenerife. Sala Conca. Varna, Bulgaria. Museo de la Historia y de las Artes. Playa del Inglés, Gran Canaria. Galería Radach Novaro. 1986 Alcalá de Henares, Madrid. Capilla del Oidor. Oviedo. Museo de Bellas Artes de Asturias. Vitoria. Museo de Bellas Artes de Alava. Zaragoza. Palacio de la Lonja. Talence, Francia. Château Margaut. Las Palmas de Gran Canaria. Salas Vegueta y Balos. Albacete. Museo de Albacete. Madrid. Palacio de Velázquez de El Retiro. 1987 Granada. Hospital Real. Leganés, Madrid. Sala Municipal de Exposiciones. 1988 Bremen, Alemania. Werkstatt El Patio Galerie. 1989 París, Francia. Galería Tórculo, SAGA. Madrid. Galería Biosca. Madrid. Galería Tórculo. 1990 Madrid. Galería Tórculo, ARCO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés. 1991 Hamburgo, Alemania. Galerie Levy. Burgos. Casa del Cordón. 1992 Vitoria. Sala San Prudencio. Alcoy, Alicante. Centre Cultural D'Alcoi. Murcia. Centro de Arte Palacio Almudí. Basilea, Suiza. Galería Levy, ART BASEL 92. Madrid. Colegio Oficial de Médicos. 1993 Barbizon, Francia. Galerie Triade. 1994 París, Francia. Galerie Michèle Broutta. La Coruña. Fundación Caixa Galicia. Santiago de Compostela, La Coruña. Fundación Caixa Galicia. Nueva York, USA. The Godwin-Ternbach Museum. Córdoba. Galería de Arte La Caja. 1995 Madrid. Galería Levy. Granada. Palacio de la Madraza. Alicante. Galería Italia. Hamburgo, Alemania. Galerie Levy. Madrid. Instituto de Cultura de México. 1996 París, Francia. Galerie Michèle Broutta. Marsella, Francia. Galerie L'Echoppe. Badajoz. Galería Ceberino Franco. Toledo. Galería Tolmo. 1997 Madrid. Centro Cultural del Conde Duque, Sala de Bóvedas. Marbella, Málaga. Museo del Grabado Español Contemporáneo. Tánger, Marruecos. Instituto Cervantes. Navacerrada, Madrid. Galería Nolde. Rabat, Marruecos. Instituto Cervantes. Casablanca, Marruecos. Instituto Cervantes. Zaragoza. Sala Luzán CAI. Tetuán, Marruecos. Instituto Cervantes. 1998 Lisboa, Portugal. Instituto Cervantes. Munich, Alemania. Instituto Cervantes. Santiago de Compostela, La Coruña. Fundación Eugenio Granell. Varsovia, Polonia. Instituto Cervantes. Nagoya, Japón. Artgraph Gallery. Tokio, Japón. Han Garo Gallery. Bilbao. Galería Juan Manuel Lumbreras. Cádiz. Galería Benot. 1999 Santa Cruz de Tenerife. Centro de Arte La Recova. Barcelona. Galería 3 Punts. Bad Frankenhausen, Alemania. Panorama Museum. La Coruña. Museo Unión Fenosa. Cuenca. Galería La Escalera. León. Sala de exposiciones Junta de Castilla y León. 2000 Dublín, Irlanda. Graphic Studio Gallery. Madrid, Galería Leandro Navarro. Amman, Jordania. Instituto Cervantes. 2001 Santa Cruz de Tenerife, Galería Mácula. Madrid, Galería Estiarte. Alicante, Galería Italia. 2002 Logroño, Galería Pedro Torres. Akita, Japón. Gallery Mini-Exhibition. Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana. Londres, Gran Bretaña. Instituto Cervantes. 2003 Manchester, Gran Bretaña. Instituto Cervantes. Barcelona, Galería 3 Punts. Málaga, Salas de Exposiciones del Palacio Episcopal. Issoudin, Francia. Musée de L’Hospice Saint Roch. Venecia, Italia. Galleria Del Leone. Valdepeñas, Museo Gregorio Prieto. Paris, Francia. Galerie Michèle Broutta Lyon, Francia. Instituto Cervantes. 2004 Almansa, Albacete, Alzira, Ibi, Villena, Requena, Exposición Itinerante Girarte. Betanzos, A Coruña. Centro Internacional de Estampa Contemporánea. 2006 Málaga, Sala de Exposiciones Edificio Rectorado. Universidad de Málaga. Madrid, Galería Leandro Navarro. 2007 Pinto, Madrid. Centro Infanta Cristina. Madrid, Galería Tibeca. Zaragoza, Museo Provincial Fuendetodos, Zaragoza. Sala Ignacio Zuloaga. Pamplona, Galería Fermín Echauri. 2008 Galería Michele Broutta, París. Galería 3punts, Barcelona. Francia, Bienal Cercle St. Leonard de Noblat. Madrid, Real Casa de la Moneda. 2009 Espacio Nolde, Navacerrada, Madrid.
Group shows
1962 Tánger, Marruecos. Casino. 1965 Madrid. Galería Edurne, "Dibujantes Españoles siglos XVIII, XIX y XX". Fuenterrabía, Guipúzcua. Castillo de Carlos V, "Arte Actual". 1967 Barcelona. "I Bienal Internacional de Pintura". 1968 Barcelona. "MAN-68". 1970 La Habana, Cuba. Galería La Habana, "Dibujantes Europeos". Madrid. Galería Seiquer. 1971 Panamá, Panamá. La Paz, Bolivia. Santiago de Chile, Chile. Buenos Aires, Argentina. "Arte de España sobre papel". Sevilla. Museo de Arte Contemporáneo, "Gráfica Española Actual". Baracaldo, Vizcaya. "I Muestra de Artes Plásticas". Pamplona. "Muestra de Arte Contemporáneo". Palma de Mallorca. Sala Pelaires, "Picasso-90". Madrid. Galería Vandrés, "Eros en el Arte Español Contemporáneo". 1972 Santa Cruz de Tenerife. Colegio Oficial de Arquitectos,"Homenaje a J.L. Sert". Santillana del Mar, Cantabria.Torre del Merino. París, Francia. Palais Galliéra, "Biennale de l'Estampe". Ibiza. Museo de Arte Contemporáneo, "Ibizagrafic". Santiago de Chile, Chile. Museo de Arte Contemporáneo Quinta Normal. Madrid. Galería Sen. Exposición homenaje a Manuel Repila 1973 Elche, Alicante. Museo de Elche. "Encuentros". Ljubljana, Yugoslavia. "X Bienal Internacional de Grabado". Tokio, Japón. Museo de Arte Contemporáneo, "Grabado Español Contemporáneo". Madrid. Instituto Alemán, "Grabado Español Contemporáneo". La Laguna, Tenerife. Sala Conca. Palma de Mallorca. Colegio Oficial de Arquitectos,"Miró-80". Baracaldo, Vizcaya. "II Muestra de Artes Plásticas". Madrid. Galería Iolas-Velasco, "Homenaje a Miró". Copenhague, Dinamarca. Kunstforeningen, "Nutidig Spansk Kunst". Madrid. Galería Juana Mordó, "Homenaje a Manolo Millares". Madrid. Galería Internacional. 1974 Cracovia, Polonia. "V Bienal Internacional de Grabado". Barcelona. Colegio Oficial de Aparejadores, "Mostra d'Art Realitat". Rijeka, Yugoslavia. Museo de Arte Moderno, "IV Exposición de Dibujo Original". Segovia. "I Bienal Internacional del Grabado y Arte Seriado". París, Francia. Salon International d'Art Contemporain. Frechen, Alemania. Kunstverein, "III Exposición Internacional de Grabado". 1975 Jyväskylä, Finlandia. "Graphica Creativa". Palma de Mallorca. Sala Pelaires. 1976 Nuremberg, Alemania. "Grafische Minaturen des 20". Tokio, Kyoto, Japón. Museo Nacional de Arte Moderno, "X Bienal Internacional de Grabado". Biella, Italia. "Premio Internazionale per l'incisione". Cracovia, Polonia. "VI Bienal Internacional de Grabado". Venecia, Italia. Bienal Internacional de Arte Contemporáneo "España: Vanguardia Artística y Realidad Social 1936-1976". Frechen, Alemania. "IV Exposición Internacional de Grabado". París, Francia. Galerie Octave Negru. 1977 Leipzig, Alemania. Ausstellung Internationale Buchkunst. Barcelona. Fundación Joan Miró, "España: Vanguardia Artística y Realidad Social 1936-1976". Nueva York, USA. Bronx Museum of Arts. "I New York Drawing Biennial". Barcelona. Fundación Joan Miró, Exposición Museo Internacional Salvador Allende. Madrid. Galería Juana Mordó, "EMISA". 1978 Leverkusen, Alemania. “Volkshochschule, Grafik aus Lädern des Mittelmeeraumes". Sevilla. Escuela Superior de Bellas Artes, "I Exposición de Pintores Andaluces Contemporáneos". Madrid. Galería Ponce, "Gráfica Fantástica". Christchurch, Nueva Zelanda. "Christchurch Festival International of Drawings". 1979 Madrid. Congreso de Andalucía. Nuremberg, Alemania. Kunsthalle, "14 Europäische Künstler zum Thema Menschenbild". Heidelberg, Alemania. "I Biennale der Europäische Künstler Grafik Heidelberg". Lódz, Polonia. "Biennale Malych Formy Grafiki". Bradford, Inglaterra. "British International Print Biennial". Nuremberg, Alemania. Kunsthalle, "I Trienal Internacional de Jóvenes Dibujantes ". Gainesville, Florida, USA University of Florida, "Contemporary Spanish Prints". 1980 Madrid. Galería Biosca, "Pequeño Formato". Madrid. Galería Juana Mordó, "Miscelánea". Columbus, Georgia, USA. Museum of Arts and Sciences,"Contemporary Spanish Prints". Austin, Texas, USA. University of Texas, "Contemporary Spanish Prints". Chattanooga y Knoxville, Tennessee, U.S.A. University of Tennessee, "Contemporary Spanish Prints". Biella, Italia. "Premio Internazionale per l'incisione". Cleveland, Ohio, USA. Institute of Art, " Contemporary Spanish Prints". Minneapolis, Minnesota, USA. University of Minnesota,"Contemporary Spanish Prints". Madrid. Club de Amigos de la Unesco, "Andalucía hoy". Madrid, Librería Fuentetaja, "Técnica de estampación en hueco". Segovia, La Casa del Siglo XV, "Obra Gráfica". 1981 Lincoln, Nebraska, USA. University of Nebraska "Contemporary Spanish Prints". Iowa City, Iowa, USA. University of Iowa, "Contemporary Spanish Prints". Alburquerque, Nuevo Mexico, USA. University of New Mexico,"Contemporary Spanish Prints". Madrid. Galería Biosca. Madrid. Galería Tórculo, "Expo-síntesis". Fontainebleau, Francia. Musée d'Art Figuratif, "L'Art Fantastique Aujourd'hui". Palma de Mallorca. Sala Pelaires, "El Dibuix". Madrid. Escuela Superior de Bellas Artes, "El realismo en la pintura actual española". 1982 Sevilla. Museo de Arte Contemporaneo, "ANDANA 2". Madrid. Centro Cultural de la Villa, "ANDANA 3". Fredrikstad, Noruega. Bienal Internacional de Grabado. 1983 Lódz, Polonia."Biennale Malych Formy Grafiki". Bilbao. Museo de Arte Moderno, "Rompecabezas Andaluz". Madrid. Centro Cultural del Conde Duque, "Muestra Plástica de Artistas sobre la Violencia". Estocolmo, Suecia. Liljevalchs Konstall, "Spansk Egen-Art". Taipei, Taiwan. "Exposición Internacional de Grabado: 1983". 1984 Madrid, Casa de Velázquez. Alcorcón, Madrid. Sala Municipal. "I Muestra de Grabado". Fontainebleau, Francia. "Pensionnaires 1984 Casa de Velázquez" (Invitado de Honor). Oslo, Noruega. Kunstnernes Hus, "Spansk Egen-Art". Cracovia, Polonia. "X Bienal Internacional de Grabado". Berlín, Alemania RDA. "Intergrafik 84". Colmenar Viejo, Madrid. Sala de Arte Picasso, "José Hernández y Gérard Puvis". 1985 Madrid. Expometro, "Arte y Trabajo". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Arlequin aujourd'hui". París, Francia. Galerie Île des Arts, "L'imaginaire". Varna, Bulgaria. "III Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". 1986 Madrid. Museo Español de Arte Contemporáneo, "Obra Gráfica de los Premios Nacionales de Artes Plásticas 1980-1985". Cali, Colombia. Museo de Arte Moderno La Tertulia, "Premios Nacionales de España". Angers, Francia. "V Salon d'Automne". Fontainebleau, Francia. Salle des Fêtes du Théatre, "Les Vanités du XVII siècle à nos jours". Sevilla. Museo de Arte Contemporáneo, "I Bienal Iberoamericana de Arte Seriado". Alicante. Fundación Caja del Mediterráneo, "Poemas pintura". (Exposición Itinerante). 1987 Madrid. Palacio de Cristal del Retiro, "Artistas por la Paz". Madrid. Calcografía Nacional, "Diez pintores en Negro". Varna, Bulgaria. "IV Biennale de la Gravure". Lódz, Polonia. "Biennale Malych Formy Grafiki". Biella, Italia. "Premio Internazionale per l'incisione". La Laguna, Tenerife. Sala Conca. Valladolid. Palacio del Marqués de Villena, "Artistas por la Paz". Salamanca. Universidad de Salamanca, "Grabados". 1988 Malbork, Polonia. "XII Miedzynarodowe Biennale Ekslibrisu Wospótczesnego". París, Francia. École Nationale Superieure des Beaux-Arts, Galerie du Palais des Études, "La Gravure Contemporaine à la Chalcographie Nationale de Madrid". Valencia. Galería El Ensanche. Madrid. Instituto Francés, "Le radeau de l'esprit dit non aux fauxmonnayeurs de la mode artistique". 1989 Leipzig, Alemania. "Internationale Buchkunst-Ausstellung Leipzig 1989". Madrid. Galería Levy, "El Arte Surrealista?". Sevilla. Caja de Ahorros de San Fernando "Existencias: 14 Maestros del Realismo". Teruel. Museo Provincial, "En torno a Luis Buñuel /El Collage Surrealista en España". Madrid. Galería Sephira. Madrid. Galería Alfama, "Pintores y Escultores de la Real Academia de Bellas Artes de San Fernando". Talence, Francia. Centre Culturel Medocine, "Arte Español Contemporáneo". 1990 Las Palmas de Gran Canaria. Centro Atlántico de Arte Moderno, "Arte Internacional en las Colecciones Canarias". Madrid. Sala de Exposiciones de la Comunidad de Madrid, "Madrid, El Arte de los 60". Madrid. Galería Sephira, "Cinco Realidades". Madrid. Galería Levy. 1991 Madrid. Galería Levy. París, Francia. Musée Chantillon. Hamburgo, Alemania. Galerie Levy, "Le Chat dans la Peinture". Tokyo, Kyoto, Osaka, Yokohama, Japón. Museo Takashimaya, "Realismos: Arte Contemporáneo Español". Madrid. Galería Heller, "Realismo, Realistas, Realidades, en papel". Huesca. Diputación Provincial de Huesca, "Arte Contemporáneo en la Escuela". Alicante. Galería Italia, "Dibujos y pinturas sobre papel". 1992 Tokyo, Japón. Galería Heller. TOKYO ART EXPO. Sabiñánigo, Huesca. Museo del Dibujo Castillo de Larrés, "Anatomía y Dibujo". Madrid. Galería Levy. Sevilla. Convento de Santa Inés, "XLI Exposición de Otoño". 1993 Madrid. Galería Levy, ARCO. Argentina, Uruguay, Bolivia, Paraguay, Instituto de Cooperación Iberoamericana, "Territorios de Papel". Nueva York, U.S.A. Tamenaga Gallery, "Contemporary Spanish Realism". Madrid. Galería Ra del Rey. 1994 Madrid. Galería Levy, ARCO. Burgos. Casa del Cordón, "Colección Lorenzana". Dublin, Irlanda. Graphic Studio Dublin Gallery, "Contemporary Spanish Prints". Madrid. Galerie Michèle Broutta, ESTAMPA '94. Madrid. Centro Cultural del Conde Duque, "Realismos". Colera, Gerona. Galería d'Art Horizon "Exposició d'Exlibris d'Homenatge a Walter Benjamin". Venecia, Italia. Centro Culturale di Esposizione e Comunicazione,"Du Fantastique au Visionnaire". 1995 París, Francia. Galería Levy, FIAC. Valdepeñas, Ciudad Real. Museo Fundación Gregorio Prieto, "V Certamen Nacional de Dibujo". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "II Premios Nacionales de Grabado 1994". Nueva York, USA. Galería Heller, INTERNATIONAL ART FAIR. Madrid. Galería Levy, ARCO. Madrid. Galerie Michèle Broutta, ESTAMPA '95. La Coruña. "IV Mostra Unión Fenosa". 1996 Madrid. Fundación Cultural Mapfre Vida, "Postrimerías". Marbella, Málaga. Museo del Grabado Español Contemporáneo, "Colección Pangea/95". Madrid. Galerie Michèle Broutta, ESTAMPA '96 . Zaragoza. Palacio de la Lonja y Caja de Ahorros de la Inmaculada,"Después de Goya, una mirada subjetiva". Coulommiers, Francia. Chapelle des Capucins. "Ex-votos". Madrid. Galería Leandro Navarro, "25 Años". 1997 Barcelona. Galería Maragall, "Homenaje a Goya". Madrid. Real Academia de Bellas Artes de San Fernando, "Arte Vivo/Los Pintores de la Academia". Le Bouscat, Francia. Ermitage Compostelle, "L'imaginaire Contemporain". Bilbao. Galería A'G."Realismos". Andorra. Sala de Exposiciones Govern d'Andorra, "Cent Ex-Libris en Homenatge a Walter Benjamin" Barcelona. Palau del Mar, Museo de Historia de Cataluña, "Solidaritat i Art: Milà 1972-Barcelona 1997". Becerril de la Sierra, Madrid. Galerie. "Festival de Grabado Alberto Durero". París, Viaduc des Arts, "Les états de la gravure". Santiago de Compostela, La Coruña. Auditorio de Galicia, "Realidade, Realismos". Ljubljana, Slovenia, "22 international biennial of graphic art". 1998 Kanagawa, Japón, “International Print Triennial ‘98”. Madrid, Museo Postal y Telegráfico, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Nemours, Francia, “Les Girouettes”. París, Francia, Galerie Alain Daune. “Les peintres du fantastique”. Madrid, M.E.A.C., “Homenaje a Aurelio Biosca”. Oviedo, Galería Dasto. “Libros de Artista”. Madrid, Galería Rayuela. 1999 Biella, Italia, “Premio Internazionale Biella per l’Incisione XIV edizione 1999.” Granada, Hospital Real, “Ciento y... postalicas a Federico García Lorca (1898-1998)”. Huesca, Sala de Exposiciones de la Diputación de Huesca. “Luis Buñuel, el ojo de la libertad.” Madrid, Galerie Michèle Broutta, ESTAMPA '99 . Málaga, Sociedad Económica, “Ciento y... postalicas a Federico García Lorca (1898-1998)” Rincón de la Victoria, Málaga. Casa Fuerte Bezmiliana, “De Picasso a nuestros días”. 2000 Maracaibo, Venezuela. Centro de Arte Lía Bermúdez...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Etching, Drypoint
Blue Face from the Brushstroke Figures Series
By Roy Lichtenstein
Located in Miami, FL
Lithograph, waxtype woodcut and screenprint on 638-g/m cold-pressed Saunders Waterford Paper. From the "Brushstroke Figures" series, 1989. Hand signed rf Lichtenstein, dated ('89) a...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Lithograph, Screen, Woodcut
Patina & Silkscreen Painting on Steel Canadian Contemporary Art Marjan Eggermont
By Marjan Eggremont
Located in Surfside, FL
Eggermont, Marjan (Contemporary Dutch Canadian),
Ghost Island 2006, mixed media patina and silkscreen painting on steel,
20 x 20 inches
Hand signed, titled and dated on wood bar ve...
Category
Early 2000s Contemporary Jennifer Bartlett Art
Materials
Steel
Mychael Barratt, London Bestiary, Animal Art, Illustrated Cityscape, Happy Art
By Mychael Barratt
Located in Deddington, GB
London Bestiary by Mychael Barratt
Limited Edition Etching: Edition of 100
Image Size: H 66m x W 99.7cm
Complete size of Sheet: H 76.9cm x W 112.1cm x D 0.1cm
Signed and titled
Sold ...
Category
2010s Contemporary Jennifer Bartlett Art
Materials
Paper, Screen
H 30.28 in W 44.14 in D 0.04 in
Xolotl, by Alvaro Marquez
Located in Palm Springs, CA
Medium: linocut
Image size: 12 x 12 inches
Edition size: 11
Year: 2022
In Aztec mythology, Xolotl is the god of lightning, death, and fire. He is also considered to be the god of tw...
Category
2010s Contemporary Jennifer Bartlett Art
Materials
Screen
STONE OF THE TEMPLE Signed Lithograph, Ancient Jewish History, Red, Gold, Black
By Moshe Castel
Located in Union City, NJ
STONE OF THE TEMPLE by the Israeli artist Moshe Castel (1909-1991) is a limited edition lithograph printed using traditional lithographic techniques on archival Somerset paper 100% acid free. In STONE OF THE TEMPLE, a three dimensional relief 3D effect is visible in the black writings and textural stone tablet achieved by using shades of gray and black with predominate colors of deep red and yellow gold, warm orange, brown and black. Castel creates a very aesthetically appealing and captivating contemporary arrangement of ancient Jewish...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Lithograph
At Tunbridge Well
By Agostino Aglio
Located in Middletown, NY
Black crayon and graphite with white heightening on blue handmade laid paper. Adhered at all four corners to a period support, on which the title and an illegible date (perhaps 1815) appear to be written in the artist's hand.
________
Aglio was born in Cremona is 1777 and his artistic talent was recognized early in his life. He was promised a place at the University in Milan by the Holy Roman Emperor, however, his formal education was upended before it even began by the invasion of Italy and Austria by Napoleon. Aglio joined the war effort and fought in a series of major battles near Venice before becoming seriously ill. At the age of about 23 he was released from duty, and traveled to Rome to focus on his health, and landscape painting. In Rome, Aglio studied with the renowned artist Campovecchio. At the invitation of well known British architect William Wilkins (designer of the National Gallery and University College London), Aglio relocated to London in 1803. He made London his permanent home, and married Letitia Clarke in 1805. He enjoyed a lucrative career painting frescoes in the interiors of high society townhouses, country manors, and major London concert halls and theaters. Most notably, Aglio painted multiple official portraits of Queen Victoria...
Category
Early 19th Century Old Masters Jennifer Bartlett Art
Materials
Crayon, Handmade Paper, Laid Paper, Color Pencil, Graphite
Mein Weg mit dem Weib, plate 7
By Walter Richard Rehn
Located in Roma, IT
Drypoint and aquatint (brown ink) on cream paper.
Signed in pencil on the lower right margin. Titled and numbered in pencil on the lower left margin. Edition of 25 prints. From the s...
Category
1910s Modern Jennifer Bartlett Art
Materials
Aquatint, Drypoint
Sam Gilliam, Buoy Landscape IV Mixed media signed/n Abstract Expressionist print
By Sam Gilliam
Located in New York, NY
Sam Gilliam
Buoy Landscape IV, 1982
Color relief print, etching, screenprint, drypoint, aquatint and roulette all from deeply etched copper plates, on handmade wove paper
31 1/2 × 24 inches
Hand signed and numbered 3/25 in graphite pencil
Hand-signed by artist, Signed by artist, numbered, and dated in pencil and blind-stamped by printer-publisher on lower right, titled in pencil on lower left, recto
Unframed with elegant deckled edges
Rare vintage intaglio and relief, all from deeply etched copper plates. Other works from this series are in the permanent collections of major museums & institutions like the Smithsonian, so they are quite scarce on the open market.
Steven M. Andersen (Printer)
Philip Barber (Printer)
Hang Nguyen (Printer)
Stephanie Nowack (Printer)
Michael Reid (Printer)
Daniel Rounds (Printer)
Vermillion Editions Limited (Publisher)
Sam Gilliam Biography:
Sam Gilliam was one of the great innovators in postwar American painting. He emerged from the Washington, D.C. scene in the mid 1960s with works that elaborated upon and disrupted the ethos of Color School painting.
A series of formal breakthroughs would soon result in his canonical Drape paintings, which expanded upon the tenets of Abstract Expressionism in entirely new ways. Suspending stretcherless lengths of painted canvas from the walls or ceilings of exhibition spaces, Gilliam transformed his medium and the contexts in which it was viewed. As an artist in the nation’s capital at the height of the Civil Rights Movement, this was not merely an aesthetic proposition; it was a way of defining art’s role in a society undergoing dramatic change. Gilliam pursued a pioneering course in which experimentation was the only constant. Inspired by the improvisatory ethos of jazz, his lyrical abstractions took on an increasing variety of forms, moods, and materials.
In addition to a traveling retrospective organized by the Corcoran Gallery of Art, Washington, D.C. in 2005, Sam Gilliam was the subject of solo exhibitions at the Museum of Modern Art, New York (1971); The Studio Museum in Harlem, New York (1982); Whitney Museum of American Art, Philip Morris Branch, New York (1993); J.B. Speed Memorial Museum, Louisville, Kentucky (1996); Phillips Collection, Washington, D.C. (2011); and Kunstmuseum Basel, Switzerland (2018), among many other institutions. A semi-permanent installation of Gilliam’s paintings opened at Dia:Beacon in August 2019. His work is included in over fifty public collections, including those of the Musée d’Art Moderne de la Ville de Paris; Tate Modern, London; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; and the Art Institute of Chicago.
Sam Gilliam, Green April, 1969, acrylic on canvas, 98 x 271 x 3 7/8 inches (248.9 x 688.3 x 9.8 cm), Collection of Kunstmuseum Basel, Basel, Switzerland, Courtesy of David Kordansky Gallery, Los Angeles, photography by Lee Thompson...
Category
1980s Abstract Expressionist Jennifer Bartlett Art
Materials
Mixed Media, Drypoint, Etching, Aquatint, Screen
"Open Wide" 1972 original signed engraving lithograph limited edition American
Located in Miami, FL
Robert Smith (United States, 1944)
'Open wide', 1972
lithograph in color on paper
21.7 x 29.6 in. (55 x 75 cm.)
Edition of 75
Unframed
ID: SMI1158-001-075
Hand-signed by author
Category
1970s Contemporary Jennifer Bartlett Art
Materials
Paper, Ink, Lithograph, Engraving, Etching, Aquatint
Chelsea Old Church, London
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
Chelsea Old Church. 1924. Etching, drypoint, and aquatint. Dickins 94. 5 3/8 x 8 (sheet 8 1/2 x 9 3/4). Edition 100 for The Print Collector's Club. A fine proof with tonal wiping, printed on cream wove paper. Signed and dedicated "W.R. Button from W. Walcot London 1930" in pencil.
Chelsea Old Church, also known as All Saints, is an Anglican church, on Old Church Street, Chelsea, London SW3, England, near Albert Bridge. It is the church for a parish in the Diocese of London, part of the Church of England. Inside the Grade I listed building, there is seating for 400 people. There is a memorial plaque to the author Henry James (1843–1916) who lived nearby on Cheyne Walk. To the west of the church is a small public garden containing a sculpture by Sir Jacob Epstein.
When he was seventeen,William Walcot began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Jennifer Bartlett Art
Materials
Drypoint, Etching, Aquatint
San Marco [Venice].
By William Walcot R. E. Hon. R. I. B. A.
Located in Storrs, CT
William Walcot. R.E., R.I.B.A. San Marco. Etching with drypoint and aquatint. Dickins 66, Harvey-Lee 91. 3 7/8 x 5 7/8 (sheet 9 1/4 x 12 1/8). Venice set, # 2. Edition 415. A rich impression printed on cream wove paper. Fold in the margin, well outside the image; otherwise good condition. Signed in pencil. Housed in a 16 x 20-inch archival mat.
Soon after Walcot's arrival in England, the Fine Art Society sponsored a trip sent to Italy. This scene is one of four small drypoints that resulted from the artist’s stay in Venice.
When he was seventeen, he began to study architecture under Louis Benois at the Imperial Academy of Art in Saint Petersburg. He went to Paris where he continued his studies at the Ecole des Beaux-Arts and the Atelier Redon. He practiced as an architect briefly in Moscow, designing the Hotel Metropole...
Category
Early 20th Century Modern Jennifer Bartlett Art
Materials
Drypoint, Etching, Aquatint
![San Marco [Venice].](https://a.1stdibscdn.com/william-walcot-prints-works-on-paper-san-marco-venice-for-sale/a_3352/a_101504721690399029260/sanmarcoimage3_master.jpg?width=240 "ribasan")
Previously Available Items
Homan-Ji III #118
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Homan-Ji III #118, 1995
Gouache with gold and silver leaf on handmade Japanese paper
24 x 24 in, 61 x 61 cm
JPHB 2441
Category
Late 20th Century Abstract Jennifer Bartlett Art
Materials
Gold Leaf
1978 Jennifer Bartlett 'American Dance Festival 1978' Contemporary Pastel Offset
By Jennifer Bartlett
Located in Brooklyn, NY
Paper Size: 31 x 23 inches ( 78.74 x 58.42 cm )
Image Size: 31 x 23 inches ( 78.74 x 58.42 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Det...
Category
1970s Jennifer Bartlett Art
Materials
Offset
1981 Jennifer Bartlett 'Chamber Music of Lincoln Center' HAND SIGNED
By Jennifer Bartlett
Located in Brooklyn, NY
This limited edition serigraph was created by Bartlett for the Lincoln Center Poster Program in 1981. Signed and numbered out of an edition of 144 in pencil by the artist, the print ...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Screen
H 35 in W 23.5 in D 0.1 in
House, Dots, Hatches
By Jennifer Bartlett
Located in Brooklyn, NY
Signed and Numbered serigraph of 42 colors by American artist Jennifer Bartlett. The Smithsonian Associates published the fine-art print House: Dots, Hatches in collaboration with Je...
Category
1990s Abstract Jennifer Bartlett Art
Materials
Screen
The Chamber Music Society at Lincoln Center
By Jennifer Bartlett
Located in Long Island City, NY
Artist: Jennifer Bartlett, American (1941 - )
Title: The Chamber Music Society at Lincoln Center
Year: 1981
Medium: Silkscreen, Signed and numbered in pe...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Screen
Chamber Music Society of Lincoln Center (Signed)
By Jennifer Bartlett
Located in Saint Augustine, FL
An original signed screenprint, poster on heavy white wove paper by American artist Jennifer Bartlett (1941-) titled "Chamber Music Society of Lincoln Ce...
Category
1980s Contemporary Jennifer Bartlett Art
Materials
Screen
Three etchings from Air: 24 Hours
By Jennifer Bartlett
Located in Houston, TX
Jennifer Bartlett
Three etchings from Air: 24 Hours, 1994
19 x 19 inches each
ed. 65
Category
20th Century Contemporary Jennifer Bartlett Art
Materials
Etching
AT SANDS POINT #23
By Jennifer Bartlett
Located in New York, NY
American landscape.
Category
1980s Jennifer Bartlett Art
Materials
Canvas, Oil
House: Small Pastel Plaid
By Jennifer Bartlett
Located in Houston, TX
Category
Jennifer Bartlett Art
Homan-Ji III
By Jennifer Bartlett
Located in Houston, TX
Category
Jennifer Bartlett Art
Homan-Ji III
By Jennifer Bartlett
Located in Houston, TX
Category
Jennifer Bartlett Art
Homan-Ji III
By Jennifer Bartlett
Located in Houston, TX
Category
Jennifer Bartlett Art
Jennifer Bartlett art for sale on 1stDibs.
Find a wide variety of authentic Jennifer Bartlett available for sale on 1stDibs. You can also browse by medium to find art by Jennifer Bartlett in ink, lithograph, offset print and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the contemporary style. Not every interior allows for large Jennifer Bartlett, so small editions measuring 10 inches across are available. Customers who are interested in this artist might also find the work of Squeak Carnwath, Judy Chicago, and John Thompson (b.1950). Jennifer Bartlett prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $125 and tops out at $45,000, while the average work can sell for $2,500.