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Jacques Callot Art

French, 1592-1635

Jacques Callot, at the age of 12 years old, he runs away in Italy with gypsies. Callot returned for the third time to Italy together with an embassy of Duke Henry II to the Holy See. In 1611, Callot entered the workshop of Tempesta, a famous Italian engraver, for three years. In 1614 Callot left Rome for Florence in the service of Cosimo II de Medici. Callot produced drawings and etchings that drew influence from Flemish art and Mannerist works in Roman churches. Callot’s career began in Florence in 1612 when he started work in the Medici court, where he was employed to make pictorial records of entertainments such as fairs and festivals and where he also drew and etched courtiers, beggars and other characters, excelling particularly at caricatures. Returning to his native France in the latter end of his career, Callot’s work became markedly soberer as he documented the horrors of the 30 years of war in his Miseries of War series, which would continue to influence the artistic representation of conflict social injustice into the 19th and 20th Centuries.

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Artist: Jacques Callot
The Feast, from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: The Feast, from the suite, les Bohemiens Year: 1620 Medium: Etching Paper: Laid paper Size of image: 4.65 x 9.15 inches Signature: S...
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17th Century Realist Jacques Callot Art

Materials

Etching

The Bohemians
By Jacques Callot
Located in New York, NY
Jacques Callot (1592-1635), The Bohemians, the set of four etchings touched with burin, 1621. Reference: Lieure 374 (second state of four); Lieure 375-77 (second state of two). In ve...
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1620s Old Masters Jacques Callot Art

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Etching

Portrait du Prince de Phalsbourg
By Jacques Callot
Located in Chicago, IL
Watermark: Lion and Star (Lieure 38) References: Lieure No. 505 Notes: An early impression of the only state of this major work. According to Lieure (Jacques Callot: Catalogue de l...
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16th Century Old Masters Jacques Callot Art

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Etching

Les Gueux, Baroque Etching by Jacques Callot
By Jacques Callot
Located in Long Island City, NY
Jacques Callot, French (1592 - 1635) - Les Gueux, Medium: 2 Etchings on paper from Les Gueux suite appelee aussi Les Mendiants, Image Size: 5.5 x 3.5 inches, Size: 7.5 x 11 in. (19.0...
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Early 17th Century Baroque Jacques Callot Art

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Etching

Nous Voila Pas de Braves., from the suite les Bohemiens
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: Nous Voila Pas de Braves., from the suite les Bohemiens Year: 1620 Medium: Etching Paper: Laid paper Size of paper: 4.85 x 9 inches ...
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17th Century Realist Jacques Callot Art

Materials

Etching

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre
By Jacques Callot
Located in Fairlawn, OH
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...
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1610s Old Masters Jacques Callot Art

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Etching

Les deux tures coifffes d’un turban avec une aigrette (The turban with crest)
By Jacques Callot
Located in Fairlawn, OH
Les deux tures coifffes d’un turban avec une aigrette (The two headdresses of a turban with a crest) Etching, 1618 From: Varie Figure (16 plates) Condition: Trimmed withing the plate...
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1610s Old Masters Jacques Callot Art

Materials

Etching

Mysteries of the Passion
By Jacques Callot
Located in New York, NY
Jacques Callot (1592-1635), Mysteries of the Passion (Variae Tum Passionis Christi, Tum Vitiae Beatae Mariae Virginis), complete set of 20 etchings plus the frontispiece by Abraham Bosse (Reference Meaume 31). c. 1631. Reference: Lieure 679-698, second state (of 2). In very good condition, archival mounting. A fine set of these small etchings, printed on 5 plates/sheets of laid paper, with margins, 3 of the plates with partial Crown watermarks (possibly Lieure 45). The set of 20 etchings includes 7 in circular format, with a diameter of 1 1/4 inches; 7 larger ovals with a length of 1 7/8 inches, and 6 smaller ovals with a length of 1 1/2 inches. These are on 5 plates, with margins outside of the etchings of about 5/8 inches. The frontispiece is 3 1/2 x 3, the sheet 4 1/2 x 4 3/4 inches. The 20 etchings of the series include: Plate with 6 Scenes (Lieure 685-690): Ovals: Adoration of the Shepherds, Visitation, Adoration of the Magi; Circles: Descent into Limbo, Descent of the Holy Spirit, Entombment 2 Plate with 4 Scenes Each (Lieure 691-698): Ovals: Annunciation, Christ Among Teachers, Circumcision, Presentation; Circles: Resurrection, Crucifixion, Descent from the Cross, Transfiguration 2 Plates with 3 Oval Scenes Each (Lieure 679-684): Carrying of the Cross, Presentation to the People, Crowning with Thorns, Flagellation, Christ Before Pilate...
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1630s Old Masters Jacques Callot Art

Materials

Etching

Les Grandes Misères de la Guerre, Baroque Etching by Jacques Callot
By Jacques Callot
Located in Long Island City, NY
Jacques Callot, French (1592 - 1635) - Les Grandes Miseres de la Guerre (The Miseries of War), Medium: 2 Etchings on paper from Les Grandes Miseres de La Guerre portfolio, Image Size...
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Early 17th Century Baroque Jacques Callot Art

Materials

Etching

Cap. Cerimonia, Sig. Lauinia
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: Cap. Cerimonia, Sig. Lauinia Year: 1622 Medium: Etching Paper: Laid paper Size of paper: 3.15 x 3.85 inches Condition: Very good con...
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17th Century Realist Jacques Callot Art

Materials

Etching

Pasquariello Truonno, Meo Squaquara
By Jacques Callot
Located in San Francisco, CA
Artist: Jacques Callot (French, 1592-1635) Title: Pasquariello Truonno, Meo Squaquara Year: 1622 Medium: Etching Paper: Laid paper Size of paper: 2.35 x 3.95 inches Condition: Very g...
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17th Century Realist Jacques Callot Art

Materials

Etching

Les Grandes Miseres de la Guerre
By Jacques Callot
Located in New York, NY
Jacques Callot (1592-1635), Les Grandes Miseres de la Guerre, etchings, 1633, the complete set of 18. Lieure 1339-56, the frontispiece third state (of 3), th...
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1630s Old Masters Jacques Callot Art

Materials

Etching

Défaite de la cavalerie Turque (1st State)
By Jacques Callot
Located in Chicago, IL
Defeat of the Turkish Cavalry (1st State) From: The Life of Ferdinando de'Medici Engraving 224 x 300 mm.; 8 7/8 x 11 7/8 inches Reference: Lieure No. 154 Meaume No. 541 Ru...
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17th Century Baroque Jacques Callot Art

Materials

Engraving

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Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk) /// Mark Catesby Animal Art
By Mark Catesby
Located in Saint Augustine, FL
Artist: Mark Catesby (English, 1638-1749) Title: "Putorius & Pseudo Phalangium (The Pole-Cat) (Skunk)" (Plate/Tab 62) Portfolio: Natural History of Carolina, Florida & the Bahama Islands *Monogram signed by Catesby in the plate (printed signature) lower right Year: 1771-1810 (third edition) Medium: Original Hand-Colored Etching on cream J. Ruse handmade paper Limited edition: Unknown Printer: Unknown Publisher: Benjamin White, London, UK Framing: Recently framed in a black and gold moulding with 100% cotton linen fabric matting Framed size: 21.63" x 25.19" Sheet size: 13.75" x 21.13" Platemark size: 10.25" x 13.75" Condition: UV staining to sheet and mat stain in margins. Some soft handling creases. In otherwise good condition Very rare Notes: Provenance: private collection - Miami, FL. Comes from Catesby's famous two volume portfolio "Natural History of Carolina, Florida & the Bahama Islands" (1771-1810) (third edition), which consists of 220 hand-colored etchings. "J. Ruse 1800" watermark lower right. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Skunks are North and South American mammals in the family Mephitidae. While related to polecats and other members of the weasel family, skunks have as their closest Old World relatives the stink badgers. The animals are known for their ability to spray a liquid with a strong, unpleasant scent. Biography: Mark Catesby (24 March 1683 – 23 December 1749) was an English naturalist. Between 1729 and 1747 Catesby published his Natural History of Carolina, Florida and the Bahama Islands, the first published account of the flora and fauna of North America. It included 220 plates of birds, reptiles, amphibians, fish, insects, mammals and plants. Mark Catesby's The Natural History of Carolina, Florida and the Bahama Islands is generally credited as the first published work to provide illustrations and descriptions of North American flora and fauna. From 1722-1726 Catesby, an English naturalist, ranged over South Carolina, Georgia and the Bahamas sketching and collecting specimens of native plants and animals. Little is known of Catesby's early life. He was born in eastern England in 1683. Although Catesby does not appear to have attended university or studied for the Bar, he was sufficiently educated to write clear English and Latin. His interest in and knowledge of plants may have derived from his uncle, who maintained a botanical garden. Catesby also appears to have benefited from an acquaintance with John Ray, a leading English naturalist of the 17th century and the co-author of an early classic study of birds...
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Dueling with Cherry Blossoms - Tales of Genji - Japanese Woodblock
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Painting of New York Storm Rain on 42nd Street by Leading British Urban Artist
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A high quality hand-signed limited edition print entitled 'New York Storm' on 42nd Street with the Chrysler Building by Leading British Urban Landscape Artist, Angela Wakefield. Part of her New York Series. The character of New York’s skyline and large residential districts is often defined by the skyscrapers, street scenes and elegant brownstone row houses, town houses, and shabby tenements that were built during a period of rapid expansion at the end of the 19th century. Angela has now produced over 100 paintings of New York City in her New York Series. “New York City’s five boroughs are home to some of the world’s most recognisable, cherished landmarks and attractions. Angela’s painting style perfectly encapsulates the mood of New York.” Angela Wakefield (Born 1978) has twice been on the front cover of ‘Art of England’ and featured in ARTnews – the most widely read art magazine in the world. Angela has attracted international attention with her urban landscape paintings of New York, London & the North of England. The style of painting has been described as ‘contemporary realism’, and she is often favourably compared with Edward Hopper by collectors and art critics. Her work is held in private collections in Europe and the USA, and has been exhibited in London and across the United Kingdom. Angela's admirers include leading figures in international business, filmmaking and the media. Angela studied at UCLan in the UK, gaining a BA(Hons) in Fine Art. Working with acrylic paint on canvas or board, she is mainly associated with cityscapes and city street scenes, incorporating figurative elements of the landscape, architecture, transportation and the human figure. Angela Wakefield has undertaken several high-profile commissions: She was commissioned by the University of York to paint the high profile £800,000 renovation project 'Greg's Place', kindly funded by Greg Dyke, the former Chancellor of the University, FA Boss & Director General of the BBC. Angela was also commissioned by Stonyhurst College to paint the world-famous Grade 1 listed building. (Former Alumni inching JRR Tolkien...
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Woolworth Building, New York
By Paul Schumann
Located in Middletown, NY
A rich and tonal image of an icon of Manhattan architecture. Etching with drypoint, 11 7/8 x 7 3/8 inches (300 x 186 mm), full margins. Edition of 100. Signed in pencil, lower right...
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Early 20th Century Realist Jacques Callot Art

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Piranesi Etching of Ancient Roman Architectural Objects, "A sua Eccellenza"
By Giovanni Battista Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
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1770s Old Masters Jacques Callot Art

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Central Synagogue Lexington Avenue Looking North Etching and aquatint S/N Framed
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1990s Realist Jacques Callot Art

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Beggar man and woman coming from behind a bank – after Rembrandt van Rijn
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Located in Middletown, NY
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17th Century Old Masters Jacques Callot Art

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Laid Paper, Etching

Woman at the Tub (Femme au tub)
Located in Bournemouth, Dorset
Henri de Toulouse-Lautrec (1864–1901) Woman at the Tub (Femme au tub) lithograph, 213/275, signed in print Image: 48.5 x 62.5 cm Frame: 69.5 x 81.5 cm Henri Toulouse-Lautrec (1...
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1890s Realist Jacques Callot Art

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Lithograph

The Organ Grinder
By Adriaen van Ostade
Located in Middletown, NY
Etching on cream laid paper with a large heraldic watermark which is partially trimmed, 4 3/16 x 3 5/8 inches (105 x 84 mm), margins trimmed but preserving the signature in the lower...
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17th Century Old Masters Jacques Callot Art

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Etching

The Organ Grinder
The Organ Grinder
H 4.19 in W 3.63 in
Peasant Family on the Tramp – after Rembrandt van Rijn
By Charles Amand Durand
Located in Middletown, NY
Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...
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17th Century Old Masters Jacques Callot Art

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Laid Paper, Etching

The Windmill by François Vivares, after Rembrandt
By Rembrandt van Rijn
Located in Middletown, NY
Engraving on cream laid paper, 8 x 5 7/8 inches (202 x 149 mm), trimmed at the platemark. Adhered at each corner to a small sheet of archival laid paper. Horizontal edge loss at the ...
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Mid-18th Century Old Masters Jacques Callot Art

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Handmade Paper, Laid Paper, Etching

Gerard Dou's Portrait of Himself
By Gerard Dou (Leiden 1613 - 1675)
Located in Middletown, NY
Etching on cream laid Arches paper, 6 9/16 x 5 1/8 inches (166 x 129 mm), full margins. Signed in pencil, lower center margin. A very good impression. Titled, dated, and inscribed in...
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19th Century Old Masters Jacques Callot Art

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Previously Available Items
La Vie de la Vierge - Etching By Jacques Callot - 1633
By Jacques Callot
Located in Roma, IT
La Vie de la Vierge is an original Etching realized by Jacques Callot in 1633. Frontispiece of the series of thirteen prints. P.a. of first edition. Dedicated to the Abbot Maugis, Chaplain of Maria de...
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1630s Old Masters Jacques Callot Art

Materials

Etching

Les Gueux, 1622 (complete series), Jacques Callot Etchings On Paper
By Jacques Callot
Located in Milan, IT
Etchings. This is the complete series of 25 engravings on paper of the "Beggars" (Les Gueux), made by the French engraver in Nancy, and widely reproduced for the popularity it obtain...
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17th Century Other Art Style Jacques Callot Art

Materials

Other Medium

17th Century Renaissance Etching, Les Gueux #9
By Jacques Callot
Located in Saint Augustine, FL
Artist: Jacques Callot, French (1592 - 1635) Title: Les Gueux (The Beggars) #9 / 25 in Series Medium: Etching, Second State of (2) Year: Circa 1622 Dimensions: Unframed 5.5 x 3.63" Framed 11.5 x 8.63" Signature: Signed in Plate Bottom Left Artist Bio One of the leading artists of the School of Lorraine, centred at the ducal court at Nancy during the first half of the 17th century, Jacques Callot may have studied with Jacques Bellange, but was only sixteen when he left France for Rome, where he completed his training with the engraver Philippe Thomassin. In 1611 Callot settled in Florence, where he spent ten productive years, gaining the patronage of Christine of Lorraine, the widow of the Grand Duke Ferdinando I de’ Medici, and her son Cosimo II de’ Medici, Grand Duke of Tuscany. Working for the Medici court and other important local patrons, Callot produced a large number of prints and drawings, including religious and allegorical subjects, landscapes, designs for stage sets and festivals and scenes of daily Tuscan life, of which his masterpiece was the large etching* of The Fair at Impruneta, published in 1620. After the death of Cosimo II in 1621, Callot returned to his native Nancy, where he worked for the rest of his career, apart from brief visits to Paris and the Netherlands. He continued to produce the type of etching that had made his reputation in Florence, often reworking ideas and compositions first developed in Italy. He also found a new patron in Henri II, Duke of Lorraine, for whom he produced prints of notable events at the court. The brutal French...
Category

17th Century Renaissance Jacques Callot Art

Materials

Etching

17th Century Etching, Les Gueux Series, #22
By Jacques Callot
Located in Saint Augustine, FL
Artist: Jacques Callot, French (1592 - 1635) Title: Les Gueux (The Beggars) #22 / 25 in Series Medium: Etching, Second State of (2) Year: Circa 1622 Dimensions: Unframed 5.5 x 3.63" Framed 11.5 x 8.63" Signature: Signed in Plate Bottom Left Artist Bio One of the leading artists of the School of Lorraine, centred at the ducal court at Nancy during the first half of the 17th century, Jacques Callot may have studied with Jacques Bellange, but was only sixteen when he left France for Rome, where he completed his training with the engraver Philippe Thomassin. In 1611 Callot settled in Florence, where he spent ten productive years, gaining the patronage of Christine of Lorraine, the widow of the Grand Duke Ferdinando I de’ Medici, and her son Cosimo II de’ Medici, Grand Duke of Tuscany. Working for the Medici court and other important local patrons, Callot produced a large number of prints and drawings, including religious and allegorical subjects, landscapes, designs for stage sets and festivals and scenes of daily Tuscan life, of which his masterpiece was the large etching* of The Fair at Impruneta, published in 1620. After the death of Cosimo II in 1621, Callot returned to his native Nancy, where he worked for the rest of his career, apart from brief visits to Paris and the Netherlands. He continued to produce the type of etching that had made his reputation in Florence, often reworking ideas and compositions first developed in Italy. He also found a new patron in Henri II, Duke of Lorraine, for whom he produced prints of notable events at the court. The brutal French invasion of Lorraine in 1633 had a significant effect on the artist, resulting in a series of powerful etchings known as Les Grandes Misères de la Guerre. It may also have influenced the gruesome subject matter of what is arguably his most famous etching...
Category

17th Century Renaissance Jacques Callot Art

Materials

Etching

Life of the Prodigal Son - Original Etchings by J. Callot - 1635
By Jacques Callot
Located in Roma, IT
Life of the Prodigal Son is an original suite of etchings on paper realized by Jacques Callot. Complete series of 11 etchings. Not signed. Each work with description, telling the li...
Category

1630s Old Masters Jacques Callot Art

Materials

Etching

The Actor - Le Captain Ou L'Amoureux - The Captain of the Lover
By Jacques Callot
Located in Santa Monica, CA
JACQUES CALLOT (French 1592 - 1635) LE CAPTAIN OU L'AMOUREUX from LES TROIS PANTALONS pieces appelees Trois Acteurs (The Three Pants also called the Three Actors) , 1618-20 (Lieur...
Category

17th Century Old Masters Jacques Callot Art

Materials

Etching

Original Etching by Jacques Callot Italian Bronze & Stone Renaissance Frame
By Jacques Callot
Located in Atlanta, GA
Rare original etching by Jacques Callot (1592-1635), France, circa 1621, compliments with an original Italian Renaissance frame. Featuring Pi...
Category

17th Century Renaissance Jacques Callot Art

Materials

Etching, Laid Paper, Ink

La distribution des récompenses - Etching by Jacques Callot - 1633
By Jacques Callot
Located in Roma, IT
Signed on plate “Callot fecit, Frad excudit” lower right. Very good condition except some light discoloration. Wonderful artist proof, on antique laid paper. Second state of three, d...
Category

1630s Old Masters Jacques Callot Art

Materials

Etching

The Slave Market (Le Marche de Esclaves)
By Jacques Callot
Located in New York, NY
Jacques Callot (1592-1635), The Slave Market (Le Marche de Esclaves), etching, 1629. Reference: Lieure 369. An impression of the First State (of 6) and another of the 5th state. Both...
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1620s Old Masters Jacques Callot Art

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Etching

Jacques Callot art for sale on 1stDibs.

Find a wide variety of authentic Jacques Callot art available for sale on 1stDibs. You can also browse by medium to find art by Jacques Callot in etching, engraving, ink and more. Much of the original work by this artist or collective was created during the 18th century and earlier and is mostly associated with the Old Masters style. Not every interior allows for large Jacques Callot art, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Adriaen van Ostade, Claude Lorrain, and Israel Silvestre. Jacques Callot art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $161 and tops out at $17,250, while the average work can sell for $1,330.

Artists Similar to Jacques Callot

Questions About Jacques Callot Art
  • 1stDibs ExpertJanuary 19, 2025
    Jacques Callot was famous for being an artist. In 1611, Callot entered the workshop of Tempesta, a famous Italian engraver, for three years. In 1614, he left Rome for Florence in the service of Cosimo II de Medici. Callot produced drawings and etchings that drew influence from Flemish art and Mannerist works in Roman churches. His independent career began in Florence in 1612 when he started work in the Medici court, where he was employed to make pictorial records of entertainments such as fairs and festivals and where he also drew and etched courtiers, beggars and other characters, excelling particularly at caricatures. Returning to his native France at the latter end of his career, Callot’s work became markedly soberer as he documented the horrors of the 30 years of war in his Miseries of War series, which would continue to influence the artistic representation of conflict and social injustice into the 19th and 20th centuries. On 1stDibs, find a selection of Jacques Callot art.

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