Jabik Edizioni Furniture

Artwork wall Panel scagliola decoration Handmade in Italy by Cupioli available. Prometheus a Greek mythological figure is represented in this panel. To this hero, a friend of manki...

Abstract charcoal drawing by Miriam Kubach, American, circa 1960s. Similar to works by Louise Bourgeois from the same era. It is executed on paper and has been professionally framed ...

This print originates from ‘Biblia Sacra, dat is, de H. Schriftuer van het Oude, en het Nieuwe Testament, naer de laetste Roomsche keure der gemeine Latijnsche overzettinge, in neder...

Vincent Van Den Meersch was a belgian painter who played an important role in the Belgian contemporary art. Until the early 1950s, Vincent Van Den Meersch painted expressionist works...

‘Mid Winter Landscape’ Lithograph print by Jacques Deperthes C1970 A large, good quality, mid-century lithographic print, hand signed by the Artist. In exc...

Colorful abstract lithograph with iconic geometric motif by Victor Vasarely, American, 1970s (Signed and numbered 137/250). Vasarely is widely considered to be the father of Op Art.

Antique print titled ‘Italian earthenware’. Lithograph of Italian earthenware. This print originates from ‘Examples of Pottery and Porcelain selected from the Royal and other Collect...

Stunning framed taxidermy alligator with great coloring and very well preserved details. Hues of the scales range from a beige color on the outer edge...

Etching titled 'Gruuthuyse/Brugge'. Signed (P. Bott?). Little is know about this etching but it possible depicts the 'Gruuthuse' in Bruges, Belgium.

1974 Mid-Century Modern abstract artwork by Jonas Gerard.

An acrylic painting on wood by Italian artist Alessandro Bonato, 1970s. This richly textured painting features hues of turquoise, off-white, and soft aqua in an abstract geometric de...

If there is an art gene, Fernando de Ana (Talavera de la Reina, 1979) and a graduate in Fine Arts, carries it with him. Since he was born he has been surrounded by oil and pencils, spatulas and turpentine. He belongs to the third generation of a saga of artists that began at the beginning of the 19th century with his great-uncle, José Pérez, painter and first director of the Cádiz Museum of Art, and continued with his father, Juan Carlos Jiménez, also a painter and Doctor. in Fine Arts. If his ancestors delighted in light and still lifes, Fernando de Ana has also wanted to explore other more contemporary languages, working first as an illustrator - he has received several international awards - and as a cartoonist, to later soak up design and the avant-garde Dutch, a pioneer country in this field, where he combined his artistic work with that of art director for more than a decade. His work has been exhibited in Prague, Bologna, Amsterdam or London, among other cities and has been selected and awarded in different art competitions. From that transversality of influences and from that symbiosis of classic and avant-garde references, now comes his maturity as an artist. Away from his comfort zone, the artist opts for his own language in which emotions prevail over the metallic. His way of being in the world beats in his work: human relationships marked by sex, loneliness and melancholy, anxiety as a catalyst for art, obsessions spinning in a spiral, repetition of patterns, morbid agitated with tenderness infinite, the frustrated Innocence that still breathes, moving it as a motor. Fernando de Ana's work responds to a mature creative process, built over several decades exploring different formats, where material, meaning and feeling go in the same direction. 'Forbbiden carnal', his elegant series in resin and neon, has already become an exponent by combining without complexes an apparently cold material with geometric limits with the warmth and sensuality of light, in such a way that it has achieved that both elements exchange natures. The author undresses through this meticulous technique and tells us about his inner world, his contradictions and his fears, all crossed...