Howard Hodgkin Furniture

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Selection of Joan Miro large color lithographs, France, circa 1960s. We purchased a group of these color lithographs from the estate of a couple that l...

Josef Albers abstract lithographs from folder XI-1, interaction of color, circa 1960s. updated

Desenho (Man Painting) - The painting shows someone who begins a drawing, looking on the paper with a pen in the hand. Álvaro Siza describes the very special moment of taking the decision to make a painting, facing the white paper. A reproduction of his situation, doing this series of paintings: not knowing what to do until the decision to draw was being made. Then the idea of mythology came to his mind. “It is, in some way, an expression of my personal moment making drawings. But it is not a self-portrait, I am quite different than this man. It is not a specific person on purpose, because everyone makes drawings. Maybe not everyone does it, but everyone could do it.” Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

An antique Indian miniature painting, executed in pigments and adorned with gold paint on paper, portrays a raja with a maid. Such paintings are significant examples of Indian artistry, characterized by meticulous detail, vibrant colors, and the use of gold accents to enhance the regal and luxurious aspects of the scene. This particular artwork captures a moment of royal life, showcasing the presence of the raja and his relationship with the maid, providing a glimpse into the social and cultural dynamics of the time. Matted and framed. Dates to the late 19th century. Antique Indian Paintings...

Fabulous vintage Howard Behrens original large-scale limited-edition hand-signed “Hillside at Fira” fine art serigraph on paper #246 of 250. Beautiful condition, keeping in mind that this is vintage and not new so will have signs of use and wear. There was a nick in the lower left side of frame that we have filled and touched up. Please see photos and zoom in for details. We attempt to portray any imperfections. Circa, 1988. Fira Santorini, Greece… WOW!! If you’ve never been there, you’re about to feel as though you have. Howard Behrens has managed to preserve the magnificent, picturesque atmosphere and breathtaking scenic views of Fira Santorini Greece in this phenomenal original large-scale hand-signed limited edition fine art serigraph on paper called “Hillside at Fira.” This is #246 of 250 which was professionally matted and framed and is waiting to grace your home with fabulous panoramic cliffside views and charming hillside archeology from the island of Greece. At 44 x 53 this serigraph is large scale and the depth and detail in the buildings and distant mountains pulls you in… You’re standing on the edge of the hillside… you can feel the breeze in your hair, the warm sun on your face, and you can smell the salty air coming off the beach below. The tide is rolling in. Can’t you hear the crashing of the waves against the huge rocks and boulders in the distance? Fira Santorini is enchanting, relaxing, and a geographical treasure. Wouldn’t it be wonderful to travel in time...

American culture

Josef Albers Formulations - Articulations I & II Edition 974/ 1000 1972 screenprint on paper Embossed with Josef Albers initials, portfolio and folde...

Karel Appel color lithograph on paper, artist proof, female figure. Image size, 20" W x 28" H.

Cavalo de Troia (The Trojan Horse) - The drawing is a representation of the wooden horse, developed by Odysseus, which the Greeks used during the Trojan War to enter the city of Troy. The Trojans pulled the horse into their city as a victory trophy, not knowing there was a selected force of men hiding inside, who came out after reaching the city. Álvaro Siza started drawing at the age of six. With a great variety of drawings on his portfolio, many of them are inspired by mythology and historic scenes. “The drawings are what came to my mind in this very moment. I like mythology and expressing the stories in images. I have made a lot of mythological drawing...

Abstract Expressionism Modern Art Painting signed M Chavez geometric art abstract expressionism painting signed M Chavez oil on canvas board  in the style of Mark Rothko  original pr...

This atmospheric and magical view of a single nude male figure on a California beach is imbued with lovely, unexpected colors and textures which rise up to a sky that is a pale shade of green. The blond young man has been sunbathing on a towel stretched along the sand, and seems to be placidly examining the viewer -- the painter -- from afar. The artist is Duane Wakeham...