Herbert von Reyl Hanisch

Original surrealist painting by self taught French artist from the city of Sete, France, named El Kalo. This interesting piece of artwork clearly depicts one wonderful painting by this brilliant artist which is inspired by Pablo Picasso and Herve Di Rosa...

Abstract painting by Ben Hanisch, 2022. 48” x 36” Acrylic on canvas, stretched on wood stretcher bars. Painted edges. Can be hung vertical or h...

A late 19th Century Renaissance Revival profile portrait of a young man, Italian School, ca. 1880s. This atmospheric portrait comes to us from a prominent North Shore of Boston fami...

Italian Renaissance style Set of three gilt icon wall plaque with swirl columns and religious figures.

PAIR of English Renaissance style tapestry portraits of a nobleman and lady both wearing large white lace collars in gilt frames (19th Cent)

Portrait of Flapper by C. Brosset, Signed Oil on Canvas c. 1928

Image Size 16"H X 14 3/4"W X 1/2"D
Overall Size 19 1/2"H X 18"W X 1 1/2"D

A feminine Art Nouveau inspired portrait oil painting on canvas titled “Girl” by William Benecke. Hand signed in acrylic bottom right. Verso original g...

An academic oil painting depicting a young man in profile holding a spear, seated. Some flaking in the background, consistent throughout. Framed in a vintage giltwood frame. Circa 1900.

Antique Renaissance style porcelain portrait with enamel by Lamy French, circa 1880 Measures: Frame height 52cm, width 49cm, depth 3cm Plaque height 33cm, width 30m, depth 0.5cm This unusually contemporary style porcelain plaque is a beautiful example of French eclectic...

English Renaissance style (19th cent) ebonized framed oil painting portrait of 17th century lady in brown dress with scroll design.

Immerse yourself in the charm of this exquisite oil painting inspired by the iconic "The Laughing Cavalier" by Frans Hals, a celebrated 17th-century Dutch masterpiece known for its v...

Alfred Schmidt (1876 ????- 1956) – Portrait of the concert singer Caroline Naase Oil on canvas circa 1920 60 x 47 cm – without frame 78 x 65 cm – frame included Signed center right: Alf Schmidt. Alfred Schmidt 1876 Dresden – 1956 Graefelfing An impressionist at the Chiemsee The painterly mood content, which the artist Alfred Schmidt captured in countless variations on the canvas, occupies such an eminent and substantial position that it is inextricably linked to his oeuvre. “[…] Female creatures walking in the shimmering air […]”(1), who find their pleasure in the warm, golden tones of summer and the grey-silver shimmering water surface of the lake, correspond to the characteristic motif of the native of Dresden. One is inevitably reminded of the impressionist Christian Landenberger (1862-1927), to whom Schmidt was a friend and who painted canvas on canvas at Lake Ammersee, but “[…] softer, sweeter and more narrative, because he [Schmidt] often expands on that Nature and the human body come together to create a small, genre-like idyll”(2). His art is a commitment to plein air painting. He openly displays his impressionistic impetus. The originally anecdotal aspects of his painting, which he had experienced at the Karlsruhe Academy from 1886 to 1893, he gradually put aside both through the one-year study visit to Paris and Brittany in 1889 and through the influence of Landenberger and Swabian landscape painting. From this point onwards, artistic development is hardly noticeable. He had found his individual style and stuck to it. At the end of 1899, Schmidt came to the Swabian capital from Karlsruhe in the entourage of Leopold Graf von Kalckreuth (1855-1922), who was appointed to the Stuttgart Academy with Carlos Grethe (1864-1913) and Robert Poetzelberger...