Gertrude Ann Youse Furniture

A beautiful and important painting by the great artist Enzo Benedetto, an absolute protagonist of the so-called ‘Second Futurism’. It depicts a seascape captured in its essence of natural energy with the waves of the sea crashing powerfully on the coast, probably a glimpse of his homeland, Calabria. This artwork, never before on the market, comes from an important private collection and is beautified by an impressive original frame in wood, in almost perfect condition. Enzo Benedetto (Reggio Calabria 1905 - Rome 1993) Benedetto, called Record by Filippo Tommaso Marinetti, approached the Second Futurism in 1924 after meeting Mino Somenzi and was active as a Futurist until his death, becoming a tenacious continuer of the movement's principles, revisited in 1967 with the Futurism Today manifesto. Benedetto theorised and practised the union of colour with the word and coined the term chrome-paroise to define the synthesis of painting and writing. In 1926 he promoted the futurist hall for the 4th Calabrian Art Biennial in Reggio Calabria where Depero, Dottori, Tato, Fillia, Pozzo, Benedetto Marinetti and himself, amongst others, exhibited. In 1927 he participated in the National Futurist Exhibition in Palermo. He moved permanently to Rome in 1927 and joined the Manifesto in 1931. In a short time he took part in the ‘great Futurist exhibition’ in Imola, the ‘first exhibition of Calabrian art’ in Rome, the ‘33 Futurists’ exhibition at the Pesaro gallery in Milan, and above all the ‘great Futurist exhibition’ at the ‘international artistic circle’ in Via Margutta in Rome. Benedetto had begun flying in 1926, as a photo of the time documents. That same year, inspired by the exploits of the aviator of the same name, he had executed the painting De Pinedo. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. He adhered to the Manifesto already signed by Balla, Marinetti, Depero, Dottori, Tato, Prampolini and Fillia, which advocated the triumph of a spatiality enhanced by flight in its dynamic effects and freed from the fixity of the horizon. In World War II he was imprisoned in Africa by British troops until the end of the conflict. Benedetto continued his Futurist activities in the second half of the 20th century. From 1939 to 1946 he volunteered for the African campaign and was sent to Libya, after which he was imprisoned for six years in the concentration camps in Alexandria, Ismailia, and in India in Bangalore and Yol in Kashmir. During this imprisonment he was able to paint and some canvases from this period were brought back to Italy, rolled up as personal luggage, In January 1943, he painted Yol, a new psychological oil portrait of Francesco Tommaso Marinetti. In 1946, he returned to Italy and in April 1947 presented his first solo exhibition in Rome. The exhibition dedicated to the great Italian poet and founder of Futurism was opened by Benedetta Marinetti. In 1948 he had a personal exhibition in Capri at the gallery, ‘l'oblò’, and in Reggio Calabria in the Hall of the ‘Francesco Cilea’ Municipal Theatre. In 1949 he took part in the Calabrian Biennial in Reggio Calabria. In 1950 quanta took part with ceramics in the Selective Exhibition of Artistic Craftsmanship in the Angelicum in Milan, and with paintings in the Historical Review of Futurism in the Palazzo di Re Enzo in Bologna. He then held an important solo exhibition in Milan, at the ‘Centro d'Arte San Babila’ and participated in the sixth Quadrennial in Rome. He had a solo exhibition in Fano and another exhibition in Rome in the Galleria del Palazzo delle Esposizioni and in the Galleria del Teatro ‘il Millimetro’. In 1951 he took part in the collective exhibition ‘Mostra Nazionale della Pittura e della Scultura futurista’ (National Exhibition of Futurist Painting and Sculpture) in Bologna, Palazzo del Podestà, with Acquaviva, Giacomo Balla, Primo Conti, Tullio Crali...

Original geometric abstract painting from the 1950s, composed of layered angular forms in blue, ochre, and pale pink, set against a bold red background. The work has a strong sense o...

Vintage French "Winter" landscape painting. Beautiful French traditional style frame.

Mid-Century Modern unframed Abstract painting Casein on Art Paper by New York Artist 1950s. Though unsigned, one can tell that an accomplished painter created this work. The artwork...

Framed original oil on canvas by listed artist Lothar Baumann, European landscape, Lothar Baumann was born in Bavaria and studied the arts in Munich, Germany. His later works expressed his love for the Bavarian landscapes...

Impressionistic oil painting idyllic autumn landscape signed. 20th Century. Oil on canvas landscape in autumn. 20th Century wooden frame gilded. Si...

Large and impressive 1950s abstract oil painting by Monte This really is a magnificent abstract painting. It's large size will make this the centerpiece of most interiors. Beau...

Naïve Art Oil Painting, Countryside Landscape, Village and Farmers, France 1950s Signed "P.LEFEBRE" at the bottom right corner. This vibrant painting by French artist P. Lefebre is...

High Mountain Landscape with Alpine Lake near Kufstein, circa 1950s A large impressionistic oil painting depicting a high mountain landscape with mountain lake and folksy mountain hut in front of the imperial mountains (Kaisergebirge) near Kufstein in Austria. Oil painting on canvas with pastell colors. Painted by Passy-Cornet around 1950s. Framed with vintage decorative gilded frame. Artist signature on the front and paper lable of the reseller on the back. Mid-20th Century oil paintings often reflect people´s deep longing for security, beauty and a peaceful world. The natural landscapes show their beauty and majesty with powerful colors. The paintings of that time leave room for romantic feelings and sentimentality. The artist of the time gave people a sense of just be happy...

Great painting of a figure in an abstract landscape By Yorkshire artist A. C. Taylor. In the style of Keith Vaughan. Wonderful green colors ...

Mid century 1950s framed German pastel painting of a hilly landscape by a river centered on a stone castle or chateau and farmhouse. Purchased in the 50s in Frankfurt. Measures: 3...

Unknown artist, park landscape, oil on canvas, circa 1900. Signed illegible: J. V. Cairn. In perfect condition. Measures (ex. the frame) 101 x 69 cm. The frame measures 6...