Gerrit Rietveld Chairs

Chair designed by Gerrit Rietveld in 1918. Relaunched in 1973. Manufactured by Cassina in Italy. A sculptural seat with a pure and rationalist form, this chair became an authenti...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Materials: Wood Dimensions: D 43 cm x W 37 cm x H 74 cm (SH ...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Prices vary dependent on the chosen material/color. Chair designed by Gerrit Rietveld in 1918. Relaunched in 1973. Manufactured by Cassina in Italy.

Fantastic pair of modernist lounge chairs, model 637 Utrecht by the designer Gerrit Thomas Rietveld for Cassina from the 1990s. Fabric is a cool silvery blue. Check out the incredibl...

Chair designed by Gerrit Thomas Rietveld in 1934. Manufactured by Cassina in Italy, relaunched in 1973/2011. Designed by Gerrit Rietveld, this chair provided an early example of a...

Designed in 1918 by Dutch designer Gerrit Rietveld, the "Red and Blue Chair" is part of the Dutch De Stijl movement, a rigorous abstraction of lines and colours. An outlook shared by...

Exceptionally well executed handmade large scale model of this very rare chair designed by Gerrit Rietveld. Unmarked. If you are desperately looking for the perfect gift for an archi...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Prices vary dependent on the size/model and material of the product. Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versi...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Nice Gerrit Rietveld 'Crate' chair. This chair is designed in 1934, however, we think this is a Cassina edition from the 1970s. This chair is made out of ash wood and has a colorless lacquer. 'Gerrit Rietveld designed the 'crate' series of furniture built from standardized pine boards – cheap material for packing crates – which were soon well-known as ‘crate furniture’. 'From 1935 on the progressive designs appeared at Metz & Co, where furniture by Rietveld had already been sold since 1930. The crate desk...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a ...

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example of a...

In 1923 Gerrit Rietveld designed his iconic Berlin chair for the ‘Juryfreie Kunstschau’ in Berlin. In addition to the Red-Blue chair, this is one of Rietveld’s most famous chairs. In...

Bold and artistic, the Cassina Red, Blue, and Yellow Chair is a striking piece of mid-century modern design by Gerrit Thomas Rietveld. Its geometric form a...

Price is dependent on the chosen material/color. Chair designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy.

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Production delay: 8-9 weeks Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

c. Early/Mid 20th Century. Painted wood crate chair with excellent patina.

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar, then with Theo van Doesburg and Cornelius van Eesteren, Rietveld soon became one of the most distinguished interpreters of the neoplastic message. Among his most important works are: the Schröder house at Utrecht (1924); the “Row Houses” at Utrecht (1931-1934); the Dutch pavilion at the Venice Biennial (1954); the sculpture pavilion in the Rijksmuseum Kröller-Müller at Otterloo and the Van Gogh Museum in Amsterdam (1955). Out of his equally important furniture, Cassina has chosen for its own production: the “Red and Blue” (1918), the “Zig-Zag” (1934), the “Schröder 1...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet...

Chair The Rietveld military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlands. The Milita...

Zig Zag Chair by Gerrit Thomas Rietveld 1932 / 2022 Cassina Open pore ashwood lacquered black. Feet in black plastic. Produced and numbered by Cassina.

Chair The Rietveld Military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military home in Utrecht, the Netherlands. The Milita...

Chair designed by Gerrit Rietveld in 1920. Relaunched in 2015. Manufactured by Cassina in Italy. One of the versions of the iconic model dated 1918. The structure is in black-stained beechwood with white contrasting parts. Seat and back in green lacquered multiplywood. The armchair can have a single seat and backrest cushion in fabric or leather. The black red and blue (Zeilmaker version) born from Rietveld’s chromatic experimentation While researching the origins of the red and blue model in collaboration with the Rietveld heirs, it emerged that the key idea of the first prototypes was based on the concept of spatial organization expressed through the monochrome tones of its elements. The first version was in fact produced in 1918 in completely unpainted wood.   In the following years Rietveld proposed various examples, either monochrome or painted in different colors, depending on the requirements of his customers and the interiors for which the chairs were intended. As such, it comes as no surprise to find this 1920s version, presented as part of Cassina’s MutAzioni selection, created for the school teacher Wicher Zeilmaker with a black frame with white ends and a dark green painted seat and backrest.  It was Rietveld’s ever-increasing involvement in the De Stijl movement that led him to also use primary colors on this model in 1923, and as such the chair became a veritable manifesto for the emerging neoplastic movement. Initially dubbed slat chair, Rietveld only gave it the name red and blue in the 1950s following its chromatic evolution. The various owners of the different examples used the chair as an abstract-realist sculpture in their interiors and, in some cases, as a simple tool for sitting on, adding cushions to make it more comfortable, just like Cassina offers for the black red and blue today. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About the designer: Gerrit Thomas Rietveld, born in Utrecht on 24 June 1888, seems possessed of two personalities, each so distinct that one might take his work to be that of more than one artist. The first personality is that seen in the craftsman cabinet-maker working in a primordial idiom, re-inventing chairs and other furniture as if no one had ever built them before him and following a structural code all of his own; the second is that of the architect working with elegant formulas, determined to drive home the rationalist and neoplastic message in the context of European architecture. The two activities alternate, overlap, and fuse in a perfect osmosis unfolding then into a logical sequence. In 1918 Rietveld joined the “De Stijl” movement which had sprung up around the review of that name founded the year before by Theo van Doesburg. The group assimilated and translated into ideology certain laws on the dynamic breakdown of compositions (carrying them to an extreme) that had already been expressed in painting by the cubists: the “De Stijl” artists also carefully studied the architectonic lesson taught by the great Frank Lloyd Wright, whose influence was widely felt in Europe at that time. Collaborating first with Robert van’t Hoff and Vilmos Huszar...

‘Mondial’ chair designed by Gerrit Rietveld for the 1958 World Exhibition in Brussels. This chair is a later reissue by ‘Rietveld Originals’ and manufactured by Gispen. The Mondial...

Zig Zag Chair by Gerrit Thomas Rietveld 1932 / 2019 Cassina Open pore ashwood lacquered white. Feet in black plastic. Produced and numbered by Cassina.

A world icon of neo-plasticist design this chair armchair called Rood Blauwe (Red and Blue) by its Dutch designer Gerrit Thomas Rietveld, Cassina production in the 1960s.

Chairs designed by Gerrit Thomas Rietveld in 1934. Relaunched in 1973/ 2011. Manufactured by Cassina in Italy. Designed by Gerrit Rietveld, this chair provided an early example o...

Chair The Rietveld military furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlands. The Milita...

Italian Bauhaus Armchair Red and Blue by Gerrit Thomas Rietveld for Cassina 1971 Armchair mod. Red and Blue entirely in wood painted in yellow, red, blue and black. The chair has an ...

Chair The Rietveld Military Furniture was designed in 1923 by Gerrit Rietveld for a Catholic Military Home in Utrecht, the Netherlands. The Milita...