Frédéric - Eugène Piat Furniture

Bronze statue in brown patina representing Susanna, sculpted by Eugene-Antoine Aizelin (1821-1902). Susanna at the bath is a story from the apocryphal ...

A good quality pair of 19th century French bronze statues of soldiers in their armour. 48028 BCELZE

Exquisite bronze sculpture by Eugene Aizelin (French 1821-1902) featuring a strikingly beautiful statue of a female figure standing and reading a letter; set on plinth base. Dimensio...

A beautifully cast pair of French 19th century neoclassical patinated figural bronze nine arm candelabra after a model by Jaen Jacques Pradier They are signed J. Pradier and were converted into lamps in the 20th century. Each candelabra is cast as classically draped maiden with one representing Phyrne and the other unknown, standing on a circular stepped dark green marble socle base. There are no visible foundry marks on the bronzes. Born in Geneva in 1792 in Switzerland, Pradier was the son of a Protestant family from Toulouse. He left for Paris in 1807 to work with his elder brother, Charles-Simon Pradier, an engraver, and also attended the École des Beaux-Arts beginning in 1808. He won a Prix de Rome that enabled him to study in Rome from 1814-1818 at the Villa Médici. Pradier made his debut at the Salon in 1819 and quickly acquired a reputation as a competent artist. He studied under Jean-Auguste-Dominique Ingres in Paris. In 1827 he became a member of the Académie des beaux-arts and a professor at the École des Beaux-Arts. At the Salon of 1834, Pradier's Satyr and Bacchante...

This charming 19th-century French bronze sculpture, signed “Clodion”, beautifully captures the playful spirit of a cherub. The figure stands dynamically poised, one arm raised while ...

A very good quality pair of 19th century French patinated bronze statues with gilded high lights of musicians, the boy holding a harp, entitled ' The Grace of God' and the girl holdi...

Small patinated bronze statue of a fisherwoman: La Pecheuse after the model by Eugene Laurent (1832-1998 late 19th century. Quality detailing throughout.

This is a late 19th century grand tour figurative bronze. This bronze sculpture has two mythical figures engaged in conversation. This bronze has an age appropriate dark patina to th...

A charming and high quality true pair of French 19th century patinated Bronze and Ormolu statues, signed H. Ferrat. Each stunning bronze is raised by a square Ormolu plinth below a c...

A very fine French 19th century brown and parcel-gilt patinated bronze sculpture titled "La Sécurité" (The Security - Protection) after a model by Eugène Delaplanche (French, 1836–1891). Depicting a sitting young Maiden in a gilt-decorated armored suit and helmet, a lion skin on her back, holding a resting child on her arm. Raised on Rouge-Royal marble plinth inscribed "La Sécurité - Par E. Delaplanche - Salon des Beaux-Arts de Paris". Signed: E. Delaplanche and stamped with the importer's seal - Alberto Vignes y Ca - Buenos Aires, circa 1890. Measures: Height: 28 3/4 inches (60.3 cm). Width: 16 inches (40.7 cm). Depth: 14 inches (35.6 cm). Eugène Delaplanche (February 28, 1836 – January 10, 1891) was a French sculptor, born at Belleville (Seine). He was a pupil of Duret, gained the Prix de Rome in 1864 (spending 1864-67 at the Villa Medici in Rome) and the medal of honor in 1878. His "Messenger of Love" (1874), "Aurora" (1878), and the "Virgin of the Lillies" (1884), are in the Luxembourg. Other works by him are "Music - La Musique" (1878, Paris Opera House), called his masterpiece; "Eve After the Fall" (1869); "Maternal Instruction" (1875, Square of Sainte-Clothilde, Paris). He is also noted for his decorations in relief on vases of Haviland faience. His best work is naturalistic, but at the same time dignified and simple in line and shows sound mastery of technique. He is represented by 15 works in the Glyptothek, Copenhagen and in many other French museums and in churches. This sculpture of La Sécurité is after his 1884 sculptures...

An enchanting 19th century French patinated bronze bust of a young girl, circa 1860.

A fine quality pair of 19th century classical bronze seated putti, reading and writing, mounted on square rouge marble plinths and engraved gilded ormolu bases.