Fred McDarrah Portrait Photography
to
3
Overall Width
to
Overall Height
to
3
3
2
2
1
1
1
1
1
1
1
3
49
2,413
1,880
725
298
3
Artist: Fred McDarrah
Vintage Silver Gelatin Photograph Tibor de Nagy Portrait Photo NYC Gallery
By Fred McDarrah
Located in Surfside, FL
Tibor De Nagy - October 11 1960
Photographer is Fred McDarrah
Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests.
Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office.
Not just a social chronicler, McDarrah was a great photo-journalist.
For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland...
Category
1960s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photograph Lawrence Lipton Photo Beatnik Beat Writer
By Fred McDarrah
Located in Surfside, FL
Lawrence Lipton May 17 1965
photographer Fred McDarrah
Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmod...
Category
1960s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photograph Robert Frank
By Fred McDarrah
Located in Surfside, FL
Robert Frank in Central Park. Shoot A film during Anti-War protests. April !5 1967
Robert Frank (born November 9, 1924) is an important figure in American photography and film. His most notable work, the 1958 book titled The Americans, was influential, and earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Frank was born in Switzerland. His father, Hermann originating from Frankfurt, Germany had become stateless after losing his German citizenship as a Jew. They had to apply for the Swiss citizenship of Frank and his older brother, Manfred. In 1946. Frank emigrated to the United States in 1947, and secured a job in New York City as a fashion photographer for Harper's Bazaar. After meeting Edward Steichen, participated in the group show 51 American Photographers at the Museum of Modern Art (MoMA)
He worked as a freelance photojournalist for magazines including McCall's, Vogue, and Fortune. Associating with other contemporary photographers such as Saul Leiter and Diane Arbus, he helped form what Jane Livingston has termed The New York School of photographers during the 1940s and 1950s.
With the aid of his major artistic influence, the photographer Walker Evans, Frank secured a grant from the John Simon Guggenheim Memorial Foundation in 1955 to travel across the United States and photograph all strata of its society. Cities he visited included Detroit, Michigan; Savannah, Georgia; Miami Beach and St. Petersburg, Florida; New Orleans, Louisiana; Houston, Texas; Los Angeles, California; Reno, Nevada; Salt Lake City, Utah; Butte, Montana; and Chicago, Illinois.
Shortly after returning to New York in 1957, Frank met Beat writer Jack Kerouac on the sidewalk outside a party and showed him the photographs from his travels. Kerouac immediately told Frank "Sure I can write something about these pictures," and he contributed the introduction to the U.S. edition of The Americans. Frank also became lifelong friends with Allen Ginsberg, and was one of the main visual artists to document the Beat subculture Les Américains was first published in 1958 by Robert Delpire in Paris, and finally in 1959 in the United States by Grove Press, where it initially received substantial criticism. The Americans became a seminal work in American photography and art history, and is the work with which Frank is most clearly identified. In 1961, Frank received his first individual show, entitled Robert Frank: Photographer, at the Art Institute of Chicago. He also showed at MoMA in New York in 1962.
A celebratory exhibit of The Americans was displayed in 2009 at the National Gallery of Art in Washington D.C., the San Francisco Museum of Modern Art, and at the Metropolitan Museum of Art in New York.
By the time The Americans was published in the United States, Frank had moved away from photography to concentrate on filmmaking. Among his films was the 1959 Pull My Daisy, which was written and narrated by Kerouac and starred Ginsberg, Gregory Corso and others from the Beat circle. The Beats emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised.
In 1960, Frank was staying in Pop artist George Segal's basement while filming Sin of Jesus with a grant from Walter K...
Category
1960s Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Related Items
Douglas Kirkland 'Brigitte Bardot, Mexico'
By Douglas Kirkland
Located in New York, NY
Douglas Kirkland
Brigitte Bardot, Mexico (Cards)
1965
Silver gelatin print
Estate signature stamped and numbered edition of 24
French actress Brigitte Bardot photographed on set of ...
Category
1960s Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Cranston Richie
By Ralph Eugene Meatyard
Located in New York, NY
From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71)
Printed April 1974
Edition of 130
Credit stamp, verso
7 x 7 inches, image
15 x 12 inches, mount
This photograph is offered by ClampArt, located in New York City.
“This image probably owes some of its inspiration to the abnormal characters in the stories of Flannery O’Connor’s 1955 collection, "A Good Man is Hard to Find." But Meatyard was also looking at Giorgio de Chirico and the European Surrealists and here employs their penchant for the lifeless mannequin figure. A headless dressmaker’s dummy...
Category
Late 20th Century American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Brave (Kings Road) - unique solarized gelatin silver artist print
By Mona Kuhn
Located in San Francisco, CA
In Kings Road (2022) Mona Kuhn lyrically reconsiders the realms of time and space within the midcentury architectural elements of the iconic Schindler House in Los Angeles. Built by Austrian architect Rudolph M. Schindler in 1922, the house was both a social and design experiment and an avant-garde hub for intellectuals and artists in the 1920s and ’30s.
The body of works incorporates chromogenic color prints, reflecting vignettes and materials of the building's emotional architecture, juxtaposition with unique solarized gelatin silver prints capturing traces of an ethereal human presence.
Brave (2022)
Kings Road: A Rudolph Schindler House
30" x 40" / 76cm x 102cm /edition of 12
15" x 20" / 38cm x 56cm / edition of 12
limited edition solarization photograph printed by the artist + accompanied by signed artist certificate:
artist signature label (8x10")
signed/editioned/dated/titled by the artist + stamped for authenticity
label is placed centered on verso of the mounted print
__________________
About the artist
Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia.
Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena.
Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes & Succulents in 2018. In 2021, Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road (2022) with Steidl accompanies a multi-dimensional museum traveling exhibition shown in Europe and the US.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles.
__________________
Solo Exhibitions
2025
Mona Kuhn: Y Tu Desnudo será Un Gran Poema, Museum of Contemporary Art, Malaga, Spain
Mona Kuhn: Kings Road, Lianzhou Museum of Photography, China
2024
Mona Kuhn: The Schindler House, A Love Affair, Galerie XII...
Category
21st Century and Contemporary Contemporary Fred McDarrah Portrait Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
Lovers, San Francisco.
Located in Wilton Manors, FL
Fisher Ross. Untitled, ca. 1975-80. Gelatin Silver print, sheet measures 8 x 10 inches; 17 x 21 inches framed. Artist studio stamp on verso. Excellent cond...
Category
1970s Realist Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Paul Lukas "Watch On The Rhine" - 1943 Photograph by Clarence Sinclair Bull
By Clarence Sinclair Bull
Located in Soquel, CA
Paul Lukas "Watch On The Rhine" - 1943 Photograph by Clarence Sinclair Bull
A 1943 black and white portrait photograph of actor Paul Lukas (Hungarian, 1894-1971) by Clarence Sincla...
Category
1940s American Modern Fred McDarrah Portrait Photography
Materials
Photographic Paper, Silver Gelatin
Black and White: Mary Jane Russell, Le Pavillion
By Lillian Bassman
Located in New York, NY
Gelatin silver print
Signed in pencil, verso
11 x 14 inches, sheet size
9.75 x 12.5 inches, image size
This artwork is offered by ClampArt, located in New York City.
Lillian Bassm...
Category
1950s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Touch of Dew: Lisa Fonssagrives, New York
By Lillian Bassman
Located in New York, NY
Gelatin silver print
Signed in pencil, verso
16 x 20 inches, sheet size
14 x 18.25 inches, image size
This artwork is offered by ClampArt, located in New York City.
Lillian Bassma...
Category
1960s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Harlem (Girl with Dog in Baby Carriage) by John Albok, 1934
By John Albok
Located in Denton, TX
Harlem (Girl with Dog in Baby Carriage) by John Albok presents a young girl in a dress pushing a baby carriage down the street. A small dog sits in the carriage, looking over it's sh...
Category
Early 20th Century American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
H 9.5 in W 7.5 in D 0.1 in
Mother with Sons, 3rd Ward, Houston, TX
By Earlie Hudnall Jr.
Located in Denton, TX
Signed, titled, dated and print type in pencil on print verso
Vintage gelatin silver print
Earlie Hudnall, who is one of the most notable African American photographers living today, has extensively documented the African American neighborhoods in Houston, Texas.
After serving as a Marine in Vietnam, he enrolled at Texas Southern University, where he studied art under the direction of John Biggers, who became a great friend and mentor. During his time at TSU, he was hired to be a photographer for the Model Cities Program, part of Lyndon Johnson...
Category
20th Century Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Double Self Portrait in White Mist
By Peter Berlin
Located in New York, NY
Double Self Portrait in White Mist
c. 1970s
Signed in black ink, l.r.
Vintage gelatin silver print
10 x 8 inches (25.4 x 20.3 cm)
This work is...
Category
1970s Contemporary Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Marlon Brando, Libertyville, Illinois, 1950 - Silver Gelatin Print
By Art Shay
Located in Chicago, IL
On assignment for Life Magazine in 1950, Art Shay photographed Marlon Brando at his family farm in Libertyville, Illinois, just north of Chicago. Looking straight into Art's lens, Brando is innocent of the fame that is about to become his world. He went on to a career spanning sixty years including winning two Oscars for Best Actor. This photograph is unframed. Contact the gallery for framing options.
Art Shay
Brando Portrait, 1950
silver gelatin print
20h x 16w in
50.80h x 40.64w cm
ASY12088
“Art Shay’s photography shakes you up, sets you down gently, pats you on the head and then kicks you in the ass.”
Roger Ebert
“[Shay’s work] ranks with some of the greats of the 20th century.”
Ellen & Richard Sandor, Renowned photo collectors
“I’ve admired Art Shay’s work for almost forty years, and he keeps getting better. He can do anything with a camera, but what he mostly does is capture real moments and transform them into visual poetry. His work continues to be an inspiration to me.”
William Friedkin, Director of French Connection
“Art Shay is one of our finest photographers. His work over the past fifty years has artfully captured the beauty, humor, and pathos of America.”
Studs Terkel
“Art Shay is one of the best photojournalists I know. I’ve been a fan of his work since the early 1950s - before the launch of playboy magazine.”
Hugh Hefner
“Algren, Terkel, Royko, they gave us a voice. Art Shay gave us a face.”
Tony Fitzpatrick, Chicago Artist
“Art Shay is America’s Cartier-Bresson.”
Thomas Dyja, author of The Third Coast
“Chicago’s Art Shay in many ways is to American photography what Nelson Algren was to American writing: that rare and absolutely necessary citizen who’s blessed with a cold eye, a clear head, and a warm heart. What is it about Chicago that keeps giving us men like this?”
Russell Banks, Novelist
“The best images of Simone de Beauvoir and her times have been passed down to us by Henri Cartier-Bresson, Gisele Freund, Robert Doisneau, Georges Brassai, and in America, the Chicago-based Art Shay, all world-class photographers.”
Christophe Loviny, Art Editor, Paris
“Art Shay is the best photo-journalist Chicago ever produced.”
Arthur Siegel, photographer; IIT Institute of Design President
“I have one of Art Shay’s pictures over my desk. It reminds me every morning of my Chicago roots. Arts photos, like me, have the Chicago accent, which may be to say he’s telling you the truth. I think it takes a realist to see the humor in things. I know it takes a realist to see the depths of tragedy. Art’s work is so real it feels like a Madison Street guy tapping me on the forearm.”
David Mamet
Category
1950s Contemporary Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Terry O'Neill 'Alice Cooper and Family, Los Angeles'
By Terry O'Neill
Located in New York, NY
Alice Cooper, Los Angeles, 1974, Printed Later
Silver gelatin print
40 x 40 inches
estate stamped and numbered edition of 50
with certificate of authenticity
Terry O'Neill, Alice ...
Category
1970s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Previously Available Items
Pres. Jimmy Carter, March 29, 1976
By Fred McDarrah
Located in Surfside, FL
Born on October 1, 1924, in Plains, Georgia, Jimmy Carter was 39th president of the United States (1977-81) and served as the nation's chief executive during a time of serious problems at home and abroad. Carter's perceived mishandling of these issues led to defeat in his bid for reelection. He later turned to diplomacy and advocacy, for which he was awarded the Nobel Prize for Peace in 2002.
---
Veteran Village Voice photographer Fred W. McDarrah
Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests.
Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office.
Not just a social chronicler, McDarrah was a great photo-journalist.
For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto."
An exhibit of McDarrah’s photos of artists...
Category
20th Century American Realist Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photograph Lawrence Lipton Photo Beatnik Beat Writer
By Fred McDarrah
Located in Surfside, FL
Lawrence Lipton May 17 1965
photographer Fred McDarrah
Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmod...
Category
1960s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photograph Tibor de Nagy Portrait Photo NYC Gallery
By Fred McDarrah
Located in Surfside, FL
Tibor De Nagy - October 11 1960
Photographer is Fred McDarrah
Over a 50-year span, McDarrah documented the rise of the Beat Generation, the city’s postmodern art movement, its off-off-Broadway actors, troubadours, politicians, agitators and social protests.
Fred captured Jack Kerouac frolicking with women at a New Year’s bash in 1958, Andy Warhol adjusting a movie-camera lens in his silver-covered factory, and Bob Dylan offering a salute of recognition outside Sheridan Square near the Voice’s old office.
Not just a social chronicler, McDarrah was a great photo-journalist.
For years, McDarrah was the Voice's only photographer and, for decades, he ran the Voice’s photo department, where he helped train dozens of young photographers, including James Hamilton, Sylvia Plachy, Robin Holland and Marc Asnin. His mailbox was simply marked "McPhoto."
An exhibit of McDarrah’s photos of artists presented by the Steven Kasher Gallery in Chelsea was hailed by The New York Times as “a visual encyclopedia of the era’s cultural scene.”
artists in their studios, (Alice Neel, Philip Guston, Stuart Davis, Robert Smithson, Jasper Johns, Franz Kline), actors (Dustin Hoffman, Robert De Niro on the set of “Taxi Driver”), musicians (Janis Joplin, Alice Cooper, Bob Dylan) and documentary images of early happenings and performances (Yayoi Kusama, Charlotte Moorman, Al Hansen, Jim Dine, Nam June Paik). The many images of Andy Warhol include the well-known one with his Brillo boxes at the Stable Gallery in 1964. Woody Allen, Diane Arbus, W. H. Auden, Francis Bacon, Joan Baez, Louise Bourgeois, David Bowie, Jimmy Breslin, William Burroughs, John Cage, Leo Castelli, Christo, Leonard Cohen, Merce Cunningham, William de Kooning, Jim Dine, Mark di Suvero, Marcel Duchamp, Bob Dylan, Federico Fellini, Allen Ginsberg, Robert Indiana, Mick Jagger, Jasper Johns, Kusama, John Lennon, Sol Lewitt, Roy Lichtenstein, Nam June Paik, Elvis Presley, Claes Oldenburg, Yoko Ono, Robert Rauschenberg, Lou Reed, James Rosenquist, Mark Rothko, Ed Ruscha, Robert Smithson, Susan Sontag, Andy Warhol, and others.
McDarrah’s prints have been collected in depth by the J. Paul Getty Museum and the National Portrait Gallery, Washington. His work is in numerous public and private collections.
Tibor de Nagy founded an eponymous Gallery involved in the discovery of many of the Second Generation Abstract Expressionist Movement artists and also representational artists of the era including Nell Blaine, Grace Hartigan, Alfred Leslie, Helen Frankenthaler, Jane Freilicher, Paul Georges, Red Grooms, Ian Hornak, Kenneth Noland, Fairfield Porter and Larry Rivers and established emerging artists including Carl Andre, Helen Frankenthaler, Jane Wilson...
Category
1960s American Modern Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Vintage Silver Gelatin Photograph Robert Frank
By Fred McDarrah
Located in Surfside, FL
Robert Frank in Central Park. Shoot A film during Anti-War protests. April !5 1967
Robert Frank (born November 9, 1924) is an important figure in American photography and film. His most notable work, the 1958 book titled The Americans, was influential, and earned Frank comparisons to a modern-day de Tocqueville for his fresh and nuanced outsider's view of American society. Frank later expanded into film and video and experimented with manipulating photographs and photomontage.
Frank was born in Switzerland. His father, Hermann originating from Frankfurt, Germany had become stateless after losing his German citizenship as a Jew. They had to apply for the Swiss citizenship of Frank and his older brother, Manfred. In 1946. Frank emigrated to the United States in 1947, and secured a job in New York City as a fashion photographer for Harper's Bazaar. After meeting Edward Steichen, participated in the group show 51 American Photographers at the Museum of Modern Art (MoMA)
He worked as a freelance photojournalist for magazines including McCall's, Vogue, and Fortune. Associating with other contemporary photographers such as Saul Leiter and Diane Arbus, he helped form what Jane Livingston has termed The New York School of photographers during the 1940s and 1950s.
With the aid of his major artistic influence, the photographer Walker Evans, Frank secured a grant from the John Simon Guggenheim Memorial Foundation in 1955 to travel across the United States and photograph all strata of its society. Cities he visited included Detroit, Michigan; Savannah, Georgia; Miami Beach and St. Petersburg, Florida; New Orleans, Louisiana; Houston, Texas; Los Angeles, California; Reno, Nevada; Salt Lake City, Utah; Butte, Montana; and Chicago, Illinois.
Shortly after returning to New York in 1957, Frank met Beat writer Jack Kerouac on the sidewalk outside a party and showed him the photographs from his travels. Kerouac immediately told Frank "Sure I can write something about these pictures," and he contributed the introduction to the U.S. edition of The Americans. Frank also became lifelong friends with Allen Ginsberg, and was one of the main visual artists to document the Beat subculture Les Américains was first published in 1958 by Robert Delpire in Paris, and finally in 1959 in the United States by Grove Press, where it initially received substantial criticism. The Americans became a seminal work in American photography and art history, and is the work with which Frank is most clearly identified. In 1961, Frank received his first individual show, entitled Robert Frank: Photographer, at the Art Institute of Chicago. He also showed at MoMA in New York in 1962.
A celebratory exhibit of The Americans was displayed in 2009 at the National Gallery of Art in Washington D.C., the San Francisco Museum of Modern Art, and at the Metropolitan Museum of Art in New York.
By the time The Americans was published in the United States, Frank had moved away from photography to concentrate on filmmaking. Among his films was the 1959 Pull My Daisy, which was written and narrated by Kerouac and starred Ginsberg, Gregory Corso and others from the Beat circle. The Beats emphasized spontaneity, and the film conveyed the quality of having been thrown together or even improvised.
In 1960, Frank was staying in Pop artist George Segal's basement while filming Sin of Jesus with a grant from Walter K...
Category
1960s Fred McDarrah Portrait Photography
Materials
Silver Gelatin
Fred Mcdarrah portrait photography for sale on 1stDibs.
Find a wide variety of authentic Fred McDarrah portrait photography available for sale on 1stDibs. You can also browse by medium to find art by Fred McDarrah in silver gelatin print and more. Much of the original work by this artist or collective was created during the 1960s and is mostly associated with the modern style. Not every interior allows for large Fred McDarrah portrait photography, so small editions measuring 8 inches across are available. Customers who are interested in this artist might also find the work of Lillian Bassman, William Klein, and John Albok. Fred McDarrah portrait photography prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,100 and tops out at $1,800, while the average work can sell for $1,600.