Furniture

"Mexican Sun," an oil on canvas by artist Kathi Robinson Frank is an abstract composition in sunny golds, whites and blacks inspired by the earth and brill...

"Topography 3," 2020 is a large framed abstract oil painting by Kathi Robinson Frank. This mixed-media painting incorporates oil, acrylic, charcoal, and metallic paint in shades of b...

New York City born Kathi Robinson Frank began painting at an early age. While in high school, she studied at The Art Students League and pursued her passion at Bard College where she...

"Chair," A large abstract oil and charcoal painting on canvas by Kathi Robinson Frank features a dynamic composition of the synergy between horizontal and vertical forms. A bold wave of black, gray and tomato red undulates across the canvas, while drips of black, gray and tomato red stabilize one's eye on the work. The abstracted burnt orange chair...

A fantastic, large, decorative painting by Robert Moskowitz, titled "The Family", circa 1977. It is signed and dated on the back. Robert Moskowitz (born 1935 in Brooklyn, New York) i...

"Landscape From An Airplane" 2021 is large framed abstract mixed media oil painting by Kathi Robinson Frank with pastel, graphite and oil stick in sunny shades of pale yellow, tan, r...

A significant contemporary aboriginal painting by Kathleen Petyarre (1940-2018) in 2010. The painting was a rare oversize piece, exceptionally executed in earthy colors, showcasing m...

"Reflections," a frame oil on canvas /collage by artist Kathi Robinson Frank is an abstract composition in atmospheric shades of gray, black, white, orange and reddish-orange with th...

"Opening," 2015 by artist Kathi Robinson Frank, from her latest series of large 72" x 56" canvases incorporates oil, acrylic, charcoal pastel and ...

"Cathedral," is a large abstract painting featuring oil, oil stick and pastel on canvas. The warm brilliant shades of burnt orange, rust and magenta, tempered by the cream and gray g...

Media consists of fiber, paint, shellac on a linen canvas. Beautiful wood frame. Frank Faulkner by Philip Herrera, 2006: Born in Sumter, South Carolina in 1946, Frank Faulkner received his B.F.A. from the University of North Carolina in 1968, Phi Beta Kappa, and his M.F.A. from the same institution in 1972. Faulkner’s work quickly won him numerous grants and awards, including an individual artist grant from the National Endowment for the Arts in 1974. He was selected for the Whitney Biennial in 1975, which prompted him to settle in New York. There, he came to the attention of Dorothy Miller, Curator Emeritus of the Museum of Modern Art with a legendary eye for new talent. Since then, Faulkner has continued to garner acclaim and awards. He has been featured in dozens of one-person exhibitions (not to mention group exhibitions) in this country, as well as in Japan, Switzerland, and Germany. Faulkner’s work is owned by leading museums (the Smith College museum in Northampton, Massachusetts, for example, the National Museum of American Art and the Hirshhorn in Washington, D.C.) and by renowned collectors such as Nelson Rockefeller, Baron Leon Lambert, Phillip Hanes and Abba Eban. What a viewer first notices is the sheer elegance of the pieces, no matter what materials Faulkner uses—metal, wood and fabric as well as canvas and paper. Obvious, too, is the artist’s originality. Faulkner belongs to no school. His work is patterned but is far too intellectual to qualify as so-called “pattern art,” which mainly strives to be merely pretty. Rather, he paints in his own highly organized way, filling the surface without being excessive or boring. Faulkner sets up a system, say, of dots or dashes, then subtly changes the visual rhythms in order to add life and surprise—what he calls “the gymnastics of seeing.” He works and reworks the surfaces of his canvases, often laying down one thin layer of slightly reflective gold, silver or bronze paint upon another until the final work seems to glow with inner light. John Ashbery, a leading critic and poet, has likened Faulkner’s art to minimalist music, which achieves both simplicity and beauty from its obsessive repetitions. The critic Carter Ratcliff describes it more simply as “brilliant artifice.” Faulkner’s current work, a series of paintings on paper, continues and deepens this exploration of the relationship between wrought surface and changing light. Another striking aspect of the work is the influence of the decorative arts. Faulkner has made some paintings on wood that stand independently and fold open like screens. Other pieces resemble large tapestries, and yet others take their inspiration from Art Nouveau inlays...

Large MCM abstract acrylic on panel original painting by listed artist Richard Mann, circa 1960s. The piece is in very good vintage condition and is presente...