Dan Ostermiller Art

African Benin Bronze Sculpture, Africa, circa mid 20th Century. Beautiful casting with wonderful attention to detail. Solid, heavyweight...

Great cast bronze elephant sculpture mounted on a marble base. Elephant has wonderful details and appears the tusks were replaced over time. Base has one tiny edge chip. Elephant has...

Nebraka-based Jamie Burmeister is a sculptor known for his original small bronze figures, standing at just 4 inches tall. His unique figurative sculptures have been showcased in gall...

Bronze statue of young goatherder by Oscar Gladenbeck. circa 1900. Signed "Oscar Gladenbeck Friedrichshagen". # nude male Grand Tour.

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

Kudu horn over plinth base. Features realistic patina and modern styling. Dimensions: 6" x 6" x 40.5"h

Porcelain Elephant Calf Sculpture by Lenox. *****NOTICE: OUR 1ST DIBS SHOP CLOSES AT THE END OF MAY***** This beautiful realistic baby elephant figurine measures approximately 6 x 5 ...

Antique Asian Bronze Elephant Sculpture Statue late 19th c. Asian Chinese antique cast bronze elephant sculpture. Ceremonial cast metal elephant with beautiful detailed carving on hi...

Mireia Serra creates sensuous bronze and iron sculptures showing the beauty of snapshots caught in life which are full of emotions and feelings along the life journey. Her metal artw...

Bronze statue of young goatherder by Oscar Gladenbeck. Circa 1900. Signed "Oscar Gladenbeck Friedrichshagen".

Faux Kudu horn over plinth base. Features realistic patina and modern styling. Dimensions: 6.5" x 6.5" x 29.75"h

1477 Bronze Greater Kudu ram sculpture by Loet Vanderveen circa 1975. The piece is in very good conndition The sculpture is signed Loet 134/750 Loet Vanderveen was born in 1921 in ...