Claude Michel Clodion Table Lamps

A good quality pair of French 19th century gilded ormolu lamps, each having two putti seated on a scrolling foliate base.

Handsome patinated brass urn converted into a lamp. Four laurel trees and ten different male and female figures, all in classical dress, in circle the urn which includes a pedestal o...

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

A pair of early 19th century bronze & ormolu fluted candlestick lamps having urn-shaped nozzles above reeded, tapering stems with acanthus leaf dec...

This is a lamp in brass with a marble base. It has been done in France during the 19th Century. It could fit perfectly with classical american...

A very fine pair of French 19th century Louis XVI style patinated and gilt bronze figural two-light candelabra after a model by Claude-Michel Clodion (French, 1738-1814), one modeled...

Pair 19th Century French Empire Ormolu Patinated Bronze Candelabra Lamps. Pair of elegant antique French Empire bronze four light candelabras converted to table lamps. The outstandi...

19th Century Bronze and Ormolu Oil Lamps on Marble Base, converted to electric

A fine pair of French 19th century marble and ormolu mounted figural urn three-light table lamp candelabra. The ovoid white marble body surmounted with a pair of mermaids holding han...

This is a lovely antique French neo-classical style gilt bronze and black veined marble lamp. It has a urn form with draped gilt bronze floral foliate. It is unmarked and in working ...

Crafted in France, circa 1870 and made of marble and bronze, these antique urns converted into table lamps stand on a three-leg bronze base ending with hoof feet, over a marble botto...

FINE PAIR OF NEOCLASSICAL ORMOLU-MOUNTED ROUGE MARBLE TABLE LAMPS France, probably Paris, circa third quarter of the 19th century Item # 404LBP26Q A magnificent pair of Neoclassical vases converted into lamps, they are designed loosely after the influential vases of Antiquity known as the Medici and Borhese Vases. Those Kraters were executed in marble and have been widely considered the finest and most well-conceived vases of Antiquity. They have been frequently copied and have been the inspiration for many decorative arts, including the present pair. The original vases feature bas-relief scenes in the Medici vase of a seated Iphigenia beneath a statue of Diana surrounded by Achilles, Ulysses and Agamemnon and in the Borghese vase a scene of drunk Silenius, Dionysus wearing his animal skin garment and Ariadne all together accompanied by a procession of revellers. The present example departs from antiquity, focusing only on the Bacchic revellers and have repeated this motif across the field of the vase. They carry in their outstretched arms wreathes and long drapes of their garments, several carrying in hand the Thrysus. The chorus of figures is loosely reminiscent to the Borghese Dancers, also known as the Dancing Hours, executed in bas relief in marble...