Claire Ginioux

Unique tribal plank art with metal base. The piece features a 5.5' tall wooden plank with a colored ornate fish design. Great conversation piece for any space.

A 10-strand necklace hand-crafted from red-orange Naga beads from the early 20th century and strung with natural fibers. Necklaces such as these were a stat...

African Statue 'Boli' Bambara Mali C1950 Zoomorphic altar statuette (Boli). Kono tribe. Provenance: Swedish private collection, inherited with the Fam...

A mud cloth (Bogolanfini), Mali, Bamana People mid-20th century. Hand woven 'discharge dyed' cotton Approximately 71 x 52 in. (180cm. x 132cm.) A dazzling geometric pattern...

Carved abstract mythological abstract antelope anteater headdress mounted on wood stand. These motifs symbolize excellence in farming and bountiful harvests...

A superb vintage Bongo Drum, lovely decorative piece with beautiful wood construction and hand-painted with a vibrant tribal colourway. Lovely wear and colour to the wood. In Excel...

West African Akan Terracotta Commemorative memorial portrait Head Ghana Terracotta with red slip 8 1/2 x 7 inches, 21.5 x 18 cm, Period 19th century o...

A wonderful example of a Tibetan Coral Bead mala / neckpiece with a stunning mix of orange & red colours that have aged beautifully over the decades. Tib...

A striking abstract modelled terracotta figural torso the expressive visage gesticulating with open singing mouth and beard and ridged coiffure carrying a object on his back, in heavy solid terracotta with red pigment A splendid and rare example of ancient abstract art. Size: H 8.5 " W 5 W 2.5 . 22x12 x6cm on included high quality custom metal stand. overall height including stand 13.5 " , 35 cm West Africa, Ghana, Koma Land culture, 13th to 16th century CE Ex Anthony Powell...

A good example of an African Ashanti tribal headrest. Ghana. Early to mid-twentieth century.

Large African Tribal Art parchment wall shade sconce featuring a large triangle hide form stitched on iron and hand painted surface. These ethnic Art pieces could be used as wall lamp shade or decorative wall hanging. Great folk art African...

Bamana N'tomo mask, Mali, 20th century "Generally surmounted by three to eight horns forming a comb, the N'tomoface mask refers to a moment of compulsory education given to uncircumcised young boys in certain West African societies. The mask's discreet, even absent, mouth emphasizes the behavior expected of them in their future adult life after training: controlling and measuring their words, knowing how to keep quiet, preserving secrets and enduring pain in silence." Excerpt from Masques du N'tomo, Marc Ladreit de Lacharrière Collection, Musée du Quai Branly Jacques Chirac, France. The Bambara, or Bamana, live in central and southern Mali. Their name means “unbeliever” and was given to them by the Muslims. Animists, they believe in the existence of a creator god called Ngala, who maintains the order of the universe and coexists with another androgynous god called Faro, master of the Word, who gave all qualities to mankind and makes the fruits of the earth grow. Traditional Bamana art objects are closely linked to agrarian rites. The Bamana dance these masks during initiation and circumcision ceremonies for young boys in the Ntomo society. The face, with its vertical outgrowths at the top, adopts geometric features beneath a rounded forehead, including an imposing busted nose, as the Bamana favor this organ in their statuary as it evokes sociability and clan cohesion. Indeed, during choreography, the dancer frequently touches the nose of the mask. As teaching aids for candidates, masks from societies accessible to young boys and adults, such as the N'tomo, Korè and Ci wara...