Charlotte Andry Gibbs Still-life Paintings

Pocket Pale Blue Sloes is an original oil painting by Dani Humberstone as part of her Pocket Painting series featuring small scale realistic oil paintings, with a nod to baroque stil...

Up for sale this charming Still life oil painting on canvas depicting a warm, intimate scene featuring a violin resting on a rich red cloth, illuminated by the soft glow of a single ...

'Still Life with Bouquet of Flowers', oil on canvas (1970), by Lilian Whitteker (1881 - 1979). This impressionist bouquet of mixed flowers is a swirl of colour elegantly posed in a g...

This striking still life painting exudes warmth and richness, set against a deep red background that enhances the vibrancy of the carefully arranged objects. A dark glass bottle, a d...

Deep Red Apple by Dani Humberstone [2022] original and hand signed by the artist Oil on Canvas Image size: H:15 cm x W:15 cm Complete Size of Unframed Work: H:15 cm x W:15 cm x D:2c...

Now available, and ready to be hung and enjoyed! Unknown Artist Signed: Clayton ? (Lower, Right) " Still Life ", circa mid 20th Century? Oil on Canvas 36" x 24" Housed in a 3...

Pocket Persimmon Fruit by Dani Humberstone [2022] original and hand signed by artist Oil paint on canvas Image size: H:5 cm x W:5 cm Complete Size of Unframed Work: H:5 cm x W:5 cm x D:3cm Frame Size: H:16 cm x W:16 cm x D:3.5cm Sold Framed Please note that insitu images are purely an indication of how a piece may look Please note that insitu images are purely an indication of how a piece may look. Pocket Persimmon Fruit is an original oil painting by Dani Humberstone as part of her pocket fruit series.

Still Life is an artwork realized by an unknown artist in the late 19th Century. Oil on Canvas Mounted on Board. Original wooden frame. 18 x 13 cm. Good conditions

Pocket Tamerilla by Dani Humberstone [2022] original Signed by Artist Oil paint on canvas Image size: H:7 cm x W:5 cm Complete Size of Unframed Work: H:7 cm x W:5 cm x D:3cm Fr...

"Orange Juice with Fruit Bowl" is a contemporary still-life painting portraying a vibrant purple bowl brimming with ripe oranges taking center stage against a minimalistic slate gray...

Claudine Picard is a French artist born in 1949 who lives & works in Sainte Marie, France. She is graduated from the Ecole Nationale des Arts Décoratifs in 1973 (ENSAD).

Signed lower left, 'Hortense M. Gordon' for Hortense Crompton Mattice Gordon (Canadian, 1886-1961) and dated 1949. Previously with: Dominion Gallery of Montreal (stamp, verso). Photo courtesy of Art Gallery of Hamilton, Ontario, Canada. Hamilton artist Hortense Crompton Mattice Gordon was one of Canada’s earliest non-representational painters, embracing abstraction in the 1930s. She was also an active member of Canada's first English-speaking abstract group, Painters Eleven. A scholarship recipient, Hortense Mattice first attended the Hamilton Art School and, subsequently, moved to Chatham, Ontario. Initially focusing on porcelain painting, Mattice quickly began building a portfolio of oils and, from 1908, was exhibiting both her porcelain and landscapes at what is now the Chatham Cultural Centre (1908) and the Art Gallery of Ontario (1909). During this time, Mattice frequently traveled to the United States and, in 1915, visited the National Gallery of Art in Washington, DC, where she would have seen early works by important modernists including Picasso and Matisse. She started her teaching career in Chatham but, having received a job offer from the artist John Sloan Gordon, returned to Hamilton to teach at the Hamilton Art School in 1918. The two artists married in 1920. In 1922, Gordon and her husband took a study trip to France and, inspired by the fervent of Modernist ideas in Paris, expanded her own approaches to art, developing an increasingly soft, loose paint handling style. It was not until the 1930’s, after a few more trips to France and her discovery of Piet Mondrian’s work, that elements of abstraction began to appear in Gordon’s work. After the death of her husband in 1940, Gordon attended the Cranbrook Academy of Art and studied with Hans Hoffmann (1941-1945) whose influence and friendship pushed her to explore non-objective painting. After her training with Hofmann and in Cranbrook, Gordon began to exhibit regularly and with success in both Canada and the United States including at the Riverside Museum (New York, 1947), Creative Gallery (New York, 1952), in Ann Arbor (Michigan, 1952), Phillips Gallery (Detroit, 1952), the Flint Institute of Arts (Michigan, 1952), Mount Allison University (New Brunswick, 1952), the Galerie Agnes Lefort in Montréal and Art Gallery of Hamilton (retrospective, 1960). She was a member of the Contemporary Artists of Hamilton (honorary president in 1948), the Ontario Society of Artists, the Hamilton Women...