Carlos Narino Furniture

A museum worthy large painting depicting travellers before the falls of Tivoli outside of Rome, with the Temple of Vesta in the background, after the 18thC French artist Claude Joseph Vernet...

Little Boy Blue Painting on Canvas Cloth. Classic Fairy Tale illustration of Little Boy Blue fallen asleep in the hay. Great for a little boys...

A large scale abstract citiscape painting, oil on canvas, by the Uruguayan artist Carlos Perez Franco (1929-2015). Perez Franco exhibited throug...

Marker on a cardboard box by New York City picking and art legend, Robert Loughlin. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibition in 2021. ROBERT LOUGHLIN (1949 - 2011) may have been one of the most elusive artists in New York, but his work was everywhere. You might have noticed his signature graffiti of a square-jawed man, The Brute, randomly appearing on doors, signs, and walls all over the city. Like his fellow graffiti artists who emerged during the 1980s, such as Basquiat, Keith Haring, and Kenning Scharf, Loughlin has now become a collectible name. Once considered outsiders to the mainstream art world, graffiti artists now command top dollar for their work and are shown in museums all over the world. When he wasn't making his mark on the city streets, Robert Loughlin still incorporated a similar grittiness into his art. He would ransack antique stores, thrift shops, flea markets, galleries, and estate sales and emerge with treasures that he would use as his canvas. Nothing was sacred...

This painting from the collection of Malcolm H. Waldren Jr., dated 1966, featuring a trio of abstract, faceless musicians immersed in their performance draws inspiration from the Cu...

Western artist James Lee Colt (1922-2005) California Original signed gouache watercolor painting featuring western scene. Cowboy and Indian mounted on horse ...

Watercolor by American Western artist James Lee Colt (1922-2005 Palm Springs, CA) Original signed gouache watercolor painting featuring cowboy scene by Western Artist James Colt...

Painting "In the forest" Dimensions with frame: 35 x 25 cm Dimensions without frame: 27 x 17 cm.

Oil painting on artist board - portrait of a bare chested young man in forest - set in a contemporary silver leaf wood frame. Signed bottom right corner - A. Fein '52. Framed measure...

Three Friends of Winter Nakajima Raisho (1796-1871) Late Edo period, circa 1850 Ink and gold leaf on paper. This is a double-sided Japanese Furosaki or tea-ceremony screen from the mid 19th century; bamboo and plum on the front, young pines the back. It by Nakajima Raisho, a master painter of the Maruyama school in the late Edo and early Meiji periods. In this work Raisho combines exquisite ink brushwork with large open spaces of brilliant gold-leaf to inspire the viewers imagination. Rather than naturalism, he is searching for the phycological impression of the motifs, resulting in abstraction and stylization. His simplification of the motifs the result of looking to capture the inner nature of the objects. This art motif is known as Sho Chiku Bai, or the Three Friends of Winter. Evergreen pine connotes steadfastness, bamboo suggests both strength and flexibility, while plum blossoms unfurling on snow-laden branches imply hardiness. Combined, this trio is emblematic of Japanese new year. Chinese literati were the first to group the three plants together due to their noble characteristics. Like these resilient plants flowering so beautifully in winter, it was expected of the scholar-gentleman to cultivate a strong character with which he would be able to show the same degree of perseverance and steadfastness even during times of adverse conditions. The screen would have been placed near the hearth of a room used for the Japanese tea ceremony, shielding the fire from draughts and also forming a stimulating and decorative backdrop behind the tea utensils. It would have been used in the Hatsugama, or first tea-ceremony of the new year. Nakajima Raisho (1796-1871) originally studied under Watanabe Nangaku before entering the school of Maruyama Ozui. He was the highest ranking Maruyama school painter at the end of the Edo period and was known as one of the ‘Four Heian Families’ along with Kishi...

Carlos Ochagavia (1913-2006) " After the Bath", 1999 painting. Dimensions with frame: 100 x 74.5 x 4cm.

A Hungarian painter who moved to America. Years 1910-1983. Artist specialized in equestrian subjects. Framed with a bleached wood and grasscloth frame. Signed lower right.