Bernard Locca Paintings

Portrait with blue eyes

Portrait in profile

Linda Adair's (Germany based) "Seeking Solace" is an oil painting that depicts a figure in an industrial interior space Linda Adair is a contemporary figu...

An original antique American painting by Samuel Knight Wright, depicting the fairytale character of "Little Red Riding Hood" on her way to gr...

Lone figure by window

Linda Adair's (Germany based) "Can I Borrow Your Wings" is an oil painting that depicts a figure in an urban city space Linda Adair is a contemporary figu...

Saturday Evening Post, Story Illustration Depicts Connecticut train station with possible drunk commuter being assisted by good samaritan Signed lower left Provenance: Illustration ...

Pruett Carter captures the quintessential look of the 1950's in this loosely rendered but charming work for Redbook. Bright, punchy colors define each object and are arranged in a simplified but complex composition of intersecting and overlapping planes of color. The double portrait of the girl expresses a peak moment of introspection. She ponders her situation while preparing to get dressed for her special occasion. The whole scene is imbued with suspense about her future. Carter is a great academic painter. With just a few light touches of the brush, he quickly defines the form of the subject and achieves the X factor of the work. The profile and frontal view of the girl clearly are the same person. He nails her look. This is hard to do. Do not underestimate it. Sadly, there is a reason why there are very few contemporary artists can actually paint and draw without tracing photographs or resort to naive painting. It's hard to do. It's hard to be a painter. You can not fake...

American, b. 1931 Max Ginsburg received his BFA from Syracuse University and his MFA from City College of New York. Since then, his true to life New York City sidewalk scenes have received numerous awards including, Christopher Award, Pauline Law Award, The Edith Lehman Prize, and honorable mentions from both Audubon and Salamagundi. Ginsburg Is an active member of the Allied Artists and the Society of Illustrators and his work has been commissioned by New York Times Magazine, Fortune Magazine, Harper Collins Publications, Dial Books/Penguin Publications and many others. His paintings also hang in many prominent collections, such as New Britain Museum of American Art, Connecticut, Martin Luther King Labor Center, H. J. Heinz Company and those of Jules Bernstein, Dom DeLuise, Edgar Bronfman, Harvey...

Fletcher Martin (1904-1979). Darkness, 1940. Oil on canvas, 18 x 22 inches; 28.5 x 32.5 inches framed. Signed and dated lower left. Presented in a carved chestnut Heydenryk custom frame of the period. Excellent condition with no damage or conservation. Biography: Birth place: Palisade, CO Death place: Guanajuato, Mexico Addresses: NYC; Woodstock, NY, 1947 and after; Guanajuato, Mexico in 1976 Profession: Painter, lithographer, block printer, muralist, illustrator, teacher Studied: Stickney Mem. Sch. Art Exhibited: Hatfield Gal., Los Angeles, 1932 (solo); LACMA, 1935 ( Van Rensselaer Wilbur Prize), 1939 (prize), 1944; FAP, 1937 (prize); PAFA Ann., 1939-54 frequently (prize 1947); 48 States Comp., 1939 (prize); WMAA, 1940-57; AIC, 1940-45; VMFA, 1941; CI, 1942-44; MoMA, 1942; NAD, 1943, 1949 (Altman Prize); Corcoran Gal. biennials, 1943-53 (6 times); Roberson Mem. Center, Binghamton, NY, 1968 (retrospective); Eve Loring Gal., Cedarhurst, NY & Rudolph Gals., Woodstock, NY, 1970s Member: A.N.A., 1969; Woodstock AA (chmn., 1953-55); Calif. WC Soc.; Am. Artists Cong.; Fnd. of Western Art; AEA (nat. committee,1949-55). Work: MMA; WMAA; MoMA; LOC; Cranbrook Acad. Art; William Rockhill Nelson Gal., Kansas City, KS; LACMA; Denver Art Mus.; Mus. FA, Houston; SFMA; PAFA. Commissions: true fresco, WPA, Hollywood H.S., 1935; oil on canvas, U.S. Secretary Fine Art, Fed. Bldg., San Pedro, CA, 1937; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Lamesa, TX, 1938; bas relief sculpture, U.S. Secretary Fine Art, County Court House, Bonner's Ferry, ID, 1939; oil on canvas, U.S. Secretary Fine Art, Post Office Bldg., Kellogg, ID, 1940. Comments: Preferred media: oils, watercolors, print media. Specialty: Western subjects. Illustrator: Tales of the Gold Rush, 1944; Mutiny on the Bounty, 1947; The Sea Wolf, 1961; The Jungle, 1965; Of Mice and Men...

Self portrait of the artist as a monk. American, b. 1927 Artist Michael Aviano has been drawing since childhood. His first oil paintings were done when he was in junior high school. In the 1940’s Michael applied to the Art Students League, NYC, where the school director, Steward Klonis, was so impressed by his talent that he immediately enrolled him in Frank J. Reilly’s painting class. This was an honor, as it often took up to two years to gain entrance into Reilly’s classes. Frank J. Reilly studied with the famous League teacher, Frank Vincent Dumond (American 1865-1951), who in turn studied under Benjamin Constant (1845-1902), Jules Joseph Lefebvre (1836-1911) and Gustave Boulanger (1824-1888), important painters of the French Academic Tradition. During his years at the Art Students League, Michael received annual scholarships and awards for his excellence in painting. Michael Aviano began exhibiting his work in New York in the 1960’s and built a reputation as an outstanding portrait and still life painter. The 1970’s brought Michael to Grand Central Art Galleries, NYC , the country’s premier gallery of American Realism. There his work was shown alongside such masters as Emil Carlsen, John Singer Sargent, George Innes, William Merritt Chase and such contemporaries as David Leffel, Richard Schmid, Charles Pfahl, and Priscilla Roberts...

High drama and fear is exressed on the faces of 5 kids as they anticipate the outcome a scary event. Signed lower left From the Estate of Charles Martignette. Most likey for the Sa...