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Anthologie Quartett Furniture

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7,500
3,971
2,543
2,244
Creator: Anthologie Quartett
Ettore Sottsass Tony Table Post-Modern Italy, circa 1970
By Anthologie Quartett 1, Ettore Sottsass
Located in Vienna, AT
A fine example of the work of Ettore Sottsass, the Tony 3 table was imagined by the famous designer in 1979. This piece was published by Anthology Quartett around 1984. It is charact...
Category

1970s Italian Post-Modern Vintage Anthologie Quartett Furniture

Materials

Plastic, Wood

Matteo Thun Extravergine Cruet for Anthologie Quartett, 1980s
By Matteo Thun, Anthologie Quartett 1
Located in Vienna, AT
Matteo Thun Extravergine Cruet for Anthologie Quartett, 1980s. Nice heart-shaped cruet for oil and vinegar. Dimensions are 7.08 x 7.08". Very good condition with no cracks or chips.
Category

1980s German Post-Modern Vintage Anthologie Quartett Furniture

Materials

Porcelain

Silueta floor lamp by Boda Horak for Anthologie Quartett, Germany 1998
By Bohuslav Horák, Anthologie Quartett 1
Located in modena, Emilia-Romagna
Horák's world is as if it were not of this world...the floor lamps turn into carnivorous plants, but despite all the fantasy and poetry, his creations are also endowed with functiona...
Category

1990s German Expressionist Anthologie Quartett Furniture

Materials

Iron, Wrought Iron

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Previously Available Items
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Anthologie Quartett furniture for sale on 1stDibs.

Anthologie Quartett furniture are available for sale on 1stDibs. These distinctive items are frequently made of metal and are designed with extraordinary care. There are many options to choose from in our collection of Anthologie Quartett furniture, although gray editions of this piece are particularly popular. If you’re looking for additional options, many customers also consider furniture by and Bohuslav Horák. Prices for Anthologie Quartett furniture can differ depending upon size, time period and other attributes — on 1stDibs, these items begin at $2,000 and can go as high as $16,353, while a piece like these, on average, fetch $7,582.

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