Anselmo Ballester Furniture

With a kitschy schlock-horror title and eye-catchingly vibrant artwork featuring a young bride dramatically recoiling in horror at the alien shadow lurking behind her, B movie sci-fi doesn't get much better than this! Released in black and white by Paramount as a double feature with 'The Blob,' 'I Married A...

Although the film itself is somewhat unknown, released only in France and the Netherlands, this stunning French Moyenne poster for the 1964 Pierre Armand melodrama 'Paris-Champagne' ...

An uber cool Australian Daybill for the 1967 American prison drama 'Cool Hand Luke' starring Paul Newman in an Oscar nominated performance as the titular anti-hero, a free spirited prisoner who refuses to conform to the system, as indicated by the poster's tagline "The man... and the motion picture that simply do not conform." Acclaimed as one of the key movies of the 1960s, the film's anti-establishment ethos touched a nerve during a time of growing opposition to the Vietnam War. The Australian Daybill was printed using stone lithography based on US artist James Bama...

Set amidst the moral decay of New York City following the Vietnam War and Watergate scandal, Martin Scorsese's 1976 psychological thriller "Taxi Driver" starred Robert De Niro as a lonely and disturbed anti-hero cab driver and war vet growing increasingly alienated and unhinged as his dreams of cleaning up the corrupt and sleazy city lead him down a path of violence, plotting to assassinate both a presidential candidate and the pimp of an underage prostitute, played by a 12 year old Jodie Foster. Widely regarded as one of the greatest films of all time, it was nominated for four Academy Awards including Best Picture, Best Actor for De Niro and Best Supporting Actor for Foster. De Niro's "You talkin' to me?" scene, where he imagines a confrontation in front of a mirror, gave us one of the most iconic quotes in movie history. This Australian Daybill poster features the same atmospheric Guy Peellaert...

Lobby Cards were designed for display in a cinema lobby to lure the movie-going public. Typically released in sets of 8, each card depicted a different scene from the film. This charming US lobby card for 'Breakfast At Tiffany's,' number 7 of the set, depicts Audrey Hepburn as Holly Golightly and George Peppard as Paul Varjak sipping coffee against a backdrop of Manhattan. Featuring a miniature version of Robert McGinnis' iconic artwork used for the US insert, the lobby cards offer a bit of Tiffany's magic at a more affordable price point than the larger and highly sought after US Campaign posters. Holly Golightly would be Audrey Hepburn’s defining role, establishing her status as one of the greatest screen legends and style icons of all time. It seems unbelievable now that Truman Capote, author of the novella on which the movie was based, had his heart set on Marilyn Monroe for the part. Monroe pulled out of the running when her acting coach advised her not to play a lady of the night...

Opening with the striking panorama of a statue of Christ suspended by helicopter, flying across the city of Rome, Federico Fellini’s epic satire 'La Dolce Vita' charted seven episode...

An adorable US One Sheet poster for a feature-length compendium of three previously released Walt Disney animated shorts based on A.A. Milne's beloved 'Winne-the-Pooh' books. 'The Many Adventures of Winnie the Pooh' brought together 'Winnie the Pooh and the Honey Tree...

Steven Spielberg's timeless tear jerking tale of a young boy's friendship with a stranded extraterrestrial was both widely critically acclaimed and enormously commercially successful...

Along with Jakub Erol's stylized design for the Polish release, celebrated Czech artist Milan Pecák's imposing illustration of Arnold Schwarzenegger as 'The Terminator' is one of the...

In Sean Connery's second outing as James Bond, "From Russia With Love" saw the British spy battling a secret crime organization known as Spectre. The follow-up to 007's 1962 debut in...

A fantastically bizarre poster by Jan Weber for the first Czech release of "One Flew Over the Cuckoo's Nest." Although Western films were shown during the Soviet era in the Communist Bloc, American publicity materials were banned, allowing the state-commissioned artists to operate with total creative freedom from the demands of the big Hollywood studios, offering quirky and sometimes surreal interpretations which often had little reference to the film. Weber's intense halftone design featuring a triplicate of manic Jack Nicholson faces is presumably a nod to insanity and multiple personality disorders. Based on the 1962 novel of the same name by Ken Kesey...

A rare Japanese B2 for the 1960s cult classic 'The Girl on a Motorcycle,' which followed Marianne Faithful on a psychedelic motorcycle ride across...