Andrew S. Conklin Nude Paintings

This classically painted nude model study demonstrates the artists understanding of the human figure. Surrounded by loosely painted lush fabrics, the model lies in a reclining position, her eyes closed, wearing only a pair of slippers. The quick, confident brush strokes in the background, combined with deft handling of paint in the figure combine to make this a painting for all time. Andrew S. Conklin Maureen Reclining oil on panel 10h x 14w in 25.40h x 35.56w cm Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

This is a classically painted portrait of artist and muse by Chicago based artist Andrew S. Conklin. Andrew's passion for Dutch and Northern Italian Baroque painting...

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...

Artist Statement—Motion Capture Studio Series. Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his direct interaction...

Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his ...

Andrew S. Conklin Artist Statement—Motion Capture Studio Series Andrew S. Conklin, a native of Chicago, Illinois, is a figurative painter. Conklin's paintings are a product of his ...

This classically painted figure study demonstrates the artists understanding of the human figure. A study for a series of larger paintings based on motion capture studios. Here the model is placed in a contrived position on a midcentury modern chair surrounded by props used in the motion capture process. Andrew S. Conklin Maro on Chrome & Yellow Vinyl Modern Side Chair, 2016 oil on panel 18h x 13w in 45.72h x 33.02w cm Motion Capture Paintings, Chicago My recent painting series describes the reality of motion capture environments by showing the interplay between female athletes and male technicians. These paintings are meant to explore conventions of female representation in Western figurative art and to contrast this past practice with the contemporary imagery of that subject via computer-based image technology. This project was instigated by a number of things: first, by my abiding interest in depicting the human form in paint, as I find its versatility in a design, its invitation to empathy, and its difficulty, to be something worth attempting to depict with success. In addition, my curiosity regarding the new ways to depict the form using electronic technology seem to challenge to the traditional methods I rely upon, and I wanted to comment on the similarities and differences between the studios of the painters and the technicians. In this way, I aim to continue my investigation into what I see as the contrasting quality of human nature, and symbolically represent opposites such as mind and body, analog and digital, realism and idealism, terrestrial and the transcendent. Andrew S. Conklin is a figurative painter. He holds an MFA from the Academy of Art University, and studied painting at the National Academy of Design in New York City with Harvey Dinnerstein...

A study for a series of larger paintings based on motion capture studios, this painting combines classic technique with modern sensibility. Here the model balances next to a midcent...

The classically posed dancer is juxtaposed against the iMac computer in Andrew Conklin's painting entitled "Nina with iMac Snow". While the computer is a technological marvel, it ha...