Allen Jones Art

This large Allen Jones lithograph is printed exuberantly in primary colors. A swath of bright red brushstrokes represents the side of a bus. In the upper left, small windows reveal the passengers: a woman’s face is cut off above her vampy red lips, and a blue-haired man’s face is hidden. Royal blue fills the upper right corner of the composition, giving the impression of looking up at a passing bus against the cloudless sky. One can imagine Jones was thinking of the iconic red double decker bus the AEC Routemaster, first introduced in London in 1954. In the 1960s buses were a living symbol of familiar and new technology coexisting: as David Bucken put it, “In and around London a midpoint change on a journey might involve alighting from an RT bus, of which production had started just prior to World War II, and getting on one of the sexy new Routemasters.” In the artist’s words: “The whole problem as a figurative artist was that it was going against the main march of modernism, which was towards abstraction. But here was a way of making the subject you were painting the same as the object you were painting on. By making the canvas a rhomboid, and putting little wheels on it, you have a schematic version of a vehicle, in this case a London bus.” Jones plays with the space between abstraction and figuration: windowed passengers, elaborated with just a few lines and placed adjacent to a weighty red ground of brushstrokes, easily convey the form of a bus, yet the print also conveys Jones’ visceral, painterly delight in color play. Four color lithograph on wove paper Paper 28.5 x 42.5 / 72.4 X 108 cm Wood frame 31 x 46 x 2 in. / 78.75 x 117 x 5 cm with 1 in. moulding Signed by the artist lower right in pencil, labeled Trial Proof lower left in pencil. Edition 20. Printed at Tamarind Los Angeles with Clifford Smith...

Allen Jones (1937) Chest (1968) Sculpture. Silkscreen print on fiberglass published by Xartcollection 14 3/5 × 10 1/5 × 4 7/10 in 37 × 26 × 12 cm An iconic example of Jones's early w...

Sold framed. Very rare Trial Proof from Jones' 'Fleet of Buses' series are amongst the greatest prints of his major 1960's Pop period. Only 20 prints in the regular edition, this one...

Allen Jones (b.1937) Shoe 1968 Etching 96/100 21.6 x 16.0 cm Frame: 50.5 x 40.5 cm Signed Allen Jones studied at Hornsey College of Art from 1955 to 1959 and the Royal College of Ar...

Set of 2. Sold framed. Very rare Artist Proof and Trial Proof from Jones' 'Fleet of Buses' series are amongst the greatest prints of his major 1960's Pop period. Only 20 prints in the regular edition, this one being a rare Trial Proof. Allen Jones’ firsts works are considered to be among those which launched British pop art. A display of several school buses...

Rare coveted silkscreen in museum quality frame: Allen Jones Red Feat (Lloyd, 73), 1976 Lithograph on Arches paper Hand signed, dated and numbered 49/60 in pencil recto, with Landfal...

Beautiful impressionist oil painting depicting a cabin near a stone bridge and river, with colorful autumn trees in the background by Al Jones. Signed "Al...

ALLEN JONES Mail Order, for Culture Carriers Stamp Out Art, from The Collection of Art Critic Anthony Haden-Guest, 1971 Lithograph mounted on franked envelope of wove paper (Hand Signed) 6 × 9 inches Edition of 250 (unnumbered) Hand signed in blue ink by Allen Jones with his initials on the lower left of the lithographic stamp, affixed to the envelope. Unframed As a consequence of the prolonged strike by the Royal Mail postal workers in the United Kingdom, Allen Jones, along with a group of top British Pop artists of the era including David Hockney, Eduardo Paolozzi, Derek Boshier, the poet/activist Christopher Logue and Richard Hamilton, published ''Culture Carriers Stamp Out Art''to raise funds for the striking workers. The "stamps" were published in a limited edition of only 250 each (some artists, like Paolozzi and Allen Jones created more than one design), with the artists signing each by hand in blue ink with his initials on the lower right. Allen Jones "Mail Order" is an especially clever take on the project; it is at once a postage stamp (hence the title "Mail Order"), but it also refers to the popular mail order catalogues of the era. It was a particular preoccupation of Jones, who, separately, created a large lithograph called "Janet is Wearing" -- referring to his wife Janet, but playing upon the advertising jargon of the day, used in mail order catalogues. For this particular project - creating a stamp to raise money for mail carriers...

Shoe Box (D) Lithograph printed on BFK Rives Signed, dated, titled and numbered in pencil (see photos) From: Shoe Box-Exotic (Sculpture and seven original li...

Shoe Box (C) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Signed, dated, titled and numbered in pencil (see photos) Lithograph printed on ...

Allen Jones is an English painter, sculptor and printmaker. He studied at Hornsey College of Art, London (1955-9, 1960-61), spending 1959-60 at the Royal College of Art, where he ...

Shoe Box (Title Page) From: Shoe Box-Exotic (Sculpture and seven original lithographs) Published by the artist and Peterssburg Press Edition: 200 of which t...

Allen Jones (English, b. 1937) Catwalk Fragment, 1998 Medium: Etching on paper Dimensions: 53.5 × 38 cm (21 1/10 × 15 in) Edition of 150: Hand-signed and numbered Condition: Excellent

ALLEN JONES (1937) Three in One 1971 Color serigraphy 48.5 x 46 cm 19.09 x 18.11 inches Number 70 of 75 Signed and dated on the lower right

ALLEN JONES (1937) Acrobat 1993 Acrylic on wood 70 x 36 x 30 cm 27.55 x 14.17 x 11.81 inches Number 16 of 22 Signed, dated and numbered on the base "allenjones '93 16/22"

Allen Jones (British, born 1937) Performance in Print, 2020 Medium: Fine-Art-Giclée-Print on Hahnemühle Agave 290gsm with Catalogue Raisonné of the Prints 1996–2020 – Volume II Dimen...

Original lithograph. Allen Jones "High Society". From first owner. Numbered and signed. Dimensions including original frame.

Allen Jones Take it from the Top (Lloyd 86), 1982 Lithograph on BFK Rives wove paper 28 1/2 × 37 1/10 in 72.5 × 94.2 cm Edition of 75

A Unique sculpture by Allen Jones, one of the very few variations on the theme, made in a forge and painted differently then other variations on the theme.

Published by the Welsh Arts Council, screenprinted by Priestleys.